A few years after his breakthrough, Sanshiro resumes his path to judo mastery—testing his discipline against an American prizefighter and later facing vengeful karate brothers. As rival schools and public spectacle push him toward violence, he must reconcile strength with restraint and the true spirit of his art.

Story of a bandit king.

Story of a bandit king part 2.

A captivating operetta by Masahiro Makino based on Juppensha Ikku's humorous novel "Tōkaidōchū Hizakurige" starring Chiezo Kataoka and Kyoji Sugi.

“Dokuro sen” (The Skull Coin) is the first film adaptation of the popular novel by Kikuo Sumita. The story evolves around the seven cursed coins (the Skull Coin) that are supposed to reveal the secrets of the hidden Tokugawa treasure.

Second part of director Hiroshi Inagaki's 1940 adaptation of the story of Musashi Miyamoto.

An actor, hit on the head, dreams that he has become legendary one-eyed gangster Mori no Ishimatsu.

Matsugoro is a poor rickshaw driver whose animated spirit and optimistic demeanor make him a favorite of the town. Matsu helps an injured boy, Toshio, and is hired by the boy's parents.

Early Japanese three-part samurai / fantasy serial.

A 1930 silent film from director Eichi Koishi, following the adventures of Edo firefighter Sanji.

A lost film considered one of Japan's first Tokusatsu films. The effects were done by Fuminori Ohashi, who claims to have been a modeling consultant for Godzilla 1954 (this claim is disputed by modeler Eizo Kaimai and art staff member Shinji Hiruma). The film's synopsis published in the March 1938 issue of Kinema Junpo indicates that the "Kong" featured in this film was not actually a giant monster.

An adventure film with Benshi performers. Sometimes considered the 'first Japanese feature film', it survives today as a compilation of scenes from various different 1910s adaptations totaling nearly three hours in length. The bulk of the content comes from the 1911 adaptation by legendary Japanese filmmaker Makino Shozo.

The Ryueis and the Tenmokus fight over gold bullion secretly stored away in Osaka Castle. A dramatization of a popular novel - three competing studios also produced their own versions of the story.

A film on the life of Shibukawa Bangorō, the founder of the Shibukawa-ryū school of jūjutsu. To paraphrase Satō Tadao’s blurb on the back cover of the video, this is an important film for three reasons. 1. it is an almost perfectly well preserved copy of one of only a few full-length movies still available of the first superstar in Japanese cinema history, the very famous Onoe Matsunosuke. 2. it uses a method that was common in the silent era, the dyeing/tinting of film to mark given moments of day (for ex., blue for night-time) or given situations (for ex., red for fire) – and even though most films that used this technique have been redeveloped in straight b&w, this one is available in its original form. 3. it is an early SFX (special effects) movie that uses the basic tools of the trade - a great action movie full of swordsmanship and monsters (bakemono).

A spider attempts to lure a ladybug into his web. When she manages to escape and hide in a tulip, a storm comes that batters the spider, while the ladybug remains safe.

In part two of this silent two-part film, an ape nicknamed King Kong by its master has kidnapped the daughter of a wealthy man as part of a revenge plot by one of his lackeys. The conclusion of the story from Edo ni arawareta Kingu Kongu: Henge no maki (1938).

The story of a gluttonous whale and the other aquatic creatures

A family of cats find an abandoned kitten and take him in to their home. But one of the siblings becomes jealous about the attention the new cat gets from her mother and runs away from home. The new member of the family goes looking for her. Can he bring her back home safely and get her to accept him as part of the family?

A cut-out animation adaptation of the classic novel "Journey to the West."

Created by Noburo Ofuji, who had been cartoon making since the 1920s, often with decorative paper cutouts. The character animation looks like it was done 15 years before, but a lot of the elements are highly original; design (those trees!), use of camera focus. Heavily musical in a manner that recalls animation's earliest use of sound. The lesson here is: "If you can't count on your friends, travel alone".

Among the many famous 16th-century samurai who made the leap from myth and ukiyo-e to early cinema screen was sword-master Miyamoto Musashi, previously depicted in prints by Kiniyoshi Yoshitoshi and others slaying an array of grotesque creatures including giant bats, giant lizards, and the mythical tengu. This imagery informed his first screen depiction in Miyamoto Musashi Taiji No Ba, which showed him combatting the mythic white ape of the mountains.

The story is based on the traditional, Japanese myth of Urashima Taro; in which a fisherman is transported from the seashore into a fantastic underwater world on the back of a giant turtle.

Footage shot during Japanese Army Lieutenant Nobu Shirase’s second Antarctica expedition.

A Yasuji Murata version of the classic Japanese story Saru Kani Gassen.

An early Miyamoto Musashi silent short film