France, 17th century, under the reign of Louis XIII. Dogtanian is an impetuous and innocent peasant from Gascony, as well as a skilled swordsman, who travels to Paris with the purpose of making his dream come true: to join the Corps of Muskehounds of the Royal Guard.

A marvellous menagerie of monsters, plucked from the imagination of Mr. P. N. K. Panicker of Kerala, India, a top-notch teller of tall tales. The nonagenarian Mr. Panicker has a lifetime of likely stories to share, and this batch – recorded on the sly by his son, SEEN IT’s creative director Suresh Eriyat, and animated by the talent at Mumbai-based Studio Eekasaurus – is a fine place to start.

Karuna is a short film about the ordeals of a woman in a hospital. The film uses an innovative technique of telling a story only through static images.

An old man must find a way to make his loved one’s time in the hospital less dreary. Unable to hold hands, during the pandemic only memories, music and a cat bring them together. Tomorrow My Love is a ballad about touching the heart without being able to touch.

In the course of their childish bickering, when the three kids set off to see the origin of their village stream, their difference in beliefs give the journey a surprising turn.

Bheem and the children get welcome to the town of Malonngh in Northeast India to observe Bheem’s birthday. In the wake of coming to there they become friends with Bheem’s fan, Chimon. The children engage in the town customs and customs and go on an experience to a close by enchanted woods, the Forest Of Myth. Yet, soon their experience transforms into a misfortune as Bheem liberates a one-legged troll and gets reviled from the monster of the wilderness. Bheem’s birthday day gets vanishes from the schedules and on that equivalent date, the townspeople play out a custom to pacify the monster consistently as a revile is on them too.

A nostalgic tale about childhood bazaars, scents and smells.

Catch Motu Patlu as they battle the evil Toy Man, to save the world from being turned into toys, in their latest movie "Motu Patlu in the Toy World"

Krishna is in his ordinary universe examine when he comes to be familiar with Kaalicharan’s detestable arrangement to open the entryways of Andher Nagari and release Vinaashasur onto the world on Amawaas night. They door is found right beneath the shopping center in Raunak City. Krishna visits Bheem and companions to caution them about his arrangements. He recommends they can stop Kaalicharan by closing the entryways of Andher Nagari forver. He sends them on a journey to observe the way to Andher Nagari which is inside a cavern on Trishul Parvat. Krishna can’t go on this mission or help them due to obscure reasons.

Focusing on the pivotal moments leading up to Neil Armstrong's first steps on the Moon, not as a triumphant celebration, but as the culmination of an arduous journey. We are placed inside the Apollo 11 lunar module, "Eagle," alongside Armstrong, as they navigate the final, tense moments before landing. The film interweaves the present, claustrophobic reality of the lunar module with fragmented flashbacks, revealing the personal sacrifices and relentless dedication that brought Armstrong to this extraordinary precipice.

The film explores the spatial dimensions of a being who alternately enters and exits a fragmented world of projections where thoughts, memories and dreams blend into a strange loop of treacherous images. The film explores multiple layers of in-ness such as inclusion, depiction and representation.

what is going to happen when two troubled individuals clash over a mysterious music box?

A new threat and a new set of challenges with Rudra’s family at stake. Join Rudra on his journey to reunite with his parents, and save Earth from the King of the nether world.

A wall fan convincing the modern situation of India, a large democratic country.

A motor narrates the events and a murder that happened in its room with its own innocent perception of the world. The film also explores about the duality/double standards of men.

Chikara is an animated short produced by Nebula Artium.

A new year crash-landed on the world and somehow it seemed that the fear of the pandemic had taken a backseat. With travel opening up and vaccination starting, hope had arrived but the dangers of Covid 19 still loomed large. It was time to sit back and reflect on the year gone by. It was also the time to deliver on the promises the global citizens defying borders took during the height of the pandemic in 2020. The world needed saving, and the only ones who could do that is the 7.7 billion people that reside in it.

Animated entirely using seeds and sprouts, Mixi depicts the dark reality behind some of our favourite dishes—human trafficking and forced child labour. But there is always a grain of hope…