A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.

Film clips highlight the funniest scenes and brightest comic stars in MGM's history.

Clips from assorted television programs, B-movies, commercials, music performances, newsreels, bloopers, satirical short films and promotional and government films of the 1950s and 1960s are intercut together to tell a single story of various creatures and societal ills attacking American cities.

A sex education film dedicated to all forms of human sexuality.

"Skoplje '63" is a 1964 Yugoslavian documentary film directed by Veljko Bulajić about the 1963 Skopje earthquake (Skoplje, per film title, is the Serbo-Croatian spelling of Skopje). The filming started three days after the earthquake and lasted for four months. After that, Bulajić spent 12 months editing the footage at Jadran Film studios.

"Lionpower from MGM" (1967) is an exciting 60's promotional short subject, which showcases MGM's releases for the 1967-68 film season under a "five seasons" theme--fall, winter, spring, summer--plus a "fabulous fifth season". The main music is set to the rousing theme from "The Magnificent Yankee" composed by David Raksin in 1950. The promo is narrated by some of the best voice-over actors of the time, and is an excellent time capsule of a by-gone era.

This impressionistic portrait of the 1964 Tokyo Summer Olympics pays as much attention to the crowds and workers as it does to the actual competitive events. Highlights include an epic pole-vaulting match between West Germany and America, and the final marathon race through Tokyo's streets. Two athletes are highlighted: Ethiopian marathon runner Abebe Bikila, who receives his second gold medal, and runner Ahamed Isa from Chad, representing a country younger than he is.

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

A short film containing a collection of clips from various Hollywood movies.

While The Rolling Stones rehearse "Sympathy for the Devil" in the studio, an alternating narrative reflects on 1968 society, politics and culture through five different vignettes.

Romm pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s–1940s Europe, but also to a firm conviction that nothing of the sort should be allowed to happen again anywhere in the world.

A stark and graphic portrayal of the conditions that existed at the State Prison for the Criminally Insane at Bridgewater, Massachusetts, and documents the various ways the inmates are treated by the guards, social workers, and psychiatrists.

This promotional film was aired on American television on 26 November 1965, one month before the release of Thunderball (1965). Narrated by Alexander Scourby, the 48 minute documentary aired as a one hour special. It included footage of the filming at Silverstone Racetrack, Northamptonshire and of the fight aboard the Disco Volante at Pinewood Studios; media coverage of Martine Beswick, Luciana Paluzzi and Claudine Auger; and archive footage of Ian Fleming at 'Goldeneye', Jamaica.

Bruce Conner’s most celebrated film for a reason: it takes historical moments that were replayed over and over on television—chilling repetition of Kennedy assassination coverage—and repurposes them into a meditation on how the media tries to exert authority and apply a sense of order to the anarchic. And though it may sound perverse to say so, the film is also—not incidentally—a thrill to watch. -- The A.V. Club

A 1965 British television special honouring the songwriting partnership of John Lennon and Paul McCartney. It was produced by Granada Television and aired on that network on 16 December 1965 before receiving a national broadcast the following evening. The programme mainly consisted of other artists miming to their recordings of the songs. The Beatles performed Day Tripper and We Can Work It Out, and Peter Sellers delivered a comedic interpretation of A Hard Day's Night, in the style of stage actor Laurence Olivier's portrayal of Richard III.

A short making of feature about the 1966 John Frankenheimer movie Grande Prix

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

Long considered a cult classic, "Mondo Hollywood" captures the underside of Hollywood by documenting a moment in time (1965-67), when an inquisitive trust in the unknown was paramount, hope for the future was tangible and life was worth living on the fringe. An interior monologue narrative approach is used throughout the film, where each principal person shown not only decided on what they wanted to be filmed doing, but also narrated their own scenes. The film opens with Gypsy Boots (the original hippie vegan - desert hopping blender salesman), and stripper Jennie Lee, working out 'Watusi-style' beneath the 'Hollywood' sign -- leading into the 'sustainable community' insight of Lewis Beach Marvin III, the S&H Green Stamp heir, who lived in a $10 a month garage while owning a mountain retreat in Malibu.

"Around the World with Mike Todd" serves as a summarization of the Todd's career, and his role in producing 'Around the World in 80 Days'. Numerous behind-the-scenes footage from the film.

A documentary consisting of a series of travelogue vignettes providing glimpses into cultural practices throughout the world intended to shock or surprise, including an insect banquet and a memorable look at a practicing South Pacific cargo cult.

A documentary about the making of Andrei Tarkovsky's ANDREI RUBLEV, and Andrei Konchalovsky's THE STORY OF ASYA KLYACHINA.

Hailed by one music reviewer as "the grooviest, wildest, slickest hit ever to pound the screen," "The T.A.M.I. Show" is an unrelenting rock spectacular starring some of the greatest pop performers of the 60s. These top recording idols – representing the musical moods of London, Liverpool, Hollywood and Detroit – packed the Santa Monica Civic Auditorium with 2,600 screaming fans and virtually brought down the house. This is the cinematic record of that electrifying event.

Compilation of the mismatched but immortal pair's various films and shorts.

Behind the scenes documentary of the filming of Tennessee Williams' The Night of the Iguana.

Tokyo Olympiad director Kon Ichikawa documents the 50th anniversary of the Koshien games.

In seven different parts, Godard, Ivens, Klein, Lelouch, Marker, Resnais, and Varda show their sympathy for the North-Vietnamese army during the Vietnam War.

Peter Whitehead’s disjointed Swinging London documentary, subtitled “A Pop Concerto,” comprises a number of different “movements,” each depicting a different theme underscored by music: A early version of Pink Floyd’s “Interstellar Overdrive” plays behind some arty nightclub scenes, while Chris Farlowe’s rendition of the Rolling Stones’ “Out of Time” accompanies a young woman’s description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic “Changing of the Guard” to shots of Buckingham Palace’s changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) – and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O’Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones’ 1966 Royal Albert Hall concert.

An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.

In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion. This movie gives the floor to the creators of italian neorealism.

Banned by the BBC in 1971, director Tony Palmer's profile of the late Peter Sellers was, in the words of the film's subject himself, "the only portrait which really understood me." Sellers was an icon of comedy and a true innovator, but a look inside reveals a tragic figure. How could one of the world's most beloved comic talents have such a morbidly distorted opinion of himself? In this documentary, interviews with such friends, fans, and colleagues as Raquel Welch, Yul Brenner, Spike Milligan, Laurence Harvey, and others reveal the true personality behind the man who was loved by everyone, but still viewed himself as entirely alone.

A Man Vanishes examines the concept of Johatsu, tackling the phenomenon of people missing in Japan over the years. It picks one such person from the list, someone who had seemed to disappear from the face of the earth due to embezzlement from his company, and the filmmakers begin an investigative documentary into the reasons behind and attempt at tracking him down.

Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.

Four love stories connected by newsreels of the late 60s. Each short story begins with an epigraph taken from the Song of Songs of the Old Testament. The stories are interconnected by documentary shots and numerous interviews taken on the streets from passers-by who are asked the same question: “what does it mean to love?”.

The Legend of Marilyn Monroe is a 1966 American documentary film chronicling the life and career of actress Marilyn Monroe. Directed by Terry Sanders, and narrated by John Huston.

A documentary about men who are courageous enough to risk their lives undertaking challenges, sports-related and not, that are at the limit of human capabilities.

A program featuring original comedy skits written as a tribute to Stan Laurel.

The work of the US police force and the problem of fighting rising crime across the country.

Impressions of contemporary British arts and fashion. Summary of art through the ages taking in every thing from Mary Quant to the Marat/Sade production. Made for the Montreal "Expo '67" exhibition.

A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.

This documentary, the final film directed by Frank Capra, explores America's plans for the future of space exploration. It was produced by the Martin-Marietta Corporation for exhibition in the Hall of Science at the 1964 New York World's Fair.

This promotional film showcases the automobile whose adventures are chronicled in The Yellow Rolls-Royce (1964). After the car is filmed in various European shooting locations, it becomes the star attraction in an international automobile show in New York City. We even see a fashion show whose colors and styles are based on the 1930 model vehicle.

Dramatically portraying the Peasants' Revolt of 1381, the film reveals the conditions of virtual slavery which persisted throughout the Middle Ages, and the weaknesses of the feudal system; its oppressive tax structure, its cruelty and its social inequality

A brilliant documentary about the growth of Israel into the Jewish homeland. Seventy-three years of struggle for religious freedom is vividly recorded using rare archive film footage and photographs of historic events in the development of 20th century Israel. Beginning with the Dreyfus Affair in 1894, the film covers Theodor Herzl, founder of modern Zionism; the earliest immigration and settlements; the formation of kibbutzim; the Balfour Declaration; the rise of European anti-Semitism; the British occupation of Palestine; Arab confrontations; the United Nations resolution; the "Exodus" incident, and the Six Day War.

Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.

Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.

“Songs of America” shows the two on stage, in the studio and on a concert tour across a turbulent country. Their ambitious Bridge Over Troubled Water album had yet to be released and the glorious title song was heard here by the general public for the very first time. The program showed news clips of labor leader/activist Cesar Chavez and the United Farm Workers, the Poor People’s Campaign’s march on Washington, the assassinations of Martin Luther King, JFK and Robert Kennedy and other events that were emblematic of the era. “Songs of America” was originally sponsored by the Bell Telephone Company, but the execs there got cold feet when they saw what they’d paid for—legend has it that they looked at the footage of JFK, RFK and MLK during the (powerful!) “Bridge Over Troubled Water” segment (approx 12 minutes in) and asked for more Republicans! (Not assassinated Republicans, just more Republicans...you know, for balance!) The special was eventually picked up by CBS.

In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.

A behind-the-scenes, promotional short about the making of the feature film The Gypsy Moths (1969), which extensively features free fall skydiving.

Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.

A documentary of Hollywood's first great Latin Lover, the contradictions in his personal life, and his premature death.

Joan Crawford narrates this documentary about the career of Greta Garbo.

A look at people who travel the world by air as part of their everyday jobs, including businessmen and women who fly around the world as easily as taking a taxi.

This entertaining documentary of the World Cup Soccer tournament of 1966 follows the 15 countries competing for the sport's most coveted prize. Nigel Patrick narrates, with commentary provided by Brian Glanville. The executive producer spent $336,000 on the production and used 117 cameras to record nearly 48 hours worth of action. Four editors were employed to create the final 108-minute feature.

Behind the scenes short documentary about the cast and crew during the filming of The Comedians.

Promotional short film on an aspiring young actress Sharon Tate and her first film Eye of the Devil (1966).

Traces the origins and actions of World War I, from the funeral of Britain's King Edward VII to the Versailles Treaty.

A behind-the-scenes show on the filming of Swiss Family Robinson on the West Indian island of Tobago. Then the True Life Adventure Water Birds.

Originally a BBC documentary, this film by Tony Palmer about the 1960's music scene was later released as a standalone DVD by the BFI

A college graduate falls in love with a woman during a business trip in Hokkaido

Henry Fonda hosts this retrospective on the career and films of iconic filmmaker David O. Selznick, who epitomized the era of the auteur producer in the 30s and 40s.