Two friends with opposite personalities, the rich but sensitive Pran and the womanizing Gopal both have affairs with two mountain girls while holidaying in the valley of Kashmir. While Pran and Reshma's love is true and reciprocated, Gopal is a womanizing villain, who disregards the faithful Neela and condemns her to wait faithfully for his return with the barsaat (rainy season).

The story is about Bala Nagamma, a young princess. The King prays for progeny and is blessed with children, the youngest of them is named Bala Nagamma. She is married off to Karyavardi Raju. She is kidnapped by Mayala Marathi who turns her into a dog and takes her to his cave. Once there, he tries to take advantage of her. She keeps him away by quoting some Holy Rites and Pujas that she is involved in. She is a prisoner in the cave for fourteen years, during which time the Fakir's mistress, Sangu, becomes jealous of his obsession with Bala Nagamma. In the meantime, her son Balavardi Raju grows up and discovers the truth about his mother.

Mayalokam is a 1945 Telugu-language film produced and directed by Gudavalli Ramabrahmam under the Sarathi Films banner. It stars Akkineni Nageswara Rao and S. Varalakshmi.

Jnanambika, the heroine of the film, is the daughter of a wealthy landlord, Rajasekharan. After the death of her mother, her father marries again. Rajamani, the villainous second wife tortures Jnanambika, forcing her to run away from home.

Thyagaraja, a saint and a poet, overcomes many hurdles in his life, including grinding poverty to emerge as the greatest Carnatic music composers of all time.

Childhood sweethearts from opposing social standings are separated when one's family moves elsewhere, leaving behind only a watch as a token of their friendship. Years later, as adults, they strive to meet again.

A writer goes to a film producer with a story in the hope of selling the idea for a film. As he explains it to the producer, scenes from his dance movie come to life.

They are in love - have grown up together. Circumstances lead her to get married to a older man with a small child who does not accept her physically after having seen her face for the first time - he feels guilty that she has been cheated upon and her youth has been snatched away. One day she returns home to meet her childhood friend.

Ayodhyecha Raja, literally "The King of Ayodhya", was the first Marathi talkie. It is based on the mythological story of Raja Harishchandra of Ayodhya and his test by sage Vishwamitra, as recounted in Valmiki's epic, Ramayana. The film was also made as a double-version, Ayodhya Ka Raja (1932) in Hindi, making it the first double version talkie of Indian cinema.

Nirmala (Devika Rani) is a modern girl - young, beautiful, dressed in the latest fashions, attends college, and is even the only female in an all-male class. She doesn't take second place to the men, besting all but one in the annual exams. She tied with Ramdas (Ashok Kumar). But, at the same time she is tied to the age-old culture, traditions and religion. She yearns for a husband and for motherhood. And this conflict forms the crux of the story.

Impoverished singers Uma and her brother Babul are discovered by Nirmal. Uma becomes a star and marries Nirmal, but his insecurity leads him to abandon her and their daughter, Manju. When he finds Uma back on stage, he abducts Manju. After years, the family reunites, and Uma returns to a homemaker role.

Ravana (Niranjan Sharma) orders Maricha to turn into a deer to entice Sita (Sona Chatterjee) with the notion of kidnapping her. Rama (Trilok Kapoor), Lakshman (Prabhash Joshi) and Sita are in the Panchavati forest for their fourteen year exile. Espying the golden deer sent by Ravana to lure Rama away, Sita asks Rama to get it. On hearing a cry of pain she sends Lakshman after his brother thinking he’s hurt. Ravan comes in the guise of a hermit begging alms and makes Sita step over the Lakshman Rekha (line), Lakshman had drawn around their cottage for her safety, asking her not to step beyond it. In their search for Sita, Ram and Lakshman meet Hanuman (S. N. Tripathi) whom they help in the fight between Sugriva and Bali. Hanuman then helps in finding Sita. (Wikipedia)

Faced with extreme patriarchal laws in an ancient seaport kingdom and denied the legal custody of her infant son, a young woman becomes a pirate declaring war on the state's tyrannical minister of justice.

About the modern girl of India. Fashion, fast cars, luxury and sexual freedom.

An "untouchable" girl and a Brahmin boy fall in love, but the strict caste system and the gossip of the villagers threaten to keep them apart.

Roop Kumari (Leela Desai) a famous court dancer is forbidden entry into a temple monastery run by a strict disciplinarian Priest. The cast listed here is for the Hindi version, there is also a Bengali version with a different cast, but same director and release year.

"Journeys End" a traditional tale told by one of the pioneers in Indian cinema, Jaddanbai Hussain (1892-1949).

A Princess is tricked into marrying a naive and illiterate youth.

Surdas, a blind poet, embarks on a spiritual journey. He transforms into a revered saint, dedicating his life to crafting devotional poetry for Lord Krishna.

Directed by Roop K. Shorey

Haria, an elephant driver, loves gypsy girl Gulabi, but faces rivalry from Ajay, the tea estate owner's son. After Ajay kills Haria's elephant, Raja, Haria seeks revenge, intertwining with a family secret and inheritance dispute.

Sakuntalai is the story of the mythological queen Shakuntala, whose tale is told in the Mahabharata and dramatised by Kalidasa in the play Abhijñānaśākuntalam.

This is the Ramayana story of Seeta (Sriranjani) who retires to the forest and gives birth to twin boys, Lava (Bhimarao) and Kusa (M. Rao). They later take on the might of Rama (Subba Rao) unaware that he is their father.