A man obsessed over two things, the theater and a childhood friend, recounts his life story to his new bride.
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A man obsessed over two things, the theater and a childhood friend, recounts his life story to his new bride.
Two friends with opposite personalities, the rich but sensitive Pran and the womanizing Gopal both have affairs with two mountain girls while holidaying in the valley of Kashmir. While Pran and Reshma's love is true and reciprocated, Gopal is a womanizing villain, who disregards the faithful Neela and condemns her to wait faithfully for his return with the barsaat (rainy season).
Renu gets into a minor accident and Premendra helps her out, unaware that he is her favourite singer. Lata and Asha, Renu's friends, fall in love with Premendra.
Two neighboring kings addicted to gambling, Ranjit and his cousin Sohat, vie for the same beautiful young woman, Sunita, daughter of the hermit Kanwa.
Born in a low-caste family of chamars (cobblers), Chandu alias Chandrashekhar (Dev Anand) helps his father repair shoes and other footware for a small pittance. One day a girl from a rich and wealthy family, Vidya (Suraiya) stops by to get her shoe repaired. She wants Chandu to stop doing this menial job, and go to school, study and become someone important. She offers help financially, and gets Chandu to school. Both grow up and are attracted to each other. Both intent to marry, but obstacles open up in the form of Harry alias Harilal (Madan Puri), and Vidya's alcoholic dad, who will not permit his daughter to mingle with a boy from a lower caste.
A convicted murderer is released from prison. His only possession is a broken figurine - the last token of his love. The tragic story of how he came to be incarcerated and the significance of the figurine is the subject of this tale of star-crossed lovers whose destiny is moulded by society's rigid rules and the villainy of a scoundrel.
The film follows Humayun’s rise to the throne, his struggles to maintain the empire, and his conflicts with rivals—especially Sher Shah Suri, who defeats him and forces him into exile. Amid political upheaval and personal loss, the story also explores Humayun’s relationships, particularly with his noble wife Hamida Banu. Eventually, with Persian support, he regains his empire, but his triumph is short-lived, as his reign ends with a fatal accident.
Love triangle has a flowerseller and a doctor's daughter both in love with a struggling writer.
A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.
A poet who has spent life in the village with his childhood sweetheart goes to Bombay to meet a fan of his who is also a popular radio singer.
The love story between the beautiful village belle Radha and Kamal, the son of the village zamindar who wants to be a great poet. The zamindar sends his son to the city, where Kamal becomes a noted novelist and playwright, while Radha is persecuted by the zamindar and his henchman Banwari. She feigns suicide but in fact goes to join her beloved in the city (on the same train as the now repentant father). When she eventually reaches Kamal's house, she hears him declaring his love to a woman. Unaware that he is merely reading lines from his latest play.
Mayalokam is a 1945 Telugu-language film produced and directed by Gudavalli Ramabrahmam under the Sarathi Films banner. It stars Akkineni Nageswara Rao and S. Varalakshmi.
Radha, a young woman's journey through love, betrayal, and resilience. It explores her experiences with a broken promise of marriage and her subsequent struggle for independence and dignity, all set amidst a backdrop of intertwined romantic relationships and significant musical numbers.
After a shipwreck, Chandrika who's disguised as a man falls in love with Prince Vasanthakumar but he is smitten by Megala Devi. However, Megala falls for Chandrika.
Prakash (Ashok Kumar) is returning home after eleven years from UK, and is now on a train for his journey back home. He meets a young man, also called Prakash (Ramesh Gupta), on the train who befriends him. The train meets with an accident and Prakash loses his memory. While Prakash is wandering around trying to regain his memory, the man from the train thinking that Prakash (Kumar) is dead, pretends to be Prakash and reaches his house.
The story happens in Nader Shah era when he attacked India. At the very moment of the war in India and conquering Lahore, there is a romantic love going on between a girl and boy named Homa and Homayoun, which the war directly affects.
Childhood sweethearts from opposing social standings are separated when one's family moves elsewhere, leaving behind only a watch as a token of their friendship. Years later, as adults, they strive to meet again.
They are in love - have grown up together. Circumstances lead her to get married to a older man with a small child who does not accept her physically after having seen her face for the first time - he feels guilty that she has been cheated upon and her youth has been snatched away. One day she returns home to meet her childhood friend.
A love tragedy featuring a policeman, Ganpat (Modak) and a prostitute, Mainal (Hublikar). Ganpat saves Maina from a police raid on a brothel and they fall in love. Her reputation and sense of guilt resist his attempts to rehabilitate her. Ganpat's respectable middle-class mother (Sundarabai) symbolizes all that Maina would like to be, but she is arrested for murdering her evil uncle and refuses Ganpat's offer to release her from prison.
A married couple is overcoming social challenges and obstacles, with fate playing a pivotal role in their decisions.
Two movie actors are confronted by startling and hilarious obstacles.
Set against the backdrop of WW II in Calcutta, "Meri Bahen" is the story of a schoolteacher and his young sister. The film followed his rise to fame as a singer and the changes in his relationships following a bomb-raid.
A childhood betrothal goes awry when a case of mistaken identity lands a woman in trouble with the law. Years later, the destined pair reunite as rival journalists, entangled in a love triangle with their boss.
Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a tawaif.
Basant, the educated son of a landlord, who disguises himself as a poor farmer to investigate corruption among his father’s tenants and, in the process, falls in love with the kind Kamla. Their budding romance is shattered when his true identity is revealed, forcing him to leave the village misunderstood. Soon after, a murder occurs, leading to Kamla's father being wrongly imprisoned. Years later, as Kamla raises an orphaned child, she and Basant find their lives dangerously intertwined once more by the manipulative villain Gangoo, forcing them to risk everything to uncover the truth and seek justice amidst the tragedy and betrayal.
A military coup leads to two outcast princesses falling for the same rakish artist.
Following a passionate encounter with King Dushyanta (Chandramohan), the comely Shakuntala (Jayashree) finds herself pregnant and rejected by the royal court. She gives birth in a forest to a son which she names Bharat (Kumar Ganesh). When the King tracks his former lover down and tries to take her back, she flatly refuses him.
The Story revolves around the life of a kind and sweet girl living with her family and her family wanted a fortune for her and arranged her marriage with a kind man and they meet before their marriage and fells in love with each other- but things get complicated in their wedding night- which causes their life into trouble- but fate plays its role, leading to consequences.
Directed by S.F. Hasnain, Duniya (1949) is a classic social drama from the golden era of Indian cinema. It explores themes of justice, class struggle, and the moral complexities of the legal system.
A freedom fighter faces opposition from both his father and an ambitious police officer.
Classic celebration of Mithila's King Shiva Singha's (Bannerjee/Kapoor) love for his wife while chronicling the influence of the pacifist court poet Bidyapati (Sanyal). Invited to the royal court by the king, Bidyapati arrives with his faithful follower Anuradha (Kanan Devi). Queen Laxmi (Chhaya Devi) falls in love with the poet, much to the distress of the king. The king falls ill and starts neglecting his royal duties until Anuradha persuades him that true love does not need reciprocation. The queen, equally distressed by her divided loyalties, contemplates suicide, encouraged by the prime minister who is worried by the nefarious impact of Bidyapati's poetry on the king.
Chellam begins to suspect her husband, Dr. Vembu, of having an extramarital affair after spotting him with another woman.
The movie revolves around a young mischievous boy named Mirza who is sent away to his uncle's home for further studies. Mirza is passionate about archery and is an expert at it. He starts living with his uncle where he meets his uncle's daughter Sahiban.
A comic tale of a poet and his fan both in love with each other and relentless efforts by his would be father in law to not let them marry each other. Instead, he wants his daughter to be married to the poet's friend.
Film starring Munawar Sultana
A traumatized beautiful woman loses her memory in a train accident.
A father worries for his younger son and asks his elder son to promise that he will do everthing in his power to ensure Arun does not go astray, educates himself and becomes an independent man. However, fate has other plans. When Arun commits an unthinkable crime, his brother fulfills the promise made to their father and shields his younger sibling from all harm.
A musician's move to Bombay ignites a love triangle with his new landlord's daughter and his former, unrequited admirer. Misunderstandings and family opposition lead to separation, but a fateful reunion during a crisis ultimately brings the true lovers together with a happy ending.
A social drama that focuses on the struggles of a cherished daughter as she navigates societal expectations and family conflicts that threaten her personal happiness and romantic choices.
Two young friends bond when they visit the village fair. They fall in love. What seems like a simple story soon turns into a conflict zone between families and when pride is hurt love is sure to suffer. Wapas is a tale of wronged love. Will the young lovers be able to bury their differences and find love again?
Film starring Ruma Guha Thakurta, Aga Jaan and Vikram Kapoor
A tragic Muslim social drama. It tells the story of two close Pathan families torn apart when Motilal, initially engaged to Veena, falls for and demands to marry her cousin and best friend, Munawar Sultana, after seeing her by chance. This sudden change of heart creates a deep and painful rift between the once inseparable families.
Harish who's a poet who falls in love with Kusum, a singer he mentors. But Kusum sees him only as a guru and ends up marrying a wealthy admirer. Years later, misunderstandings resurface, leading to a bittersweet realization that love and respect don’t always mean the same thing.
Kamala elopes on her wedding day with her childhood friend Ratanlal. Her father Manganlal chases the couple and catches them on a train. His furious exchanges with Ratanlal are interrupted by gunfire and in the mysterious gloom of the evening a body is thrown off the train. The suspects are Ratanlal, who cannot furnish an alibi, Kamala, who insists on being the murderess, ex-convict Sukhdev, who confesses to the murder claiming robbery to be the motive, and the lunatic Tarachand, who also admits his guilt.
Roop Kumari (Leela Desai) a famous court dancer is forbidden entry into a temple monastery run by a strict disciplinarian Priest. The cast listed here is for the Hindi version, there is also a Bengali version with a different cast, but same director and release year.
Mumtaz Mahal tells the story of Shah Jahan and his wife Mumtaz Mahal, tracing their deep love, her death during childbirth, and his grief that leads him to build the Taj Mahal in her memory.
A nationalist rural drama. The plot has Ajau and his girl friend Protima working on behalf of Indian villagers, incurring the enmity of the local zamindar and the villainous Sanatan. Ajay's relentless goodness eventually persuades the zamindar to bequeath his property to the hero, and general well-being reigns as class conflict is transmuted into class collaboration. The film includes the nationalist song 'Jai jai janani janmabhoomi' and other choruses with a similar thrust.
A quarrel at a birthday party ends in a guest’s death, and the son takes the blame to protect his father. Fleeing to the city, he struggles until a street dancer helps him, and the two grow close. A chance encounter between the dancer and the man’s sister sets off events involving love, misunderstandings, and the eventual unveiling of the truth.
Taj Mahal tells the epic love story of Prince Khurram (later Emperor Shah Jehan) and Arjumandbano (who becomes Mumtaz Mahal Begum). Their destined romance unfolds amidst political intrigue, military campaigns, and courtly life in the Mughal Empire. After Mumtaz Mahal's tragic death, a heartbroken Shah Jehan commissions the construction of the magnificent Taj Mahal as an eternal monument to their love.
A love-triangle story revolving around an upper-class Bengali hero. Satyendra, the son of a zamindar, experiences the conflict between family duty and the modern world in terms of his desire for an 11-year-old virgin bride, Radharani, and the nurturing and self-sacrificing courtesan Bijli. It depicts several stereotypical scenes like drunkenness and a courtesan's dance.
Directed by Roop K. Shorey
The wealthy, self-obsessed, and possibly crazed Manoj (Barua) is sent by his concerned family to the rural estate of his future father-in-law. Along the way, however, he gets lost and soon finds himself taking shelter in the abode of the railroad stationmaster whose beautiful, down-to-earth daughter, Meena (Kenan Devi), Manoj finds irresistible. When his haughty, progressive-minded fiancée gets wind of this, she freaks out and soon there is a showdown between the two women. In the aftermath, Manoj finds reason to go with his heart and marry Meena.
Based on a Gudipati Venkatachalam story, it is a social drama showcasing the discrimination against scheduled castes through a love story between a Brahmin boy and a Dalit girl.
Indramalati is the second Assamese language film, directed by the great Assamese poet Jyotiprasad Agarwala Jyotiprasad Agarwala wrote the story of Indramalati, which was a tale of romance.
A romantic tragedy where two earnest lovers Laila and Majnu couldn't succeed in their love and meet their demise eventually.
1946 Indian Hindi-language romantic drama film
Asha, a rich woman, is in love with Ashok, a poor but academically brilliant man. However, her father does not approve of him and wants her to marry Dr Ramesh who is equally wealthy.
India's second sound film beautifully narrates the ancient Persian love story of Shirin and Farhad from Nizami Ganjavi's Shahnameh. Farhad, a gifted sculptor, falls deeply in love with Queen Shirin. King Khusro, wishing to keep them apart, tasks Farhad with an impossible feat: demolishing the mighty Besutun mountain on his own. Despite the immense challenge, Farhad's unwavering love drives him. The film concludes with their poignant union in death, as Shirin's tomb miraculously opens to receive him.