Adapted from a novel by Edmond Wilson, the story follows two men, a horde of teals, and hundreds of snapping turtles as they collide in an absurd world.

A group of little monsters fight for a coin in a dark corner on a bookshelf.

Following a morphing blob of flesh through an artificial landscape of urban textures we take part in a process of creation and adaption. From a simple square to increasingly complex moving patterns, the organic seems to get lost in the artificial which begins to dominate rhythm and structure of the world.

Colors explores the bright and vibrant colors in the Central neighborhood. A glimpse of tension was found between the concrete and lines.

10957 Moons and 30 Elliptical Years is an eight-part collage of events, objects, thoughts, and sensations drawn from Lai’s personal moving image archive, assembled between 1991 and 2021. Describing herself as a modern-day ‘flâneuse’, Lai interweaves diaristic video fragments, with found footage from film and television, as well as exhibition and performance documentation.

I dreamt that a person was killed. When I woke up, the murder case really happened in reality. What terrified me was that the murderer in the dream has found me. I had to stay awake and not to be caught by him.

After a row over a TV remote control, Uncle Tung accidentally kills his nephew…?!

Through conversations with his grandparents, the director uncovers family conflicts from 60 years ago and reflects on how life choices shape perspectives on aging and living. The film delves into the causes and consequences of choices, exploring themes of helplessness and resilience. Woven through memories, it reveals the complexities of life’s final stages and the pursuit of meaning.

A visual expression of a future where we lose resources that we have been taking for granted.

With the arrival of an outsider, a peasant woman in rural China begins to sense the repressive, patriarchal bindings of her fate. A fruit tree fights to bloom. The Funeral of Spring is a deeply symbolic, intimate and languidly pastoral exploration of a woman’s sense of self in an environment devoid of female autonomy.

What is it like to be queer and Chinese? We met with some people and couples from Hong Kong, China, Taiwan, and Singapore. 5 beautiful and intimate stories that question identities, love, relationships and other personal queer experiences.

Lumen is a 2D animation that combines digital paint with collage. It is about a defective light bulb being an outcast in the factory. It fails to be fixed so it is discarded into the woods. Other perfect light bulbs are doing their jobs in keeping the city bright, while the "abnormal" and "imperfect" light bulb finds a unique way to shine and its purpose in life.

It is a 2D experimental animation which is accompanied by the music, “Pulse At The Centre Of Being” composed by Max Cooper. Beautiful things happened inside a human through different combinations of flowers, organs and body parts.

A huge glorious rush through Old Town Hong Kong juxtaposing nature and concrete in an endless tunnel.

A young girl Pui and her father live together leaning on each other for support, but they still feel lonely and insecure. At the same time, the young girl is haunted by the death of her mother. After small accidents, she magically starts to walks into an Another World over and over again, where memories and realities intertwined, but she has no idea whether it’s a dreamworld, or a ghost land.

On what seemed like a typical day in a turbulent time for Hong Kong, Vivian will slowly lose everyone around her.

Death is the end of all humans, but humans can always have choice and all these choices make the meaning of life difference. When Mok was interviewed by Lok, the trenches had been attacked by enemy air force. After surviving in the air raid, the same words changes its meaning. Then two of them choose a different way to die with a different thought.

End Time and The Trajectories of Ancestors (2022) is a video (machinima) essay on the historical fragments of Montana and Native American history. Going deep into the American soil conveyed in the video game Far Car 5 (2018), the work manifests the juxtaposition between religious survivalism on the nuclear threat and End Time, the digital landscape and archive of Montana, and the historical records and testimonies of Native American’s history and movement. This intersection can be conceived as a detour in thinking and questioning the universal issues on colonization, land, race, violence and the appropriation of culture and history in the video game.

Costa Rica, New Zealand, Hong Kong,Hawaii. Through the testimonies of 12 women, the issues of marriage, traditional conventions, being attracted to women and having children are addressed. How to break with traditional patterns, how to accept one's feelings of love when they are are directed towards a person of the same sex? So many serious subjects approached here with lightness. The documentary walks us and takes us towards these women who inevitably speak a little about about us.

The story of a female director who spends an hallucinatory night in quarantine in a hotel. She recalls her former lover and creative partner Liling, out of nowhere. And then, she is surprisedto find That Liling is in front in her, they pour out their hearts and past experiences, once the story comes into their view. The next morning, the hotel reception calls her.

The Price of Justice is a documentary film that follows four women as they try to pursue cases against their former employers. Taken into kafkaesque circumstances, these workers spend their days in waiting rooms, long queues and tribunals in a frustrating attempt to get access to justice. This documentary is my latest collaboration with Rights Exposure for Hong Kong Federation of Domestic Workers and has the support of the International Labour Organisation.

The original regular routine of Wen-Lu is disturbed by Zi-An, but he also finally undersands that in his heart, he has the desire to be broken by the norms.

Before the marriage, Tang Shi Min treats Zhang Jing Fen with care and attention, but after the marriage, Min is pleased with the business, but leaves his wife alone. After the marriage, Min is very pleased with his wife, but she is not happy with her. Fen's tactics of 'three obedience and four virtues' and 'crying and hanging' are unable to make Min change his mind.

Hacken Lee Seoul Concert Hall

This essay film is about Hong Kong as a place, or rather as a series of places, each with their own series of histories. Mak is after public and private histories, and the ways they commingle, intertwine and sometimes even obliterate each other. Her materials are multiple: she takes what she calls “appropriated archival footage and propaganda films from the 60s and 70s done by the British Hong Kong Government," and cuts, loops, zooms, slows and manipulates them to make striking distortions. To these “official” materials, made strange through video manipulation, Mak adds black-and-white Super 8 video of her own, digitally altered to sometimes look battered and archival, highly worked into a beautifully ghostly, grainy, evanescently visible texture. Images are juxtaposed promiscuously in double and quadruple frames, often paired images of intangibly related material, elegantly matched to be thought provoking as well as to offer visual delight.

Abstract 2D hand-drawn animation using jazz music

A perfect symmetry of geometric shapes and symbols set to the lush electronic sounds of Lux Prima.

Views of Hong Kong was produced by Hong Kong Tourist Association to promote Hong Kong and attract foreign visitors, providing a precious record of old Hong Kong..

That night, a lady met a lovely beast, a gigantic slimy cheesy one.

A Trip to There is an experimental video essay from my documentation of my younger days. I rearrange my materials along the timeline and transform the past and unchangeable events into dialogues with new contexts, creating a journey that penetrates spatial and temporal boundaries.

In Hong Kong, a stranger wanders and films frantically monologuing next to her camera. Through the windows of the buildings she penetrates the intimacy of the flats, in the streets she lingers over unknown faces, swallowed by the city she seeks to record what exceeds her. It’s after founding a kaleidoscope on the ground that she meets the man with tattoos - he is haunted by a fight.

Part-Time Moon documents a fantasy of an artificial moon that is created inside the artist’s studio. The film is initiated from glazing over on a filmmaking tool. Compare to the real moon, the part-time moon carries an anthropomorphic character: it moves, changes luminosity and color on its own. The camera chases after this organic moon from far to close. It dances, playing hide-and-seek with the camera. The film takes the apparatus usually behind the camera back to the front of the lens, producing a visual-driven narration which is out of the norm.

A father has been fighting for the rights of his daughter since she consumed tainted milk powder, yet fails to be understood. With a focus on the connection between father and daughter, the director returns to her own family, discussing love and growth. All of these efforts started with an experience dated back to her childhood.

In the hyperkinetic multichannel video installation Devil’s Peak, Simon Liu surveys the psychogeography of Hong Kong as a feverish dreamscape, activating charged sites of recent civic upheaval, personal heritage, and postcolonial legacies.

A three minutes, 2D animation film, about the protest in Hong Kong. A group of Hong Kong people protesting against the extradition law amendment bill, concerned the bill will damage Hong Kong’s autonomy.

In our life, we are afraid of death and want to catch the most important person or the best time of our life, however, we can’t control that, but we need to face that bravely. The story emphasises the message about the cycle of life, relationship, and connection between family and generation and the concept of Chinese death. The thesis of the story is about growing and finding the meaning of death.

"War of Perception" by Bo Choy meditates on Hong Kong life encompassing belief, family heritage and Western influence. A costumed spirit performs with mirrors, in addition to street musicians and dancing protestors. A sad, sombre tinge pervades their making of spectacle.

"Ink History" is just a collection of historical pictures without any explanation. These pictures are only momentary records in time and process. They only represent a one-sided witnessing evidence, which is left to be explained with unlimited possibilities. Even so, these pictures in collective memory serve as key frames in the timeline.

Take an exhilarating ride on one of the most spectacular rail journeys in the world, the Hong Kong Peak Tram. The route opened in 1888, and this 'phantom ride' (a popular early film genre for which the camera was mounted on a moving vehicle) offers glimpses of the harbour and lower Hong Kong in the distance as you descend from 400 meters. But as a funicular railway, the most heartstopping moment is the sight of the upward tram arriving on what looks like a collision course...

Told through the point-of-view of the wandering spirit of the last Javan rhino that was poached in the jungles of Vietnam in 2010, the film takes us through a complex structure of narratives and visuals, both gruesome and beautiful, real and mythological, that have built and upheld certain Vietnamese traditions. From Chinese colonialism and its assertion through the practice of medicine, to French colonialism and their obsession with trophy kills, and throughout the Vietnam war, the animals tell a different side to the story.

A monochrome composition of dynamic shapes and patterns comes to light and to life.

Spinning, spinning….familiar imprints on our memories.

A phobia. An adventure, a subject lost in time and space. Lost in a fog, lost in oblivion.

Created in quarantine. How to turn a stressful situation into something playful.

A day in the life of a building. Busy people, curiosity and incomprehension.

An exploration of various landform’s conditions of uncertainty, focusing on the outlines of objects and transformations between each still through edge detection technique.

The reconstruction of a cup of ice cream soda, an exploration of how ingredients can behave in different ways.