The dream of a goldfish transforming back into its wild form stirs up her long-forgotten memories. She and the goldfish are both trapped in the city. When our soul is lost, where and how could we search for it?

Inspired by the poem A Snail in a Phone Box (2006) by Dr Eric Lui. The work synthesises new insights into visuals and poetry. What begins as a promise evolves into an exploration of the emotional links between poetry and the art of loving, eventually transforming into a hegemony of power. To recreate this message, director and animator Step C. developed a new surreal style that combines live action with animation, building a realm that blurs the boundaries between reality and dreams.

Shot entirely from an apartment on the 36th floor of a high-rise building, the images in this experimental stereoscopic animation survey large parts of Hong Kong's cityscape.

Appearance, hormone, sex appeal. When we are tired of everything about these, all we want to do is break, demolish, and destroy. With crazy cut-out animation, this film is trying to release us with the strong beat of the song and search for revenge in a chaotic but unique world.

Translating and encapsulating the director's personal childhood experiences as well as past lived experiences, You build a home in my mind comprises of playground rides, the everyday scenery outside the window of the artist's studio, and unique, special objects recalled from memories—weaving together a melody that lures the viewers to roam and wander. As the boat navigates between reality and imagination, resembling a journey of constant loss and persistent search, the scenes become slightly different when they reappear, these scenes alluding to the repetitiveness and uncertainty of life.

A minimalist optical sound meditation on simplicity and repetition building complex arrangements of audio-visual oneness, where the most basic geometric shapes draw intricate visual and sonic patterns.

Taking inspiration from 20th-century avant-garde experiments in graphical sound generation, the entire image in O/S functions as an optical soundtrack. Abstract motion becomes sound.

Meshed plays with layers of concrete textures, exposing meshes of geometric transformation. Composed of photographic stop motion sequences captured at West Kowloon Cultural District in Hong Kong, this film focuses on the surfaces of architectural buildings. Through this intimate account, the work fundamentally questions the underpinnings of our physical world.

This is a set of pre-show animations commissioned by M+ Museum. Inspired by Shek Kip Mei Park, Shatin's cycling track and M+ Museum, this work captures Hong Kong's unique cityscape.

Sounds turn into abstract images creating a tightly connected audiovisual experience.

A lively world under a microscope where different microorganisms are born, mating and decaying.

A musically synchronised film that draws inspiration from the Portuguese word, “verão” (summer). Rising temperatures within a digital domain, yielding errors, crashes, glitches, and malfunctions.

The directors majored in MA Creative Media at the City University of Hong Kong. When directing TAIKWUN (2022), they used the photos taken in Tai Kwun as the material for animation creation. They are committed to exploring different animation possibilities from ordinary materials and textures, and at the same time, they also use animation to interpret and explore different urban characteristics. For the materials they have, they carry out creative interpretations on the basis of taking care of the historical significance of the materials themselves.

Colors explores the bright and vibrant colors in the Central neighborhood. A glimpse of tension was found between the concrete and lines.