In 1899, Lord Kang must decide which of his three sons will take over his family's Chinese banking empire. When circumstances dictate that he appoint his unreliable youngest son, family bonds are pushed to the limit as father and son clash in a climate of political turmoil. Winner of the Special Jury Award at the 2009 Shanghai International Film Festival.

Beijing, 1902: an enterprising young portrait photographer named Liu Jinglun, keen on new technology, befriends a newly-arrived Englishman who's brought projector, camera, and Lumière-brothers' shorts to open the Shadow Magic theater. Liu's work with Wallace brings him conflict with tradition and his father's authority, complicated by his falling in love with Ling, daughter of Lord Tan, star of Beijing's traditional opera. Liu sees movies as his chance to become wealthy and worthy of Ling. When the Shadow Magic pair are invited to show the films to the Empress Dowager, things look good. But, is disaster in the script? And, can movies preserve tradition even as they bring change?

1945-1947, Taiwan. A teenage couple were deeply in love despite objections from the girl’s family. Their tragic story is played out in travelling troupes, tea-houses and western-style cafes, with the backdrop of Japanese occupation and the 28 February Incident.

The year is 1943 and Taiwan is under Japanese colonization. After finishing his studies in Japan, famous Taiwanese sculptor and painter Ching-Cheng Huang receives an offer to teach in Beiping Art School. He decides to visit friends and family back home before leaving for China. He boards the passenger liner "Takachiho Maru" in Kobe, Japan, with his girlfriend, a pianist. Tragically, the luxurious liner is torpedoed by an American submarine and sinks off the coast of Keelung, Taiwan. Decades later, Shou-shou, a fine art restorer with a crippling illness, finds one of Huang's paintings in an exhibition. As she restores the painting, Shou-shou learns about the artist, the stories behind his work and his death at sea. She recreates the story of the painting "Woman in Black", and romantically imagines the ways the artist painted his girlfriend. The more she studies, the more she was inspired by Huang's value of art and of life. Restoring Huang's painting thus becomes Shou-shou's way of ...