145 Matches Found

Babruvahana

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.

Babruvahana

7.8 1977
Shevatcha Malusara

An unusual Marathi war movie which mobilises and updates a historical/regional chauvinism associated with 17th-C. Maratha emperor Shivaji. Major Subhanrao Malusare, a direct descendant of Shivaji’s legendary lieutenant Tanaji Malusare, continues a proud family tradition by winning the Victoria Cross as an Allied officer fighting against Italian fascists in WW2. When he dies, his wife Savitri (Uma) vows that their son will never join the army. However, during the India-China conflict (1962), when her son’s friend is killed, she enjoins her son to fight for the nation even though the boy’s death would mean the end of the ancient clan. The film updated the rousing sentimentalism associated with Shivaji historicals into the present via songs such as He bharatiyano aika balidan katha veeranchi.

Shevatcha Malusara

5.0 1965
Usne Kaha Tha

Nandu lives in a small town with his widowed mom, Paro. He is friendly with two young girls, Farida and Kamli. He is depressed when Kamli's dad becomes ill and she and her mom re-locate to Ambala. Years later, Farida and Nandu have grown up and continue to be friends. Then they get the news that Kamli's dad has passed away, and they are to return back. Initially they do not recognize each other, but when they do, both fall in love and want to marry. When Paro goes to meet with Kamli's maternal uncle, she is shunned, humiliated because they are poor and Nandu is unemployed, & considered a trouble-maker.

Usne Kaha Tha

0.0 1960
Red Alert: The War Within

While delivering food in a forest area in Andhra Pradesh, impoverished Narasimha is held against his will by a band of Naxalites led by Velu, and forced to join them. He is anxious to collect his dues and return home to his wife, Uma; daughter, Chinna; and son, Mohan, but Velu keeps on putting it off. Narasimha gets to know and sympathize with members of this band, and befriends Lakshmi, who was gang-raped by several policemen. He is then asked to prove his loyalty by killing an informant/plainclothes police inspector - which he does - and even accompanies the band on an assault on a school, resulting in the death of some children. Traumatized after this incident, he decides to flee - and it is this decision that will not only estrange him from his family but also force him to be on the run from the band as well as the police.

Red Alert: The War Within

4.4 2010
Sengadal

Dhanushkodi, the Indo-Sri Lankan border town, is the crucible wherein History is brewing this concoction of defeated lives and exhausted dreams. Manimekalai, the filmmaker, Soori, a half-wit Sri Lankan Tamil Refugee, Munusamy, the fisherman, Rosemary, the social worker in Jesuit Christian Refugee Services, try hard to retain their sanity in this mad jumble. Their interactions with the dead or living refugees, their skirmishes with the Indian and Sri Lankan States, their personal lives overrun by external events - form the kernel of this narration.

Sengadal

0.0 2011
Escape From Taliban

Sushmita and Jaanbaz live in India, and they are in love. They intend to marry, but Sushmita's family is strongly opposed to the marriage, since Jaanbaz is a Muslim and they are Hindus. But Sushmita and Jaanbaz do get married, and Jaanbaz takes her with him to his country--Afghanistan. On the way there, Sushmita is horrified to see mutilated corpses, bomb explosions, and armed militants. She is terrified and asks Jaanbaz to take her back, but Jaanbaz takes her to his home.

Escape From Taliban

2.0 2003
Kya Dilli Kya Lahore

In 1948, a cross-fire erupts at an isolated stretch of Indo-Pak border, leaving only two soldiers alive. One is an Indian soldier of Pakistani origin while the other happens to be a Pakistani soldier of Indian origin. An ironic story of pride and survival begins when - in an attempt to evade danger, they bump into each other. And amidst continuous exchange of bullets, altercations and murkier situations, it evolves into a journey of human connection with an unforeseeable end.

Kya Dilli Kya Lahore

7.6 2014
Burmar Pathe

The rustic girl left this world and went to heaven. Her Painful memories are what remains behind. The injustice exploitation is suffocating. These conflicts within the unfortunate soil of India have taken many lives. There’s cruelty amongst mankind. There’s injustice and exploitation everywhere. People struggle for their rights. There’s a storm raging in every heart and soul. The earth shivers and wreaks havoc. The raging waves clash on the shores. This enlightens the soul. We can hear the song of a great soul at a distance. It calls out. It calls out to us, to break free from the shackles. We can hear his call. Come Forward. Break free from the shackles. Fight back for freedom. Set yourself free. We’ve sacrificed our lives for the freedom of new India.

Burmar Pathe

0.0 1947