A petty thief is put on trial for the attempted murder of a lawyer. Through a series of flashbacks, the intertwining lives of the thief, the lawyer, and the thief's defense lawyer are illustrated.

The story of a small-town man who comes to make it big in the city, where he is almost instantly relieved of all his possessions. Homeless and penniless, he is taken in by a woman who looks after him.

Vijay, a destitute poet, searches for true love while attempting to get his work published. With the assistance of two women in his life, his dream comes true - but at a cost that causes Vijay to rethink his worldview.

The film tells, in flashback, the story of Suresh Sinha, a famous film director and his relationship with an aspiring actress.

Madan comes from a poor family background. Unable to find employment, he takes to gambling in order to pay for his sister's medical expenses. Soon, he forms a bond with Leena, a dancer, and is falsely accused of her murder.

Kalu is a taxi-driver in Bombay, India. He has two women who love him and would like to marry him. Kalu first wants to establish himself, and become rich, before he can even think of marriage. One of the women who loves him, has a father who is involved in gangster-type activities, and would like Kalu also to join him so that he can get rich soon. Kalu has now to decide to become rich quick or sleep better.

Childhood sweethearts grow up in a small village with a love-hate relationship which changes to love when they mature.

A young, naive heiress is forced into a 'marriage of convenience' with an unemployed cartoonist in an attempt to save her millions - a move orchestrated by the scheming aunt.

After Shekhar (Raj Kapoor) falls for beautiful Sharada (Meena Kumari), he makes her promise that she'll wait for him while he goes abroad on a business trip. But when Shekhar's plane goes down in flames, Sharada finds comfort in the arms of another man, not knowing that he's Shekhar's widowed father (Raj Mehra). Trouble is, Shekhar survived the crash and soon returns home, only to discover that Sharada has become … his mother!

At the behest of his father, Raj writes letters to Chandra, a prospective bride. However, unbeknownst to him, it is Neelu, Chandra's sister, who responds to his letters and falls in love with him.

Twenty years ago, Sardar Rajpal killed his brother and fled his hometown with his adopted daughter. Once settled, he asked his estranged wife to send their son on the misleading promise of employment. When two young men with the same name show up, both claiming to be there for the job, a baffled Sardar is forced to work out the imposter and his motive, while his daughter gradually develops a soft spot for one of them.

Kammo lives a very wealthy lifestyle with her widowed multi-millionaire dad, Girhdarilal, who would like her to get married to someone who is not after their wealth. To his dismay, she chooses to marry a Pilot named Sumankumar, who is known to womanize, and for his greed, so when he disapproves, she runs away. He advertises for her safe return and offers to pay Rs.1.25 Lakhs to the finder. Four days later, Kammo returns and she is not the same anymore, she is more humble, sober, and respectful. Fully appreciative of this, Girdharilal agrees to get her married to Sumankumar. Just before the marriage, a man named Sagar approaches them - and it is this visit that will change their lives forever.

During the days of the Vijayanagara Empire there was a system to bring willing women to the royal palace and render them official residents. This was called 'Rani Vasam'. According to this royal tradition, they sent palanquins to their houses, after they presented the family with gifts and jewelry. These Rani Vasam women should never have any contact with any man or let any man see them without permission. If any one violated the law, they were beheaded. Malleswari (Bhanumathi) was taken to this Rani Vasam. She was forced to accept this, for lure of money and jewelry by her parents. But she was already in love with her 'Bava' Nagaraju (N.T. Rama Rao), a sculptor. He stealthily got into the garden of the palace to meet his beloved and was caught. He was to get the death penalty. Krishnadevaraya for once pardoned the hero and allowed Malleswari to go with him.

An impoverished advocate faces challenges after he falls in love with a wealthy woman who has a look-alike courtesan sister.

Anil, an artist, comes to stay in a village with his friend Jeevan. While there he meets Asha and asks her to model for his statue. The two fall in love. They marry secretly but Anil must leave as his father is dying. While on the way back his car crashes and he is disfigured. Anil is now reluctant to go to Asha in case she no longer loves him, while meanwhile Asha is pregnant and being shamed by the villagers.

A once loyal soldier faces many challenges after turning into a rebel.

In ancient Rome, a mourning Jewish man raises the kidnapped daughter of Roman royalty as his own - and she grows up without learning her true identity. Years later, she falls in love with a Roman prince.

A wealthy heiress's life is tragically upturned when she discovers her illegitimate, look-alike sister—a street-wise courtesan—who quickly falls for her fiancé, forcing a crisis of identity, love, and sacrifice.

An amnesiac man escapes the hospital he has been admitted to and is aided by doctor Roma Banerjee, who takes him to her father's country house. While treating him she falls for him and he for her. They marry, but an accident makes him remember his life as a rich man in Calcutta and completely forget the time spent with Roma. Roma follows him to Calcutta.

Roopa lives a wealthy lifestyle with her widowed dad, Captain Suresh, and brother, Shekhar. After she returns from abroad, she is told that she must now prepare to get married to her betrothed, Ratan, who is the son of a close friend of Suresh. Everything changes suddenly when Roopa meets with a handsome young man, Raj, and both fall in love with each other.

A powerful and princely Sheikh lives in 18th Century Persia, makes a living renting out properties, and recovering taxes and dues on them. He lives in a palatial house with his wife, Zubeda, and son, Ahmad. When Ahmad grows up, Zubeda notices that he is spending too much time with women in their harem, and wants his father to get him involved in their business. Sheikh accordingly instructs Ahmad to collect all revenue, which he does so. A few days later, Sheikh is informed that Ahmad has been spending time with a friend named Farid, and is romantically involved with a dancing girl named Yasmin. A visibly upset Sheikh accordingly warns Ahmad to mend his ways, give up on Yasmin and return home, where he has planned his marriage with Nadira, the daughter of Amir Qasim.

A delicately nuanced psychological drama, exploring a 3-way relationship between the main characters and the crisis of conscience that rocks it. A prosperous, well-respected lawyer, in love with and engaged to an educated, socially-conscious young woman, rapes a poor local village milkmaid. The rest of the story deals with the aftermath of this tragic event, with all the inevitable undercurrents of guilt, penitence and pervasive heartbreak that stem from it.

Deciding to start a school for girls named after his wife, a zamindar looks for a married couple to manage the establishment. They apply for and get the job. The two are not actually married; they posed as a couple to obtain the job. After a series of complications and delicate situations, love blooms between the two and they marry.

Two men take shelter in a derelict mansion situated in the countryside during a storm. One of the men suddenly becomes aware that he once visited this mansion in a past life; he recounts a story about when he was Anand, a painter, who fell in love with a tribal girl named Madhumati.

An orphan adopted by an upper caste family never learns of her untouchable caste background. This proves problematic when years later, she falls in love with an upper caste man.

Shankar and Paro love each other, but their relationship is strained by his drinking problem and Paro's sudden wealth.

Raju (Raj Kapoor) and Gaura (Nargis) are childhood lovers and promise to be with each other no matter what. Jeevan (Iftekhar) keeps bullying Gaura and is jealous of Raju. He overhears them professing their love for each other and conspires to separate them.

Leela is a beautiful young lady who wishes to marry her sweetheart and poor artist Shyam. By chance, Leela meets Sita, a Rani whose son falls instantly in love with Leela, leaving the young lady with a life-changing dilemma.

1959 Indian film starring Akkineni Nageshwara Rao, Savitri and S.V. Ranga Rao

A 1954 Bengali Romantic Drama Film directed by Ajoy Kar, featuring Mahanayak Uttam Kumar & Mahanayika Suchitra Sen.

Shyamali, who is both hearing and speech impaired, faces several struggles in life. While the man she marries supports her, she is not accepted by her in-laws.

Shankar and Buddhu are identical twins. Shankar, unbeknownst to Buddhu, has found love with a painter; Buddhu meanwhile falls in love with the painter’s sister, who works at his office. As neither sister knows her lover has a twin, and Buddhu is unaware of Shankar’s romance, confusion ensues.

A young man believes that an old, supposedly haunted ruin holds clues to both his father’s disappearance and a twelve year old murder mystery.

After a plane crash, Dr. Motilal (Dilip Kumar) is left stranded in a small village, where he is given shelter by a blind old man called Surdas and his playful, young daughter Tarana (Madhubala). During the course of his stay, Motilal falls for the charms of the innocent Tarana.

Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini. Diwakar will soon become a recognized poet and Jamuna gives birth to a boy. Unfortunately, the happiness does not last long: Diwakar loses his job because of a critical songs against the British. Now he can no longer feed his sickly father nor his son, who is starving. All this makes Jamuna angry, but above all Diwakars growing obsession with Mohini. As Jamuna decides to live apart from Diwakar, it is destroyed internally and no longer capable of proof. Jamuna slowly realizes that she can not live without Diwakar and forgives him.

A vengeful princess waits for the right moment to kill her foster father - the Emperor.

Rao and Mary, unemployed college graduates from Madras, act as if they are a married couple to get jobs as schoolteachers in the small village of Appapuram. Their story unfolds into an extremely hilarious comedy as they try to cover up that Mary is a christian. They are assisted in their drama by Devaiah, a friend and ex-beggar, in fooling the family they work for.

A 1955 Hindi film directed by O.P. Dutta.

The owner of Annapurna boarding house facing an upcoming trouble for let in a girl in the boys hostel.

Mehbooba, directed by K. Amarnath, is a Hindi-language costume drama set in a historical or mythological backdrop. The film stars Shammi Kapoor, Nalini Jaywant, Gope, Achala Sachdev, and Hiralal. The music for the film was composed by Roshan, with lyrics penned by Majrooh Sultanpuri.

A doctor unknowingly spurns a woman who loves him, compelling her to marry a wealthy king whose three wives allegedly killed themselves.

A fictionalized account of the life of poet and nobleman Mirza Ghalib during the reign of the last Mughal Emperor, told through the lens of his ill-fated love for a beautiful courtesan he called Chaudhvin.

Two friends both fall in love with two girls. Their romance was to culminate in marriage, when one of girls' brother is released from jail.

Ijjat Beg comes to India with his caravan and settles in a town in Gujrat. Here, he falls in love with Sohni, who owns a shop of metal pots.

Thampi and Menon decide to strengthen their relations. Thampi decides to marry Madanika and Menon decides to marry Prasanna. Ayyappan is shocked by the marriage plan attempts suicide. Prasanna sympathises with the desperate lover and marries Ayyappan against the wishes of her brother.

Chand lives in a small rural town in India. He is unable to pay the rent, and his landlord evicts him. He re-locates to another town and meets with a young woman named Tara. Both are attracted to each other. Chand is unable to secure employment in this town, and moves elsewhere. Tara waits for several months, but does not hear anything from him. So she decides to go and look for him, hoping to re-kindle her love. She is shocked and surprised to find him with an attractive woman named Rajni, who claims that Chand is her betrothed and both are to get married soon.

Manohar Das is an only son who frequents nautch girls with his friend Badri. Manohar's father wants his son to mend his ways before it is too late. But Manohar is incorrigible. Finally, his father sends him to Ramgarh with his Guruji so that he is totally cut off from city life and where he can be reformed.

Shanno falls for the flautist Kanhaiya, believing him to be Lord Krishna, and decides to marry him. However, she is shocked after realising that he is, in fact, the village drunkard.

Veteran director V. Shantaram spins this bio-pic about poet and musician Honaji Bala, best know for popularizing the Lavani dance form and for writing the classic raga Ghanashyam Sundara Shirdhara.

Shankar was a young lawyer in pursuit of making it big in the professional world. However, his world is turned upside down when he comes to know that his father, who he knew went missing, was in real life spending his lifetime in jail as he was incorrectly accused of murdering a lady named Hemangini. His mother urges him to reinvestigate the case and save his father. He goes to Krishnanagar in search of the people and the pieces of evidence that would help him to prove his father’s innocence. He meets Rita, a young and charming lady who assists him. They fall in love. Shankar faces a lot of roadblocks while trying to collect clues, most of them which were imposed by the actual murderer. However, he solves the mystery in the end and his father is thus released from prison.

Complications, impersonations and moral dilemmas arise when a Punjabi pretends to be a Tamil in order to obtain accommodation in New Delhi. An eloquent and entertaining plea for national unity that manages to showcase several cultural traditions whilst encouraging people to laugh both with and at each other.

A nurse at a psychiatric ward gets a bit too involved in the well-being of a patient.

Dancer maestro Mangal Maharaj wants his son, Girdhar, who is a dancer par excellence, to enter the once-in-ten-years Nateshwar Utsav dance competition, win it, and be crowned the Bharat Natraj. While Girdhar can do a solo dance number, he is also required to dance the Shiv-Parvati Tandav dance with a female partner. Mangal Maharaj would like Roopkala to be his partner, but ends up being disappointed with her. Now with only a year left for the Utsav, he chances upon talented dancer and singer, Neeladevi, and recruits her. He subjects her to strenuous training and he is pleased with her performance. Then he finds out that Girdhar and Neela have fallen in love with each other, and their involvement is interfering with their performance. Unhappy with Neeladevi, he dismisses her, and sets forth to look for another dancer. The question remains: Will he be able to find another one, train her, and make her compete just in time for the Utsav, or will he lose this opportunity altogether and ...

A group of freedom-fighters face betrayal and go on the run from police in British-occupied Hindustan.

Chandrika, the only daughter of the rich industrialist Janardanan Pillai falls in love with Gopi, the son of the maid servant. Gopi is aware of his social status and keeps away from Chandrika. But Chandrika does not leave him.

Love story of Tapasi and Kiriti in the backdrop of social and cultural conflict regarding marriages and progressiveness.

Classmates Laaj (Waheeda Rehman) and Shyam elope to Bombay with Laaj's necklace, which they hope to pawn to pay for their travels. On the train, a crafty journalist named Pran (Dev Anand) overhears the lovers' plan and follows them in search of a story. When Shyam snatches the necklace and runs off, it's Pran to the rescue. What follows is a song-filled caper of intrigue, adventure and romance.

Based on a popular historical legend, Prince Salim has a passionate love affair with a beautiful, sassy commoner.

A remake of the director's own Tamil film Mallika (1957).