Back in 1959, air hostess was considered one of the most glamorous and privileged occupations for young girls with a dream. This first colour production of MP & GI details the ins and outs of the profession and takes the three lead actresses, Ge Lan (Grace Chang), Julia Ye Feng and Dolly Su Feng through a series of tough training. After their graduation, the film then brings them, and the audience, to exotic places like Bangkok, Singapore and Taiwan.

Early Shaw Brothers comedy

A Shaw and Sons production

A Shaw and Sons production.

A Shaw and Sons production

Morris the Tailor seeks to get even with Gilbert, Earl of Chen who has stolen a set of expensive clothes from him. Morris bumps into Princess Jenna and the two fall in love at first sight. But the king voices his opposition since Morris is from the grassroots. Gilbert suggests that Jenna's aunt adopts him as her foster son. In a split second, Morris is elevated to a royal and becomes the king's son-in-law.

Gu Lingxiu's dream of becoming an actress is opposed by her grandmother. Her father Zhongqi remains ambivalent. Years ago, Zhongqi was in love with a Peking opera diva Hua Yanhong, but the lovers were separated by the matriarch. Regretful of the mistake, the matriarch discards her prejudice and allows Lingxiu to pursue her career. She also urges Zhongqi to look for Hua.

A Shaw and Sons production.

A Shaw and Sons production.

A Shaw and Sons production

A young woman in search of a lost identity, her long lost mother who abandoned her soon after her birth.

A Songstress Called Hong Lingyan (歌女紅菱艷) aka Tears of Songstress is a 1953 Hong Kong musical drama film directed by Tu Kuang-Chi. The film was a co-production by Shaws Film Company and Far East Motion Picture Company, and is based on the screenplay by Pan Liu-Dai.

Jiang Lizhen's husband, Wang Gensheng, went to Nanyang to make a living. After ten years of separation, there was no news. Jane took her daughter to find her husband, but found out that she was born into a wealthy family.

Teenage idols Grace Chang and Jeanette Lin Cui played competitive university freshman fighting against each other for almost anything : fame, recognition and, of course, guys, who were played by Cathay heart-throbs Peter Chen Hou end Roy Chiao.

The film is adapted from Chinese classic comic series Mr Wong, with Tang Bik-wan joining hands with the magnificent Sun Ma Si-tsang and Tam Lan-hing to give a dazzling performance. Wong (Sun Ma Si-tsang) passes off as the company's manager to pursue the beauty Hui (Tang Bik-wan) behind his fearsome wife's (Tam Lan-hing) back. Unbeknown to him, Hui is actually the fiancée of his nephew (Sima Wah-lung), to whom he has refused to lend money. Scenes in which Hui plays pranks on him and tricks him into providing funds for her are spiced up by the lively acting of Sun Ma as a wife-fearing perv and Tang as a sassy girl with a sharp tongue. The film ends with Wong making excuses to meet Hui at a hotel but getting caught by his feisty wife. Whilst both are acclaimed comedians in their own right, brassy Tam and composed Tang together pull Sun Ma's leg in an unmissable classic slapstick.

Sweet Song For You (勾魂艷曲) aka Song of Romance is a 1952 Hong Kong musical romance film directed by Yin Wang. The film was produced by Runde Shaw for Shaw and Sons and is based on the screenplay by Tan Liu.

Musical from Hong Kong directed by Chow Sze-Luk.

Vagabond singer Ali is embroiled in a dispute over love and is compelled to return to his own country. Ali is mistaken for the future queen's consort and chances to meet her majesty Law Yee. Law falls head over heels for Ali and they get married not long after. However, Ali finds royal formalities unbearable and decides to run away from the palace. Disregarding all rules, Law follows her man to wherever he goes.

This was a HK musical produced by Nanyang Film Company and distributed by Shaw & Sons.

A Chinese Opera in Cantonese by Shaw and Sons studio.

Iron-Beaked Hen and Fatso Bo on their way to the city to help a relative out of some trouble, they run into a band of robbers. They stop over an allegedly haunted house where they save the lovers To Lok-yin and Yu Mei-yung from their attemped suicide. Hen learn their story and decide to help them out. Yin comes from a rich family, he lost his father when he was very young and was brought up by his uncle. Now that he is old enough to claim his inheritance, the guardian, his uncle, in order to keep the fortune under control, forces him to marry a girl of his choosing. The couple cannot face separation and resolve to end their lives together. Hen thinks of a way to help them, which involves Yin pretending to comply; that is, to go ahead with the marriage arrangement. On the wedding day, they swap the bride with Yung. Disguised as a matchmaker and a county official respectively, Hen and Bo reprimand To's uncle who schemes to seize To's family fortune. To and Yu marry.

During the Warring States Period, Nung-yuk, the Princess of Qin, denounces the mundane world and dreams of marrying an immortal. This extends to her criteria for choosing a husband: excelling in flute playing. Once, she is captivated by the tune 'Three Melodies of Rainbow Dress' and mistakes the qin player Siu Sze for a fairy. Yuk then persuades Sze to sit the national exam for a better future. Sze's music attracts hundred of birds. Yuk returns to the palace pleading with her father Esquire Muk to agree to their marriage. Despite the Empress Dowager's opposition, Yuk leads a secluded life with Siu afar; a noble breed thus living a hard life. The King lets her go, only granting an annual visit. A year later, Yuk and her husband returns for a visit. The Queen still wants to break them up. Later, Jin State sends people to discover the whereabouts of their Princes. Siu is in fact the Prince of Jin. With Muk’s blessings, Siu marries Yuk in Jin, a marriage which brings peace to both states.

An early Musical by the Hsin Hwa Motion Picture Company.

Musician Sun Ping is estranged from his wife. Second daughter Yinzheng lives with Sun while eldest daughter Jinliu follows her mother. By coincidence, the sisters both enter the 'Calendar Girl' pageant but Jinliu deliberately lets her sister win the contest. Later, the sisters and Liu Bucheng perform in Sun's musical show. Though the show is a success, Yinzheng decides to quit in order to get married. Not wishing to disappoint their father, Jinliu devises a plan to make Yinzheng stay on, but the plan misfires. Yinzheng leaves angrily. She is at last brought back to the show due to Liu's mediation. The elders also reconcile as the sisters perform together on stage.

An adaptation of Tong Tik-sang's now-legendary Cantonese Opera piece, the film features divas Yam Kim-fai and Pak Suet-sin (left with Yam), who play the story's lead lovers, and Lan Chi Pak, the sinister official who tries to break up the relationship. Leung Sing-po plays the pair's friend as well as the mysterious 'man in yellow' who exposes plans to separate the couple.

A Chinese Opera film by the Shaw and Sons studio.

HK musical horror film.

Chinese Opera from Hong Kong directed by Chun Kim.

A Chinese screen opera

Chan Kwai-sheung visits the brothel with So Tung-bo while his wife, Lau Yuk-ngo, is sleeping. As this is the first time Sheung did this, Ngo wants him to suffer and so makes him wear a lamp on his head. During the Lantern Festival, the Emperor has fun with his officials. After a few drinks, Bo says that Ngo has lost the virtues of a woman. Ngo immediately appeals to the Emperor. All the women there, including the Empress, say that Bo should be punished. Bo is unhappy and invites his cousin, Kam Cho, seduce Sheung to make Ngo unhappy. Sheung, a philanderer, schemes to take Cho as his concubine. Ngo finds out and beats him. Bo urges Sheung to divorce Ngo. Ngo is furious and lodges a complaint with the imperial court. The Emperor allows Sheung to have a concubine. Ngo pleads that she would rather drink poison than let Sheung take a concubine. Feeling remorseful, Sheung drinks the poison after his wife. Fortunately, the queen has switched the poison with vinegar. The couple reconciles.

Written by the great librettist Tong Tik-sang, and featuring Lee Tit's elegant direction and superb performances from Yam Kim-fai and Pak Suet-sin, "Butterfly and Red Pear Blossom" brings Cantonese opera to cinematic life. The film features two lovers who have never met in person but whose poetry over three years has subtly declared their unyielding love. Yam's minimalist acting style enables her to convey dynamic passion as well as step about the stage with ease and accomplish the image of a resolute, yet gentle, scholar. Pak meanwhile defies a prime minister with pride and dignity.

Production company Taoyuan chose for its inaugural film a comedy and Fong Yim-fun gets to take a break from playing long-suffering roles and showcase her talents in making us laugh! She plays the spritely titled character, brandishing a fresh image. The film is an adaptation of the literary classic Romance of the Western Chamber, in which the Prime Minister's daughter (Law Yim-hing), under siege from rebel soldiers, is rescued by a plan formulated by a poor scholar (Law Kim-long), with whom she is in love. But her mother (Poon Yat On) reneges afterwards on her promise to let the rescuer marry the daughter, and the clever Red Maid steps up as go-between, devising a series of sharp-witted tactics to help the lovers.

The Prime Minister's daughter, Kong Yeuk-mui, is attracted by the private tutor, Chow Yuk-pui. However, the Prime Minister despises Pui's lowly background and banishes him. Kong disowns her father, hoping to marry Pui when he achieves honours in the imperial exam. Meanwhile, Mui's brother Tak-chu prepares for the exam under Pui's tutorship. Pui and Chu, take the money Mui gives them and head for the capital. Unfortunately, Pui has himself fallen ill. Considering that the examination day is approaching, he gives all the travel expenses to Chu and urges him to set off. Mui resides at Loquat Alley, longing for Pui's honourable return. One day, she comes across a beggar, when she recognises it is Pui, her heart breaks. Chu who has newly been appointed Top Scholar, arrives and tells her sister the whole story. Nevertheless, Pui's sister is chosen to be the imperial concubine. Benefiting from this bond, Pui becomes the Royal Brother and works as the court secretary and weds Mui.

Musical from Hong Kong directed by Fung Chi-Kong.

Chinese Opera from Hong Kong directed by Chan Pei.

A shoe salesman and a tailor respectively fall in love with two sisters, Yuk-sin and Yuk-ling, both reputed singers on the radio. The men devise various schemes to meet the two women. Fourth Aunt, the sisters' mother, treats the two women as commodities to be traded off to the highest bidder, greedily making money off their talents by arranging lucrative concerts. The shoe salesman and the tailor disguise themselves as rich men to get close to their dream lovers. Finally, the sisters are won over by true love.

Based on a short story found in Strange Tales from a Chinese Studio by Pu Songling (1640–1715)

Chinese Opera from Hong Kong directed by Lau Fong.

Chinese Opera comedy from Hong Kong directed by Yeung Kung-Leung.

The first Hong Kong-made Huangmei opera film.

Musical comedy from Hong Kong directed by Chiang Wai-Kwong.