This is a common phenomenon in Taiwanese daily life. Although it may seem funny, it's a regular occurrence in our daily news broadcasts.

In 1960-1970’s Taiwan, when Taiwan Economic Miracle happens, a lot of females sacrifice their future under the pressure of supporting their families. Our story protagonist "Grandmother," was a reflection of countless young females from that era. By using scissor and threads as element of this story, the thread symbolizes the constraints imposed on Grandmother by her past by qualities of entanglement and continuity, while the scissor represents her awaken willing, which cuts off the attachments and regrets she struggles to let go of.

An office worker’s encounters with a caterpillar unlock childhood memories, looping through time, blending the mundane and the magical.

A sculptor with Alzheimer’s goes on a self-healing voyage on the river Lethe after his death, experiencing a cycle of remembering and forgetting as he seeks the memories of himself and his daughter.

On her city balcony, Audrey delights in the flutter of tiny birds—fluffing their feathers, chattering, and sneaking tangerine bites. Their chirps sound like cheerful hellos and playful spats, inspiring her to invent a bird-language translator that unlocks their secret conversations.