135 Matches Found

88.9 Radio Redfern

An observational documentary which looks at Sydney’s first community Aboriginal radio station, 88.9 Radio Redfern. Set against a backdrop of contemporary Aboriginal music, 88.9 Radio Redfern offers a special and rare exploration of the people, attitudes and philosophies behind the lead up to a different type of celebration of Australia’s Bicentennial Year. Throughout 1988, 88.9 Radio Redfern became an important focal point for communication and solidarity within the Aboriginal community. The film reveals how urban blacks are adapting social structures such as the mass media to serve their needs.

88.9 Radio Redfern

1.0 1989
Hard to Handle: Bob Dylan in Concert

Admired as one of the best lyricists of pop rock, Bob Dylan has his name recorded in music history. During his four decades career, he has been through many facets: from acoustic to electric guitar; from politicized to religious lyrics; from minimalist to very highly sophisticated arrangements. And his characteristic voice, for some, hoarse and full of style, for others a little out of tune, still influences many musicians. In this presentation filmed at the Sydney Entertainment Centre in Australia over February 24-25 1986, Dylan is accompanied by Tom Petty and the band The Heartbreakers, as well as a very fine selection of new compositions. To close the spectacle, Bob Dylan and Tom Petty perform a vocal duet in "Knockin' on heaven's door", one of the most famous songs of this compositor.

Hard to Handle: Bob Dylan in Concert

10.0 1986
Armageddon

Armageddon explores centuries of predictions that seem to converge on a single message—the end of human history may be near. From Saint Malachy’s 12th-century vision foretelling every Pope, to Nostradamus’s chilling prophecies of war and the rise of three Antichrists, to Edgar Cayce’s uncanny insights into modern events, the film weaves together history’s most haunting forecasts. Alongside the miracles of Fatima and Garabandal and the biblical prophecies of both Old and New Testaments, these revelations form a powerful warning about the times we may now be entering.

Armageddon

0.0 1982
The Nights Belong to the Novelist

This documentary explores the imaginative world of Australian novelist Elizabeth Jolley. It combines readings, dramatised segments, and witty and playful interviews in which Jolley talks about the craft and practical problems of writing, and her fictional treatment of old age, women's relationships, exile and displacement. Dramatic sequences bring to life Jolley's unforgettable characters. We see the funny, sad and bizarre worlds created in 'Woman in lampshade', 'Milk and Honey', 'Miss Peabody's Inheritance', 'Mr Scobies' Riddle' and 'Palamino'.

The Nights Belong to the Novelist

0.0 1987
Couldn't Be Fairer

Reveals how Australia's first people are still suffering from social oppression, with many living on reservations where alcoholism is rampant and unemployment the major occupation. Aboriginal land rights are a central theme: Miller clearly demonstrates the contrast between the attitudes of European Australians, who see the land only as a resource to be mined, farmed, grazed and built upon, and Aboriginal Australians, who regard the land as sacred. Archival footage compares the original lifestyle of Aboriginal Australians to their current pitiful condition, and shows how European settlers attempted to "civilise" mixed blood children by taking them away from their parents and enrolling them in boarding schools.

Couldn't Be Fairer

0.0 1984
Cambodia: The Prince And The Prophecy

CAMBODIA: THE PRINCE AND THE PROPHECY explores the years of Prince Norodom Sihanouk’s rule, his juggling for peace, his charisma and contradictions. Following the Prince’s overthrow in 1970, the film traces Cambodia’s destruction during the five years of war before Pol Pot’s Khmer Rouge came to power and launched their revolution… As a central theme, the film and its sequel CAMBODIA/KAMPUCHEA feature exclusive interviews with Prince Sihanouk, and focus on his pivotal role in shaping Cambodia’s fate.

Cambodia: The Prince And The Prophecy

0.0 1986
Kiribati? Here We Are

On 12 July 1979 the Gilbert Islands in the central Pacific became independent from British rule. The country then became known as Kiribati. This film shows the lifestyle of the people of these 33 islands, their history and culture, the natural resources and the effects of colonialism, World War Two, nuclear testing and foreign industry. It also records the celebrations that took place at this important moment in the country's history and looks to the nation's future.

Kiribati? Here We Are

0.0 1980
The Last Day's Work

Work is becoming more service oriented and more and more services rely upon us doing harm to each other. In most people's lives, work operates as a degrading and debilitating force. It disables people's critical and perception capacities. Unless workers assume responsibility for evaluating the meaning and implications of the work they do, there will never be the capacity to redirect the modern work institutions from their courses of violence and exploitation. Built in seven parts which correspond to each day of the week, this film studies the relationship between work being done and the nature of the people that are doing it.

The Last Day's Work

0.0 1987
Two Laws

White people don't understand that there are two laws - white people have different laws from Aboriginal people. TWO LAWS is a film about history, law and life in the community of Borroloola in far North Queensland. The films offers viewers a remarkable and different way of seeing and hearing. Like the film, BACKROADS, it is one of the few productions at that time in which Aboriginal people had creative input. The impetus for TWO LAWS came from the community themselves. There was substantial collaboration with the film makers before and during the shooting period. It is one of the most outstanding films to be made during the 1980s. It is an historical analysis of what, nearly forty years later, is an increasingly contemporary question. Two Laws.

Two Laws

0.0 1982
Film-Work

During the height of the Cold War, the Waterside Workers' Federation Film Unit produced eleven (11) films for several trade unions on political and industrial issues. Independent film-makers worked with them to develop critical dialogue from one generation of concerned film-makers onto another. FILM-WORK looks at sequences from 4 of these films and interviews some of their makers, raising a diversity of issues pertinent to current debates in film, history and politics. The 4 films that are looked at are PENSIONS FOR VETERANS (1953, NSW Branch, WWF), THE HUNGRY MILES (1954, WWF), NOVEMBER VICTORY (1955, WWF), and HEWERS OF COAL (1953, Miners Federation). PENSIONS FOR VETERANS covers the issue of the need for pensions to be given to workers who have worked on the waterfront all their life. THE HUNGRY MILES shows the strength of the workers, the union and its democracy. HEWERS OF COAL is about the coal miners and their struggle to get better working conditions and pensions.

Film-Work

0.0 1981
Philippines, My Philippines

Philippines my Philippines (1989) is a feature length documentary about the situation in the Philippines two years after the notionally democratic Cory Aquino replaced the dictator Ferdinand Marcos in the ‘People Power’ revolution of 1986. Touching on the influence and interests of the United States and Australia, it examines the social context and dimensions of the violent conflict between government and big business on one hand and the rural and urban poor (led by the Communist Party of the Philippines and its New People Army) on the other.

Philippines, My Philippines

1.0 1989
Yorky Billy

YORKY BILLY is set in Ngurgdu (Spring Peak) in the Northern Territory, an area irrevocably disturbed by uranium mining. There, 80-year-old William Alderson (known as "Yorky Billy") reflects on his life in the outback. Yorky's mother was an Aboriginal woman who died when he was three, and his father was an Englishman who spent 45 years in Australia and "tried everything" as a prospector, railwayman, drover and buffalo hunter, often with his young son working with him. After the WWII, Yorky married an Aboriginal woman and worked in various jobs. He and his wife had a large family, and in 1977, Yorky Billy recorded his story and died soon thereafter, and was buried near his father at Ngurgdu. Filmed simply with minimal editing, this is a poignant, elegiac reflection on a disappearing way of life, capturing Yorky's slow and quiet rhythm of speech, his wry humour, and with his weather-beaten face only just emerging from the deep shadows inside his corrugated iron shack.

Yorky Billy

0.0 1980