A jewel thief decides to turn over a new leaf. He starts anew as a professional singer; but before long, the he becomes suspect again for a series of robberies. He sets up a trap to snare the copycat thief, but will it snare him instead?
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A jewel thief decides to turn over a new leaf. He starts anew as a professional singer; but before long, the he becomes suspect again for a series of robberies. He sets up a trap to snare the copycat thief, but will it snare him instead?
The mythological tale of a quest from China to India to bring back Buddhist scriptures, famous for the adventures of Sun Wukong, the notorious Monkey King.
This gripping story centers on the romance between Wang Chin Lung and Sue San. Although they may be perfectly matched when it comes to their love for one other, the two come from remarkably different social ranks. While Chin Lung is the son of a respected government official, Su San is a prostitute, albeit a famous one.
A musical staring Carrie Ku Mei as a singer named Xiaoyun Shi, who comes to Hong Kong after a tour of other Asian countries, hoping to develop her career.
The film tells the story of Xing Yonghui, a rich girl who has fun with her painter boyfriend Du Shaohua and her classmates. Chen Xiaoping and Guo Dawei fall in love and want to elope, but they are prevented from doing so; Du Shaohua and Li Zhongting fall in love with each other over a painting, causing Xing Yonghui's unhappiness, and Xing Yonghui crashes a car into a rock and wants to die together, causing serious injuries to Du Shaohua and Li Zhongting; Xing Yonghui's suicide is prevented by her shame, but Li Zhongting does not care about the past suspicion, and the two of them recover from the injuries and perform with their classmates on the same day as they had planned to do so.
In this dreamy romance set in China during the fourth-century, a young woman convinces her parents to allow her to dress as a boy and attend university.
Monkey King, Pig and Friar Sand must rescue his master Buddhist monk from seven witches / spiders who believe themselves to be immortal if they eat the monk's flesh. The third part of the Shaw Brothers film series about Monkey King after the novel "Journey to the West."
A musical about 3 sisters, singers and dancers, and their dad, a magician performing in nightclubs until they make their own life.
The winning couple of Linda Lin Dai and Peter Chen Hu light up the screen in the delightful Shaw Brothers musical Love Parade. The manager of a dance company places a personal ad in the newspaper. He receives a response but has no idea the woman is his top dancer, with whom he has an antagonistic relationship.
Ling Yun plays the replacement hired for a popular band whose egotistic drummer quit to join a rival group. When the new arrival becomes a hit, he earns the jealous wrath of the predecessor. Meanwhile, the young drummer's mother is fervently against his music career. With the gorgeous Lily Ho as the manageress of the band and some terrific drumming set pieces, the whole thing, needless to say, comes off with a bang.
Comedy of Mismatches begins with widow Sun who single-handedly raises her son Yu Lang (Chin Feng) and daughter Zhu Yi (Li Hsiang Chun). One day, Mother Sun sends her children to the temple, where Yu Lang encounters Hui Niang (Pat Ting). Artist Xu Ya is also at the temple, praying that his daughter Wen Gu (Carrie Ku) will find a good husband. Soon after, Wen Gu encounters nobleman's son Pei Zheng (Wai Mao) and the two fall in love at first sight.
A woman in an arranged marriage falls in love with her husband's brother.
There's nothing like a good, opulent, gaudy musical to lift the spirits, but when it's a 1960's Hong Kong musical orchestrated by a Japanese director and composer, it breaks through the ranks as a classic of campy kitsch. A follow-up to the previous year's megahit Hong Kong Nocturne, with the same Japanese creative team, Hong Kong Rhapsody follows the fortunes of an unemployed magician whose love life is so knotty it would take Houdini to unravel!
One stormy night, a poor music student (Patrick Tse) meets a famous dancer (Josephine Siao). In one night, he composes for her the musical of her dreams: A Purple Stormy Night. The management of her dance company is divided on the musical, but the dancer manages to dispel all their doubts and the musical becomes a great success. The student and the dancer fall in love, but there is a shadow side to happiness: corrupted by success, the next musical they make is superficial. "Purple Night" shows the dangerous influence commerce can have on artistic integrity and is also about themes such as love and friendship, the relationship between art and life and the conflict between rich and poor.
The Ching Dynasty novel The Dream of The Red Chamber is not only the most widely read, but also the most filmed book in Chinese history. The sprawling love story has proven a challenge to many filmmakers, but this version is acclaimed as the most successful. A sumptuous feature which took three years of planning and another for production, it was a hugely popular and critical hit which still stands out as a classic of both 18th century literature and 1960s moviemaking.
Adapted from one of China's most well-known fairy tales, the Goddess of Mount Hua falls in love with a young mortal scholar Liu Yanchang and gives birth to a baby son, Chenxiang. When Chenxiang grows up, he seeks to unravel the mystery surrounding his mother whom he has never met.
The Monk, Monkey and Pigsy find themselves in the title realm, where women can only give birth to women...unless loved by a man
Based on one particular storyline from The Water Margin, Three Sinners weaves an intriguing story of romance, treachery, and death, all within the context of the traditional Huangmei Opera. Yan Jun casts his real-life wife, the elegant Li Li Hua, star of such Shaw Brothers films as The Goddess of Mercy and Vermillion Door, as one of the title characters, a woman who finds herself in the middle of a stormy love triangle involving her controlling husband (director Yan Jun serving double duty in a starring role) and a passionate lover (Chen Yan Yan).
Julie Yeh Feng stars as Hsiu Hsiu, a beautiful singing shepherdess who falls head over heels in love with a handsome boatman named Liu Ta Lung. Unfortunately, she can't afford to marry her new beau because her father has racked up numerous debts due to his uncontrollable gambling addiction. And to make matters even more complicated, there's a rival suitor who promises to pay off all of her no-good father's debts on the condition that he is given Hsiu Hsiu's hand in marriage. She initially declines his offer, but starts to get jealous when she sees Ta Lung getting a little too close for comfort with another woman. In retaliation, she starts flirting with her possible benefactor/husband-to-be. But what Hsiu Hsiu doesn't know is that her jealousy isn't based on any actual unfaithfulness, but on an unfortunate misunderstanding!
Grace Chang delivers an eye-opening performance as a lusty nightclub singer climbing the social ladder in seedy Wanchai. Borrowing story and song elements from Georges Bizet’s CARMEN, this Wong Tin-Lam directed musical has flair and polish to rival Hollywood, and a superstar leading lady that would any film industry would have a tough time matching! A key film from the celebrated Cathay Film Studios.
Singaporean diva Li Ailian has arrived in Hong Kong to further her singing career. Xu Zhaofeng helps her land a job at Spring Wind Palace. Provoked by jealousy, Xu's long-time girlfriend Tao Haiyin, a local diva, insists on performing at the Palace, too. And when two divas strut their stuff, it's great tunes and hot action. Haiyin's brother Zhengsheng, the bandleader, has fallen out with his sister due to his infatuation with Li. Li misunderstands Zhengsheng's intentions initially but his devotion speaks volumes. Haiyin and Xu also reconcile.
The Goddess of Hua Mountain is imprisoned for falling in love with a mortal, meanwhile her son is raised in secret until he can attempt to free her.
The son of the town bully lusts after a local beauty in this action-filled thriller of the passions and violence to be found in a fishing village.
Young love and its comedy of errors. Hsiao Fang, played by Li Ching, is a spunky young girl not afraid to fight back against hooligans. Unfortunately, she mistakes the handsome Ma Ta-hai, for one such hoodlum. The two are immediately attracted but refuse to admit their true feelings. The real hooligans are from a rich family led by a devious Madam who devise a revenge plot. With plot twists, mistaken identities, along with some terrific musical numbers, romance has never been this much fun.
A Huangmei opera produced by Shaw Brothers about a carp spirit who transforms into an identical copy of a beautiful woman to win the heart of a lonely male scholar.
Linda Lin Dai and Fanny Fan join the dancing troupe of Kao Pao-shu. Linda and Kao's son Peter Chen, manager of the troupe, have misunderstandings and dislike each other.
Return Of The Phoenix is yet another masterpiece from prolific director Li Han-hsiang. An imperial minister Cheng Pu (Ching Miao) is faced with a quandary. He's getting old and his daughters are still not married. Elder daughter Shueh-yeh (Elizabeth Chuang) is so ugly no one wants her. Younger daughter Shueh-wu (Li Hsiang-chun) is beautiful but Mrs Cheng refuses to let her marry before her elder sister. The drama unfolds when Cheng decides to marry Shueh-wu off.
Director Wong Yiu, recognising the spending power of a new demographic, was looking to create a teenage sensation for the factory girls. It soon became a social phenomenon in the 1960s. Former child star Connie Chan Po-chu fitted the bill perfectly with her doe-eyed innocence framed by silky long hair. In Girls are Flowers, she plays a young tutor falling in love with a handsome boy. However, their road to romance is paved with potholes and speed bumps. Chan's fellow former child star Nancy Sit plays the boy's younger sister who saves the day with her shrewd, nimble-minded plans. Sit's role may be small but with radiance from her glorious smile and beaming personality, she brightens up this musical romantic comedy like a fairy-tale nymph.
A Shaw Brothers comedy starring Peter Chen Ho and Grace Ting Ning.
Chen Hou is a chauffeur who gets caught in a mistaken identity scandal linking him to businesswoman Lok Dai. Chen was supposed to audition for a job as her chauffeur, but a proposed musical show is far more attractive to the aspiring dancer. When a rumor gets out that the two are involved in an affair, she's angry and confronts him, but his charms overwhelm her, and it's revealed that she too desires to dance. Soon she's bankrolling the affair, the sets are being built, and the singing and dancing begin!
The film follows three sisters’ ups and downs that begin with this youngest one’s jealousy. In the film, Pearl Au Kar-wai stars as a very charming actress, who is loved by every person around her. The little sister envies her sibling’s achievements but what she does impulsively has caused permanent harm to the family. Besides Siao and Au, Woo Fung, still an active TV actor today, took up the role of Au’s once boyfriend, and Fanny Fan Lai and Roy Chiao, well-known for their roles in Mandarin films, took a bold step to partake in this Cantonese film. Director Chu Kea, best known for his period dramas, turned to a contemporary-set film this time, and successfully delivered the film’s sense of modernity, probably with help from his co-directors Ho Hoi-ki and Chu Yat-hung, who was his sister. The opening scene of an orchestra performance even reminds the audience of Hollywood movies.
Movie queen Ivy Ling Po is ideally cast as a male scholar in this historical Huangmei Opera romance. It’s a tragic love story between the scholar and a local beauty (played by Fang Ying). He polishes mirrors as a pretext to get closer to his love, who signals her approval by tossing him a bunch of lichees. From that point on the course of true love proves operatically rocky, complete with murder and suicide.
With China under control of a weak Emperor, two officials compete to steer the future destiny of the land. Chiu believes the people are the future of China, while the diabolical Tu wishes to grind the people beneath an iron heel. Tu decides to take out Chiu's family, but one lone infant escapes.
A sweet inn-keeper's daughter falls in love with a woodcutter, but witnesses the woodcutter's brother raping her sister. Tragically, the sister commits suicide in shame, and the rapists turn his attentions to the witness, leading to more danger than most romantic dramas can handle.
It seems that Li Zhenfei was once an imperial concubine, who often found herself competing with her rival Madame Liu for the emperor's sole, undivided attention. When Li gives birth to the Emperor's child, the jealous Liu switches the boy with a cat and commands a servant named Kou Zhu to kill the baby. However, Kou Zhu ignores the order and gives the prince-to-be to the emperor's brother, a decision which eventually leads to the boy being adopted by the emperor himself! But as fate would have it, to go along with his new son, the emperor has a new wife as well - Madame Liu! As this strange new family unit is being constructed, poor Li Zhenfei has been confined to the forbidden palace, condemned to never see or speak to her son, the prince. But destiny reunites her with her son, but will this family reunion be a happy one? And will Madame Liu finally be punished for her treachery?
The film tells the story of Tang Bohu, a famous scholar who spends most of his time wandering around the countryside.
He Shaoping is a studious factory worker who falls in love with her teacher at her evening classes.
In 1966, like in The Love Eterne, Ling Bo took up the male lead in Forever and Ever, despite Shaw Brothers' earlier plan of having her as the female lead. Facing opposition from fans, they finally arranged for her to star as a male student named Xiaowen. Wicked rich man Liu, portrayed by Lo Wei, the director of this film, wants Xiaowen to marry his daughter (Lin Yu) who is suffering from leprosy, thinking that marriage will take away her disease. Although Xiaowen discovers Liu's plan, he is still in love with her and hopes that a miracle will cure her disease...
The story revolves around Tian Yu Quan (Chin Feng) who rushes to the aid of an elderly fisherman who is bullied by an arrogant relative of the Qiu Shan ministry. In the heat of the ensuing battle he kills the said man and is hence chased by the district's officials. Trying to use the waterway to shake off his enemies, Yu Quan finds a true friend in the old fisherman's bark-stearing daughter, Hu Feng Lian (Ting Hung) who becomes his loyal accomplice. As symbol for his gratitude, Yu Quan bestows Feng Lian with a Butterfly Chalice to reflect their eternal friendship bond...
Li is a beautiful young woman who is engaged to a handsome scholar, Pei Shunqing. However, a rich evil man, Jia Sidao, is attracted by Li's beauty and wants to take Li as his concubine. Pei and Li then come to discuss the matter and decide to flee, but they are kidnapped by Jia's men before they can escape. Jia threatens to kill Pei, and Li finally yields but requests to see Pei for the last time. During their short conversation Li tries to persuade Pei to leave, but he insists that he will not leave without her. Li tells him that she has promised to be Jia’s concubine. Pei has to depart, angry and disappointed. Later, Li tries to kill Jia with his sword before their wedding but she is stabbed to death instead. Li's ghost then returns to avenge Jia and his men by burning them until only ashes remain.
Jenny Wu is a singer who charms the well-to-do Peter Chen, but his parents object to a union between their only son and a lowly cabaret singer. He ignores their advice and marries her anyway, and for a time, they find some manner of wedded bliss. But the years are not entirely kind. He works hard to make ends meet, but his health pays the price.
A young lady has taken the place of caring for her two younger brothers since the death of their mother. She is content with putting her life on hold whilst she cares for them until one day...
Hong Kong musical.
The husband-and-wife team of Ivy Ling Po and Chin Han returned to another Huangmei Opera classic after Lady General Hua Mu-Lan. Helmed by Chow Sze-loke and written by Chang Cheh, the story revolved around two intellectual siblings, Ching Feng-sheng (Chin Feng) and Ching Feng-hsiao (Ivy Ling Po), who were constantly abused by their stepmother Hsia (Kao Pao-shu). Feng-hsiao was engaged to Li Ru-lung (Chin Han) since birth, but the greedy Hsia forced him to forfeit the marriage. When Ru-lung refused, Hsia framed him for thievery and put him behind bars. To rescue her lover, Feng-hsiao dressed as a young man and went to the capital. She then used Ru-lung's name to enter the national exam and was ranked first place. Impressed by Feng-hsiao, the Emperor decided to let her wed the Princess (Fang Ying). On the wedding night, Feng-hsiao revealed the truth to the Princess...
Lily Ho and Jimmy Lin Chong operate a travel agency specializing in Southeast Asian holidays, Tropicana Interlude. Lin Chong wears his trademark Nehru suits, tours the scenic sights of Malaysia and Singapore, and warbles a half-dozen hit tunes, making this one of Shaw Brothers most lively 1960’s musical romances.
Hsiao Yun's rise to fame all results from a lucky break, as she's forced to substitute for another singer at the last second. The girl makes the most of her fortuitous opportunity, creating a huge splash in her debut as an entertainer, a fact which forever changes her life! However, this newfound meteoric rise to fame begins to take a toll on her personal life. For one thing, it starts to complicate her burgeoning romance with her pianist lover. And secondly, she soon finds herself the receiver of some sexual overtures from the producer of her show. What will poor Hsiao Yun do? And will blue skies be smiling at her by story's end?
Ling Bor plays Wen Fei E who is both an excellent academic as well as martial arts expert. Since her childhood days fond of dressing up as a boy, she becomes a village scholar sharing classes with Tu Zi Zheng (Chin Feng) and Wei Zhun Zhi (Ho Fan). When Fei E's innocent father is framed and sent to prison, she rushes to his rescue saving Jing Fu Quan (Kam Fie) who is in the hands of robbers along the way. Mistaking Fei E to be a noble hero, Fu Quan has no greater wish than to get married to her savior...
Beyond the Great Wall is a true story based on how Wang Chao-chun sacrificed her love and life for the good of the Chinese people during war time fears between China and the Huns.
The lovely Li Hsiang-chun stars as a poor beauty who is drugged, ravished, lied to, locked in a burning store room, left to drown, and chased by sword-wielding ruffians, among other things. Her only hope is her betrayer's new wife, played by the strong and sensual Ivy Ling Po. Dawn may come, but the questions is: will it be too late? Director/writer Kao Li shows both restraint and sadism in this historical melodramatic tearjerker.
Shaw Brothers musical about three Showgirls chasing millionaires.
To marry her fiance Dong Jifang, Wang Danlin and her father Zhuoran take the cruise home to Hong Kong. The daughter fails to see eye to eye with her father who covets after Dong's money for speculation. On the ship, she suffers intensive courtship from the Filipino Chinese Lin Yamang. Meanwhile, Dong is eager to match his old frame Bai Jin with the sailor Mai Qin, but Mai mistakes Danlin for Bai and falls in love with her, resulting in a morass of troubles. Finding out Dong's affair with Bai, Danlin calls off the wedding in anger. Dong responds by deciding to marry Jin. Their nuptials are saved with the timely intervention of Mai.
This is a Cantonese musical from director Wong Yiu
Ling Bo is Lin, a young man engaged to the daughter of a rich man, who now despises Lin because of his family's declining status. Lin visits his beloved fiancee before he heads towards the imperial city to participate in the civil service examination, only to find her maid lying dead in blood. Lin is then accused of murder. How can Judge Bao prove his innocence?
This Classic Seductive tale of two snakes who assume human forms will send chills of pleasure down viewers' backs. The Lovely Linda Lin Dai (Les Belles, The Kingdom And The Beauty) and margaret Tu Chuan (The Dream of The Red Chamber) play the two sister serpents, Pak Su-cheng and Ching Ching. Su-cheng meets Hsu Hsien (Chao Lei) one day and recognizes him as her savior in another life 1,000 years ago. She marries him to reward him but the snake-human union brings about problems beyond imagination.
When a murder occurs in a nightclub, dancers Pak Lai Hung and Lam Yin Fei meet the murderer and run into a college to hide. The next day, they perform on the beach in place of female students Zhu Man Zhen and Liang Mei Fang, but they are expelled by the police because they are not licensed to perform. The next day, they perform on the beach in place of female students Chu Man-chun and Leung Mei-fong. On the night of the charity show, Hung and Fei are watching the performance on stage, but the murderer follows them, fortunately, Fang finds him and calls the teachers and students and the police to arrest him.
Seventh sister of the celestial world goes down to earth to marry Dong Yong, a young man sold to servitude. However the Jade Emperor orders her to go back to the immortal world.
Li Meixin rejects Du Ziping's marriage proposal on the eve of Du's departure to further his studies in Japan. Li joins a travelling troupe under Jin Shiming and becomes a success overnight. While performing in Singapore, Li discovers she is pregnant. For the sake of Li and the unborn child, Jin marries Li. Due to financial losses, Jin's troupe is disbanded. Du returns from Japan and is invited to play the male lead opposite Li in a new troupe. Caught in a dilemma, Li dies in a fall while running away from Du.
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes. ‘Movie-fan princess' Connie Chan Po-chu not only sings Cantonese song and huangmei tone solos in the film, she also wows the audience by taking up the doumadanrole for the first time as the Tang dynasty female general Fan Lei-fa, showing off her superb operatic martial skills, together with Shum Chi-wah, inherited from Peking opera master Fen Ju Hua. Yu Kai's weaponry prowess and renowned female comedian Tam Lan-hing cross-dressing as a male general are also brilliant in this gem.
Famous dancer and film actress Fong Nan (Mao Mei) desires both a career and a family after marrying an eminent doctor (Guan Shan), who, however, wants her to be a stay-at-home wife. They are on the brink of divorce when he finds out she secretly rehearses for her dance and movie…Taking inspirations from Hollywood musical films, the movie is beautifully directed and meticulously produced by Yuen Yang-an and his Sun Sun Film Enterprises. While most films at the time usually depict how grassroots people rise above adversity, this one tells the story of a famed actress who thrives for success and never gives up on her artistic ambition. This reflects that women's liberation and employment was a dominating theme in left-wing movies. The finale was shot in Eastman colour negative film, which was rare before mid-60s given the limited technical resources in Hong Kong film industry, and thus a valuable record in the city's cinematic history.