189 Matches Found

Seni's Children

Seni Camara lives with her husband and family in the village of Bigona, in the Casamance region in southern Senegal. Working outside the local tradition of making pots and “useful” objects out of clay, Seni claims that through a “gift of God” she has been able to create thousands of bizarre, magnificent creatures — clay sculptures of astonishing originality. Although the villagers don’t know quite what to make of Seni and her art, she continues to work to support her family and to satisfy her own creative urge. The film follows Seni and her husband as they prepare the materials of her art. Together they dig up the hard dirt of the land and slowly mix it with water and sand until the clay is ready to be molded (she tells by taste). While Seni does the intense work of shaping the wet clay into her truly original forms, her husband prepares the final dye bath by harvesting and soaking wild nuts in water. Finally they fire the sculptures and dye them.

Seni's Children

0.0 1992
Ojos verdes

The longing and critical review of the copla is lived through the history of the marqués de Almodóvar, a passionate ambassador who organized Franco's folkloric festivals; generous, womanizer, excessive, wasteful, himself the protagonist of his own copla. In love in his youth with a Concha Piquer chorus girl, he dedicated his life to collecting fetishes and memories of all the cante divas with which to organize a sentimental museum in his decaying castle, filling it with showcases where he could store his longings. When he died, destitute, in the pension of his last mistress, also a cupletist, she disputes her legacy with the housekeeper who took care of him and her picturesque collections all her life. family castle. A dear diplomatic friend recalls his fanciful existence emotionally. An aesthetic that is part of the feeling of the Andalusian people. And as a common thread "Ojos Verdes", the most beautiful song of songs of his rich songbook.

Ojos verdes

0.0 1997
Young Man's Dream and a Woman's Secret

Filmmaker Philip Haas traveled to the southernmost tip of Madagascar to meet Efiaimbelo, a man in his mid-sixties who works as a funerary sculptor. The film follows Efiaimbelo as he travels to an isolated area in the countryside to cut down a special tree for sculpting. He makes it into a pole of geometric shapes, which he then tops with a finely honed sculpture of a cow. This beautiful sculpture is funerary piece, designed to ornament a grave. The film features remarkable footage of huge tombs covered with cow antlers and poles like the one we see Efiaimbelo sculpt. The tops of these poles are decorated with all sorts of animals, people and tableaux associated with the dead person. Very little has been known or seen of this funereal and artistic tradition outside the region and the film provides an extraordinarily rich visual experience.

Young Man's Dream and a Woman's Secret

0.0 1990
Idea

Idea approaches the figure of Idea Vilariño, considered as one of the greatest Spanish-language female poets. Her literary work, especially her poetry, is acclaimed by critics and public alike, a rare case in the Uruguayan culture scene. With her own testimony, pictures, poems, songs and archive footage, this documentary offers an in-depth look at the essence of Idea Vilariño's poetic universe in a frank adherence to her literary and human posture. Her childhood, her ghosts, her desolate vision of a godless world, the stormy burden of suffering from her relationship with Juan Carlos Onetti and the commitment assumed with the issues of her time define the various facets of this woman.

Idea

0.0 1997
The Uncertain Hope

This documentary was shot in four countries in the Southern Cone of South America over a two-week period. It examines the democracies that re-emerged after military rule and we hear the testimony of presidents Carlos Menem, Fernando Henrique Cardoso, Patricio Alwyn and Luis Alberto Lacalle, and the reflections of many other key figures of that time. There is also an early discussion of the regional integration process that these countries were planning to promote, so we are shown a representative mosaic of each country, which makes this material truly unique.

The Uncertain Hope

0.0 1992
The Skinny Alejandra

A conversation between the director of this film, Carmen Castillo and Marcia Merino, AKA La Flaca Alejandra who was one of the collaborators of Pinochet's secret police (the DINA) after being tortured by them. It was Merino who betrayed Castillo, who lost her new born child after being tortured. Almost twenty years later, Carmen Castillo returns to Chile after her exile to film this documentary, during a time in which Marcia Merino, on the court of justice, decided to give the names of her old bosses who worked with her on the DINA.

The Skinny Alejandra

6.8 1994
Dreams of Ice

In 1992 the Universal Exhibition in Seville was held in Spain. Chile participated in this exhibition by displaying in its pavilion an ice floe captured and brought especially by sea from Antarctica. In these true facts is based the fantasy narrated in Dreams of Ice. Filmed between November 1991 and May 1992 on board the ships Galvarino, Aconcagua and Maullín, in a voyage that goes from Antarctica to Spain, in this documentary film in which dreams, myths and facts converge towards a poetic tale turned into a seafaring saga, in the manner of the legends of the seafarers that populate the mythology of the American continent and universal literature.

Dreams of Ice

8.0 1994