A married couple living in a desolate small town in post-WWII China are paid a surprise visit by an old friend of the husband's.

This is a silent film from China made in 1931. It is about two leads in a film, Yan (Raymond King) and Ying (Violet Wong). They meet after hearing Ying sing while another movie is being shot. You, of course, don't get to hear the song, but it catches people's attention. Once they meet and work together, they fall in love. Is it forever?

A man who becomes wealthy starts to have an affair and though his wife knows of it, she says nothing. Soon, the affair starts to have consequences and his business falls apart while the man’s sister starts to have a relationship with the brother of his wife.

In this Chinese version of The Phantom of the Opera, the mysterious Song Danping terrorizes the newly rebuilt opera house and its young star.

Bai Le De and Hu Lun tung are military cadets. After graduating, Hu Lin Tung is appointed captain of Guangdong headquarters and goes away. Later, Bae Le De is also appointed to a post at the same place. Hu Lun Ting falls in love with Luo Hua, daughter of the local commander.

In pre-communism China, a widowed man falls in love with a young colleague who's the same age as his own children.

During the Republic of China, a Beijing Opera actor named Wu Yuqin specializes in performing in female roles. He takes the stage name Qiu Haitang and is invited to dinner by an admiring warlord Yuan. He later meets Luo Xiangqi, a graduate of a female performance school. The two of them fall in love but it turns out that she is warlord Yuan's wife...

Jiang Danping arrives in a city at night, where often a mysterious man causes panic.

A young woman must pretend to be a man to visit her grandfather, and gets into some romantic scrapes in the process.

To please his dying father, Hong Yu, a college student, is forced to abandon his girlfriend, Little Hong, and marry his cousin, with disastrous results.

Unfortunate events beset a poor Chinese girl as she escapes from invading Japanese forces, narrowly avoids being raped, and seeks solace in a neighboring village.

Showing off his love of visual aesthetics as a painter, director Dan Duyu combines elegance, exoticism and oddity into a grand big-budget package with New Arabian Nights. Dan's vision is definitely not bound by the source material, but his magical and music-filled version of the orient turns out to be not so different from how Western storytellers would imagine it.

A Chinese couple in the 1930s struggle to survive. Things get complicated for them when he enlists to fight the war against Japan.

A wild country girl moves to Shanghai with her painter boyfriend and experiences exploitation and poverty.

An upper-class son of urbane landowners falls in love with a peasant girl. When a pregnancy results, the couple are kept apart by strict societal morays.

A wealthy man's son, who has a sinecure as a hotel owner, poses as a bellhop to win the affections of a woman guest with whom he has fallen madly in love, but who seeks a common man who is earning his own way. This first Cantonese-language talkie was based on a successful 1930 stage musical written by and starring Xue JueXian (Sit KokSin), the plot of which was in turn inspired by a 1929 silent Hollywood romance called "The Grand Duchess And The Waiter" which Xue admired. The film was produced not in Shanghai, by the Tianyi studio, headed by the eldest of the Shaw Brothers, Shao Zuiweng (RunJe Shaw), and was so successful in the Cantonese-speaking parts of China that Shaw moved the Tianyi company to British-administered, Cantonese-speaking Hong Kong to make more Cantonese films in the face of the right-wing Chinese Nationalist government's ban on Cantonese language in favor of Mandarin. A sequel to Baijin Long was made in 1937, and the film itself was remade in 1947.

Coming Home of a dead person

The first Chinese sound film. It tells the story of Hong Pion (Red Peony), a singer-songwriter who, after her marriage to the depraved Faxiang Chen, not only tormented and suffered, but also endured the decline of her artistic career.

Pink Dream tells the story of a young novelist who is supported by a loving and hard-working wife. The novelist, however, is drawn to the decadent life of a socialite who introduces him to the dance halls that dot Shanghai. As the film progresses, the novelist soon learns of the emptiness of this urban existence and rejects it as a "pink dream."

A struggling writer (Cheung Wood-yau) falls in love with a waitress Clara (Lo Ming) and forms a love triangle when a rich man joins the competition. The novella is reminiscent of Camille by Alexandre Dumas fils.

A melodrama about the couple Zhu Dongxin and Ma Nina.

Based on the classic Chinese play Romance of the Western Chamber, Way Down West follows the love story between a poor scholar and wealthy woman. Unable to marry due to their social status, this changes when a bandit attacks the monastery they are staying at demanding the woman's hand. Desperate, her mother promises her hand to whomever manages to defeat the bandit.

To get over a breakup with his actress girlfriend, a playwright goes on holiday to a lakeside resort, where he meets a strangely mismatched couple, a man and his much younger wife. He and the wife begin an affair, during which she introduces him to some of the darker aspects of romance.

Four students in Shanghai have recently finished university. All are unemployed. Xu contemplates suicide but his friend Zhao talks him out of it. Zhao lives in a shabby room with just a flimsy wall of planks separating him from the room behind. Miss Yang, in town to take a factory job, moves in behind. Her nails into the wall knock Zhao's photos down. The unseen neighbours start playing tit for tat... Zhao gets a job as proofreader at a newspaper. He sees that pretty girl on the tram to work every day. He doesn't know her, but it's Miss Yang... Zhao is assigned to cover labour conditions for the paper. He is sent to a factory, the one where Miss Yang works...

A restless Chinese sea captain makes a stopover in Hawaii. While ashore, the captain befriends a Hawaiian-Chinese family and, at the mother's request, teaches Chinese to her children. He falls in love with the daughter (Siu Fei Fei) although he must soon depart with his ship. Eventually he returns, "rescuing her from the natives," and takes her back to China.

A female ghost appeared in a barren mound near Yangjiazhuang, wailing every night and terrifying the villagers. The feathered priest of the God of Wealth Temple tells the villagers to offer food and paper money to the female ghost, and the female ghost is indeed much quieter, but she only takes food and not paper money. When a young man, Wang Yuan Sheng, comes back from a trip, he does not see his child bride, Xiu Fang. His mother tells him that Xiu Fang has been having an affair with someone since he left and is pregnant, so she has already run away from home. Knowing that Xiu Fang is pregnant with her own child, Yuan Sheng does not believe his mother's story. Mother Wang is frightened by the ghost's screams and falls ill. Yuan Sheng becomes suspicious of the ghost's true identity because the ghost only takes food.

After the end of the war, Mrs. Lu's eldest daughter's fiancé Situ Yan returns to Shanghai from Chongqing. When they meet, they find that he is an impoverished journalist, and cannot provide for them. One day, Situ Yan exposes a corruption case, which implicates many people, including Mrs. Lu's brother.