The Great War: Director's Cut (2013)

Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by the producer Nicolas McClintock as a reflection on the theme of time at the turn of the Millennium. Fifteen celebrated film-makers were invited to create their own vision of what time means in ten minutes of film.

As a decades-old state-run aeronautics munitions factory in downtown Chengdu, China is being torn down for the construction of the titular luxury apartment complex, director Jia Zhangke interviews various people affiliated with it about their experiences.

With the theme of "One Heart to the Future", the grand ceremony reviewed the online audio-visual masterpieces of the past year in a condensed audio-visual language. In the five chapters of "Same Dream · Live up to Shaohua", "Same Hope · Long Source", "Tong Creation · Building Dream Future", "Tongxing · Oriental Spring Tide" and "Tongxin · Hexing World", Mango TV selected six atmospheres of "Mountain and River Map", "Super Time and Space Reunion", "Happy Friends", "Blue and White Porcelain", "Soundless" and "Run to Tomorrow" The magnificent program showing the youthful style will also officially meet the audience. In multiple forms such as national style singing and dancing, musicals, sitcoms, operas, intangible cultural heritage clothing shows, etc., this grand ceremony will show the spirit of the young people and the great prospects for the vigorous development of the online audio-visual industry.

Documentary about the making of Zhang Yimou's fiction movie Shadow.

An in-depth look at the past four decades of work by legendary martial artist, Jackie Chan.

Screened perennially at Hong Kong Heritage Museum, The Brilliant Life of Bruce Lee is a documentary film about Bruce Lee’s life as part of an exhibition entitled "Bruce Lee: Kung Fu ‧ Art ‧ Life"

Revisit 100 years of Chinese cinema through the RTHK TV program A Century of Light and Shadow. Aired in 2005, this interesting and informative documentary traces the development of the Chinese film industry from the pioneering years to contemporary times. From the volley between Mandarin and Cantonese films to the rise of the New Wave, this program touches on all the major trends and developments that have helped define Chinese cinema and explores different genres and representative figures and films. From actors to directors, over 200 film industry names, including Jackie Chan, John Woo, Sammo Hung, Connie Chan, Andrew Lau, Peter Chan, and Lau Ching Wan, appear in the program, bringing their intimate knowledge of the industry and providing insight about what lies ahead for Chinese cinema.

Perfect Life, the second feature by Emily Tang (Tang Xiaobai), at first revolves around Li Yueying, a young woman in the cold north-east of China. In a world where no one is waiting for an untrained, inexperienced woman, she knows that in order to fulfil her dreams she will have to resort to her own stubbornness and selfishness. Her father deserted her mother and the money saved by the family is destined for her younger brother's studies. When she stops working for a shop making artificial limbs in order to take a job as a chambermaid, she attracts the attention of a mysterious criminal, Mongol. Then in the editing, the documentary story of Jenny from Hong Kong starts to emerge. She thought she had her life perfectly worked out, but when her marriage breaks down, she also finds herself in financial problems and has to fight for the custody of her children.

This is not a documentary describing the filming process of "The Grandmaster", but a record of Wong Kar-wai and Chen Xunqi's personal visits to martial artists all over the mainland to collect valuable martial arts information. It is divided into two episodes.

Focuses on the people, their stories and architecture spanning from the mid-1800s, when Shanghai was opened as a trading port, to the present day.

Filmmaker Jia Zhangke chronicles his local literature festival in Shanxi, China which includes a multi-generational roster of the country's most esteemed writers.

Filmmaker Fang Li and his crew explore exhaustive historical investigation, as far as possible to find the core of the British, American, Japanese and Chinese parties and descendants, trying to infinitely close to the truth of the World War II "Death Ship" — "Lisbon Maru", which is 30 meters under the sea off the East Polar Island in Zhoushan, China.

Eleven Tibetans prostrate themselves every few steps during a 1,200-mile pilgrimage that lasts for seven months.

Black Metal Veins unflinchingly documents the dark realities of despair and morbid self annihilation surrounding the lives of five heroin junkies. The addicts' intertwining stories of pain, loss, sadness, and abandonment lead the viewer down the agonizing and hideous path of horrifying psychological and spiritual destruction as the grim disease of heroin addiction infects and decays the bodies and minds of five young people.

Venturing into the wilds of China, "Born in China" captures intimate moments with a panda bear and her growing cub, a young golden monkey who feels displaced by his baby sister, and a mother snow leopard struggling to raise her two cubs.

Mount Everest, the highest peak in the world, welcomes the challenge of countless dreamers every year. Xia Boyu is the first Chinese "hardcore man" to successfully climb Mount Everest with prosthetics! In 1975, Xia Boyu joined the Chinese mountaineering team. He helped his teammates while climbing Mount Everest, which resulted in his lower legs being amputated due to frostbite. However, he did not give up his dream of climbing Mount Everest.

Zhao Liang’s film portrays AIDS sufferers of both genders; they are all people with very different biographies. As if it wasn’t bad enough being infected by HIV, their suffering is compounded by the fact that in the People’s Republic of China the disease is hushed up and people living with AIDS are ostracised. In China, the public at large knows very little about the disease and most people associate the virus with promiscuity. This fear of discrimination forces most patients to hide the fact that they are positive. The AIDS sufferers in Zhao Liang’s film were willing to share their experiences with him. The filmmaker was able to make contact with them via internet support groups; he also visited children with Aids at a ‘red ribbon’ school; but above all, he talked to AIDS sufferers during the making of Gu Changwei’s film. It is their presence which lends Changwei’s film its particular authenticity.

A documentary about the life of Tsai Chin, one of the first Chinese actresses to break into the West.

Feature length making-of documentary of The Wild Goose Lake.

Stuffing the face with unimaginable expressions, tears streaming down the cheeks like a waterfall, hysterical cries as if coming from a neurotic….. These “phenomena” are literally the “bad acting” that are overwhelming our movies today – loud, over the top, crude, vulgar, full of ridiculed cliches that suffocate the audience….the list goes on. The illustrious Stage Opera Director and Lecturer, Olivia Yan Wing Pui, with years of distinct teaching expertise and experience, transforms her classroom into the theater. She documents her students comprising celebrated artists and newbies, award-winning actresses or laypersons, who, in Bad Acting, forthrightly share their struggles and pains, persistence and devotion, on their objective of becoming top notch artists in their acting careers.

Documentary on the ups and downs of the female writer Xiao Hong's life experience, her works, her love and the golden era she lived in.

Making-of documentary for Kong Dashan's 2021 film "Journey to the West".

A documentary on the making of China's war epic "The Battle at Lake Changjin".

Auntie Hu in Chongqing makes a living by running an extremely low-priced small inn. Although her life is modest, she sometimes helps guests out of difficult situations. She also built a vibrant garden from discarded waste, using this poetic space to achieve self-redemption and comfort her ill son. The footage in the film spans nine years, authentically reflecting the spiritual world and life resilience of the mother and son.

A detailed look at the gradual decline of Shenyang’s industrial Tiexi district, an area that was once a vibrant example of China’s socialist economy. But industry is changing, and the factories of Tiexi are closing. Director Wang Bing introduces us to some of the workers affected by the closures, and to their families.

This historical drama tells the story of Qin Shihuang, who unified China's vast territory and declared himself emperor in 221 B.C. During his reign, he introduced sweeping reforms, built a vast network of roads and connected the Great Wall of China. From the grandiose inner sanctum of Emperor Qin's royal palace, to fierce battles with feudal kings, this film re-creates the glory and the terror of the Qin Dynasty, including footage of Qin's life-sized terra cotta army, constructed 2,200 years ago for his tomb.

A documentary about Shaolin Kung Fu starring Jet Li

More preoccupied with "history" than Wu's other works, My Time in the Red Guards is a record of his fascination with the missed moment, Mao's Cultural Revolution. In 1966, the Red Guards ironically represented the official avant-garde, a movement carried forward by youth determined to become heroes of the Revolution. Wu interviews people who had joined the Red Guards as high schoolers, most now successful professionals, some Party members. The miscalculations and cruelties of this extreme cultural campaign are spread out before us, detailed by personal recollection and further illustrated by old agit-prop newsreels. Misgivings and fond remembrance vie for position as the interviewees seem to confuse the nostalgia of youthful action with the excesses of historical fact.

Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaux of people and environments. Pedestrians shuffle across a bustling Beijing street, steelworkers linger outside a deserted factory, tourists laugh and scamper across a crowded beach, worshippers kneel to pray in a remote village. With a painterly eye for composition, Wang captures China as he sees it, calling to a temporary halt a land in a constant state of change.

This film was shot between 2014 and 2019 in the town of Zhili, a district of Huzhou City in Zhejiang province, China. Zhili is home to over 18,000 privately-run workshops producing children's clothes, mostly for the domestic market, but some also for export. The workshops employ around 300,000 migrant workers, chiefly from the rural provinces of Yunnan, Guizhou, Anhui, Jiangxi, Henan and Jiangsu.

From the ambitious young filmmaker behind Boundless, The Weaving of a Dream is a short documentary that details the making of Johnnie To's film Three.

Filmed over a three-year period, the film journeys across the planet seeking those on the frontline fighting to protect the world’s most precious resource from running out. It seeks to awaken and inspire audiences to change how they think about the planet’s most vital resource: water, and act, by revealing the rapidly building water crisis at both a global and human scale. The documentary includes exclusive interviews from some of the world’s top scientists and experts, travelling across continents to explore some of the most shocking and alarming water shortage issues facing our planet today. From the Cape Town water crisis and the violent impact of deforestation in the Amazon to the catastrophic results of intensive farming in the American Mid-West.

Special Film for the 40th anniversary of Tony Leung‘s debut

The documentary reveals the behind-the-scenes production process of the film “Ne Zha 2”, telling the story of director Jiaozi and more than 4,000 animators across the country striving to push the boundaries of creativity. Through moments of work and lighthearted interactions among the production team, the film showcases the relentless spirit, optimism, and boundless imagination of Chinese animation filmmakers as they continuously break through creative limits and personal barriers, embodying the philosophy that “life has no limits.”

Filmed in the Inner Mongolian portion of the Gobi Desert, this film follows a group of oil field workers as they go about their daily routine.

Main Characters/Performers: 1. Xiao Mei - first appearing as new star dancer in lavish Peony Pavilion brothel, Mei is believed to be the blind daughter of a rebel group's recently assassinated leader- played by Zhang Ziyi . 2. Jin - police captain in the ruling Tang emperor's service, enlisted by his superior Leo to play the role of double agent by helping Mei escape and getting her to lead him - and government troops - to the rebel stronghold - played by Takeshi Kaneshiro. 3. Leo - introduced as a high ranking policeman in the Tang emperor's service, Leo turns out to a mole planted years earlier by the rebels working to overthrow the corrupt ruling Tang government - played by Andy Lau.

The 2008 Summer Olympics opening ceremony was held at the Beijing National Stadium, also known as the Bird's Nest. It began at 8:00 p.m. China Standard Time (UTC+8) on August 8, 2008, as 8 is considered to be a lucky number in Chinese culture. Featuring more than 15,000 performers, the ceremony lasted over four hours and cost over $100 million USD to produce.

"Actor" is China's first documentary film to explore the virtues and skills of actors. The film takes the "Twenty-Two Big Movie Stars of New China" as the starting point. It will explore the film experience and artistic achievements of the older generation of artists, explore their insights and thinking about the profession of actors for more than half a century, and pay tribute to the century-old Chinese film with the classic film images they created.

Jackie Chan and Arthur Huang are on a mission to test the Trashpresso, the world's first fully mobile plastics recycling machine, in the harshest environment of the Tibetan Plateau.

Observations of three varied corners of China’s garment industry: workers in a large-scale production line factory; a designer who rallies against the mass-machine-production of clothes and has created the eponymous hand-made collection called ‘Useless’ (Wuyong) for Paris Fashion Week; and finally the simple life of increasingly out-of-work tailors in small town Fengdang.

Jia Zhangke’s short for Modern Weekly’s special tenth anniversary issue.

Making-of documentary of Wei Shujun's 2021 film Ripples of Life.