Lai-sing, full of aspirations as a journalist, lives in Hong Kong with his sister Kei-mei. Their parents live in Hainan since retirement while Uncle Guoyou lives in Shenzhen. The family is separated until the third anniversary of the death of Lai-sing's grandmother. According to tradition, a monument has to be erected on this occasion, which brings the family members to meet up. The reunion slowly unveils the indiscernible distances and intimacies built over time. It is only through understanding and acceptance that they would cast aside their differences and show genuine care for each other.

Kuen is a lounge singer on Temple Street. Her son Kakei, now a university student, returns to Hong Kong for just a few days after emigrating to Canada with his father. Kuen's colleague Kit has to work overnight and enlists Kuen’s help to take care of her young son. During the sleepless night, Kuen and Ka-kei relive their past and envisage their future through another pair of mother and son. Under the bright sun, the cycle of life and family relationships continue, made all the more touching by the nuanced moments of care and concern between each other. SHAM Ka-ki of Weeds On Fire plays the son and renders a tender and layered performance full of subtlety.

After years of illness, Ken’s wife finally passes away. Ken returns to his job as streetlight repairman after the funeral. Having to work at night, he rarely sees his daughter Ann, who develops a fear for darkness since her mother dies. Often left alone at home, she learns to grow up at a tender age. She makes her father agree to go out and play with her on the night of Mid-Autumn Festival, but Ken breaks the promise because of work. During the festive season, father and daughter try hard to re-capture moments of love and concern for each other.