In between his more ambitious Najma (1943) and Humayun (1945), Mehboob made this lightweight comedy about Justice Gangaprasad (Chandramohan) and theatre-owner Seth Badriprasad (Charlie) who lose their daughter and son respectively in the Kumbh Mela.

After a shipwreck, Chandrika who's disguised as a man falls in love with Prince Vasanthakumar but he is smitten by Megala Devi. However, Megala falls for Chandrika.

Shamsher Singh (Kumar), a discharged military officer who wants to settle down as a farmer. His marriage is arranged with the educated Neela (Veera) who ditches him at the last minute and goes to the city where she learns that she stands to inherit a fortune if she gets married within 8 days. After rejecting several suitors, she finally falls in love with Shamsher Singh, whom she meets in the city unaware that he is the person to whom she was earlier betrothed. Singh treats her badly and she sues him but in the end the two realise that they love each other.

A disgraced widow is forced to work as a maid for her fatherless child.

Two movie actors are confronted by startling and hilarious obstacles.

A rich, happy-go-lucky young man lives with his faithful man-servant. The young man gets married to a well-to-do woman who is more educated than him, and she changes him to a more responsible person

Deepak goes for an interview and mistaken as possible groom for Rajasaheb's daughter Bina. They fall in love but afraid of dire consequences Deepak runs away. They meet again and Rajasaheb get Bina married off to Deepak.

This famous satire contrasts conservative Bengali culture with that of the colonial elite. It is the story of a young Indian who returns to his native land after a long absence. He is so mightily impressed with his foreign training that, at his parental home, he startles everybody with his quixotic notions of love and matrimony.

Chellam begins to suspect her husband, Dr. Vembu, of having an extramarital affair after spotting him with another woman.

A comic tale of a poet and his fan both in love with each other and relentless efforts by his would be father in law to not let them marry each other. Instead, he wants his daughter to be married to the poet's friend.

Shyam and Manglu , who, finding themselves recently unemployed, take to the streets, masquerading as lame and blind in order to make a few bucks begging from passersby. After being discovered as fakes, and then severely chastised in public, a by-stander offers them a job as caretakers of an old bungalow which is rumored to be haunted and has been all but abandoned by its owner, Sethani, and her beautiful daughter, Prema. Soon they discover the dead body of a former employee and now they are suspected to be hired killers.

Jagannath, the Lord of Universe's journey towards home from his aunt's house.

A comedy adapted from a successful play. The zamindar Damodar Chakraborty (Chakraborty) starts a school named after his wife and recruits a married couple as teachers. Manas (Ganguly in the role which had made him a stage star) and Niharika (Kanan Devi) pretend to be married in order to get the jobs. Their imposture, together with the fact that he is Hindu while she is Christian, produces complications.

First Tamil adaptation of the story Ali Baba and the Forty Thieves.

Directed by Roop K. Shorey

Manoj is from the aristocratic class but has some sort retrograde amnesia; he belongs to the upper-class but is also an outsider, something that enables the possibilities of movement across the class-lines for him. This trope is essential for Barua to articulate the criticism of the indolent upper class in the film. Thus Manoj is both an object of criticism and ridicule while also being one of the critics.

This horror spoof was the first film in which the future comedy duo Dixit and Ghory appeared together. They were often referred to as the Indian Laurel and Hardy.

A prince, fresh from his foreign education, returns to find his kingdom plagued by intrigues and rigid traditions. Disillusioned, he decides to venture among the poor in search of genuine love and freedom. During his adventures, he meets a simple village maiden, and they fall in love, leading to a series of thrilling and comedic encounters. The film blends this underlying serious theme with a light-hearted, slapstick comedic approach.

Jamai Shashthi was the first Bengali talkie short film produced in 1931.

Aankhijal is a 1932 silent Bengali movie directed by Kalipada Das.

Two ladies dress to go out and then check over a crop of rice.