67 Matches Found

Prophecies of Nostradamus

Professor Nishiyama, after studying and interpreting the prophecies of Nostradamus, realizes that the end of the world is at hand. Unfortunately, nobody listens to him until it is too late. As the effects of mankind's tampering of the earth - radioactive smog clouds, hideously mutated animals, destruction of the ozone layer - rage out of control, the world leaders hurtle blindly toward the final confrontation. The film sparked controversy in Japan and was subsequently pulled out of circulation, with no official video release of the uncut film.

Prophecies of Nostradamus

6.0 1974
Demon Spies

Deep in the mountains of feudal Japan, a group of children endure cruel and unorthodox training in order to become the Shogunate's most secret and deadly weapons - the Demon Spies! Their true identities are hidden - even from each other. Behind their demon masks, they are educated in the deadly arts of infiltration, espionage, assassination - and seduction! If they survive to become strong enough to kill their teachers, they will become - the Demon Spies! Sent on a suicide mission to uncover a deadly conspiracy, five inexperienced Demon Spies must infiltrate a powerful fief, discover the location of its secret arsenal, and destroy it. But Lord Shogen, the Demon Hunter, plans to brutally interrogate, ingeniously torture, and cruelly execute - the Demon Spies!

Demon Spies

5.8 1974
The Fossil

An industrialist is diagnosed with terminal cancer. He is abroad in Europe at the time, and a glimpse of a Japanese woman in that setting causes him to imagine her as the personification of his impending fate. As his dialogue with his imagined mortality continues, he meets the living woman, the template for his fantasy, and together, they tour rural churches. Gradually, he comes to some kind of peace about the diagnosis. When he returns to Japan, he is met with a series of challenges that profoundly test the lessons he has learned.

The Fossil

6.8 1975
Himitsu Sentai Gorenger: The Bomb Hurricane!

The Gorenger head for Matsuyama to prevent the Black Cross from firing a missile to destroy Japan. Himitsu Sentai Gorenger: The Bomb Hurricane is a theatrical film based on the Himitsu Sentai Gorenger television series. It was originally shown on July 22, 1976 (between Episodes 56 and 57 of the TV series) as part of the Toei Manga Matsuri film festival. It was the only Gorenger film that was a completely original work and not a theatrical version of a TV episode.

Himitsu Sentai Gorenger: The Bomb Hurricane!

8.6 1976
One Million-Year Trip: Bander Book

Bander is a 17-year-old boy from Earth who lives on a distant planet, which is populated by human shape-shifters who feed off of vegetables and animal tails. Violence soon breaks out, as invaders launch an attack on Bander's new planet. This was Japan's first 2-hour animated film for television. The program received high ratings when broadcast as part of a set of 24-hour TV programs called "Ai wa Chikyu wo Sukuu" on Nippon Television. After a long gap since his last animated film for television, this work fully reflects Osamu Tezuka's desire to achieve theatrical quality with this production.

One Million-Year Trip: Bander Book

5.1 1978
Unico: Black Cloud and White Feathers

The Goddess Venus is jealous of the beautiful human girl Psyche and blames her pet unicorn, Unico, as Psyche's source of good luck that keeps her from the harm of the goddess' cruel intentions. Unico has the amazing power to make anyone he meets happy. Whether it's because of his personality or the powers of his horn, no one knows. Venus has Unico banished, and the West Wind now takes Unico from one place and time to the next. Taken to a heavily polluted city, Unico meets a sickly girl named Chiko who is suffering because of the pollution of a nearby factory that darkens the entire sky. Unico then is determined to cheer her up, cure her, and destroy the nearby factory.

Unico: Black Cloud and White Feathers

6.5 1979
Grass Labyrinth

Akira is haunted by a "bouncing ball" song that he remembers his mother singing when he was a small child, and now on the verge of a sexually active adulthood, he wants to find the origins of the song. The young man ostensibly wanders into a time-warp in which aspects from his childhood and adulthood mix together. In this never-never land he comes across a beautiful woman/witch who is lost inside the labyrinth of her mansion, just as the young man is lost in the labyrinth of time — and on some levels, perhaps the labyrinth of his subconscious.

Grass Labyrinth

7.2 1979
Les chants de Maldoror

A “reading film” of delirious image and text, Les chants de Maldoror takes its title and inspiration from Comte de Lautréamont’s 1869 proto-Surrealist poetic novel which, for instance, describes beauty as the chance encounter of a sewing machine and an umbrella on an operating table. In the novel’s six cantos, a young misanthrope indulges in depraved and destructive acts. Unexpected encounters abound, with turtles and birds joining Terayama’s regular cast of snails and dogs to wander over books and bare torsos. Feverish video processing posterizes, inverts and overlays images that are further colored by sound—pushing the limits of his literary adaptation. Terayama wrote that the only tombstone he wanted was his words, but, as Les chants de Maldoror demonstrates, words need not be confined to carved monuments or bound hardcopies.

Les chants de Maldoror

6.4 1978