In 8th-century China, the Emperor grieves the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their court influence. General An Lushan finds a distant relative working in their kitchen, whom they groom to present to the Emperor. The Emperor falls in love and she becomes the Princess Yang Kwei-fei. The Yangs are then appointed important ministers, though An Lushan is not given the court position he covets.

Lavish Japanese-Chinese coproduction based on an ancient Chinese legend about a man who falls in love with a snake goddess in human form.

Reporter Yu Mong-yuen is recovering from a leg injury in his fiancee Man-wah's apartment. Bored, he looks out the rear window and observes the life of the neighbouring building. Among the tenants are a sugar-daddy and his mistress, a middle-aged man wants to marry a young girl, but she is in love with his son. Finally, she hatches a plot and makes the man agree to her marrying his son ; a sly fortune-teller ; a lively gym, a rich widow quarrels with the trainer of a gymnasium because his dog has bitten her cat ; and an opera school, a woman signs, leaning on the balcony, and a man tries to strangle her. In fact they are rehearsing an opera…… One evening, Wah is on the night shift, and Yuen watches the opera troupe rehearse to the end. Under the influence of drugs, Yu mistakenly believes that a divorced man has murdered a taxi dancer. He alerts the police, but the whole thing is nothing more than a misunderstanding.

This is a musical about a young emperor who is lured via stories told to a place called Kiang-Nan by his royal tutor. The empress mother has the tutor go to Kiang-Nan to bring him back.

Rascal To Chai-yan brings a false charge of selling fake medicine against doctor Fan Tin-sang, who is sentented to a twenty-year imprisonment. Fan makes an escape after a decade, and secretly provides for the education of his son Fuk-kwan brought up by a poor blacksmith. Fuk-kwan grows up to be a doctor practising in the country. To again does harm to Fuk-kwan, only this time Fan intervenes. Both he and To die in the fight.

Xin Shu (judge) is judging a murder case and the prisoner Jia Lan Fang is mentally crazy and can not respond. Xin asks for the doctor's opinion, but the doctor must first understand Fang's past before proceeding. Apparently Judge Xin Shu has loving feelings towards the prisoner Jia Lan Fang because of the enormous resemblance to an ex-girlfriend named Yu Xiaocui.

Wong Fei-hung goes up against members of the underworld

HK crime drama thriller film.

A 10-year-old Bruce Lee stars as Kid Cheung, an orphan boy who sells comics in a little stall in the slums to survive. He and his two siblings are looked after by his Uncle Ho, a teacher. When the wealthy Hung Pak-ho surveys the slums to build a school for orphans, he is robbed by the vicious Blade Lee and his gang. Cheung helps Blade Lee escape and earns his friendship, but Uncle Ho convinces him to return the gold necklace Lee stole. Hung rewards Ho by hiring him as his private secretary.

Li Han-Hsiang directed film.

Circus trapeze artist Liu Xiaoniu runs away from the circus. While away, she's tricked by a playboy and then the police mistake her for a prostitute. She returns to the circus but her adoptive father, Liu Yingjie, suffers an accident.

Young shoeshine boy Shing is a mischievous yet kind-hearted child. When he notices that his neighbour, the unemployed Fung, is struggling to make ends meet with a pregnant wife about to give birth, he secretly delivers food to help them. Out of desperation, Fung takes a risk and attempts to steal from their neighbour, dancer Lily, only to stumble upon a crime scene—Lily has just been murdered by the ruthless villain Robert. Fung immediately becomes the primary suspect of the case. Having witnessed everything, Shing reports the truth to the police inspector, but is ignored due to his reputation for lying. Fung flees to the outskirts of the city, where Shing continues to provide him with food in secret. Wracked by guilt and fear, Robert, seeks to silence both Shing and Fung for good, but fortunately, Shing’s quick thinking allows them to escape. His actions raise suspicion from the inspector, leading to a tense battle of wits and strength between Shing, Fung, Robert, and the police.

Ah Hing is made pregnant by her master Fan Chun-kit. Fan soon leaves for his studies overseas while Ah Hing suffers gross prosecution and is reduced to becoming a prostitute. In a momentary slip of a struggle, Ah Hing commits manslaughter. Now a qualified lawyer, Fan acquits Ah Hing of the charge, and intends to marry her to redeem his negligence in the past. Ah Hing, however, is determined to pursue an independent life.

The late Ming court is a corrupt regime. Lin Ngai-sheung, nicknamed the 'Jade Killer', inherits the swordplay book of Tianshan and becomes a bandit of the people to rob from the rich. Her feud with Wudang Sect's Cheuk Yat-hong rooted from the time she held up a corrupt official. Cheuk, instigated by others, sees Lin as his enemy. However, Lin slowly falls for him. When Cheuk learns the truth, he helps Lin to defeat her enemies.

HK drama film.

Wu Dehua is a frustrated young man who has experienced abandonment and crime and starts having suicidal thoughts. However, with the help of the nurses who cared for him, he's understanding the meaning of helping others and dedicating himself to them.

Liu Lizhen is in love with her colleague, Zhang Li'an but marries her wealthy cousin, Lei Yingsun. She later gives birth to a child, who's father is Zhang Li'an which creates complications to her married life.

Guerrilla member Ting Siu-yuen works as a playwright and Lee, the leader of an opera troupe. They conceal their identities in the troupe in order to gather military intelligence. Yuen gradually falls in love with the lead actress Mui Law-heung. Ting is unsettled to learn that County Chief Fong covets Mui. He sneaks into Fong's residence and is astounded by the sight of his old lover Pak Kuen, now Fong's wife. Fong colludes with the military chief in conducting vicious schemes. With Kuen's help, Yuen is able to get the intelligence. But as Heung is not an insider, she reports to the Governor about the illicit relationship between Yuen and Kuen. Kuen backs Yuen to eliminate the conspirators and bring about the union of Yuen and Heung.

Chin Ping Mei 金瓶梅 (1955) is a Hong Kong feature film written by Ku Wen-Chung and directed by Wang Yin, it was produced by Shaw Brothers Studio. This is an adaptation of the Lotus Pan tale.

A Shaw Brothers production

Loosely based on Charlotte Bronte's novel Jane Eyre.

Wong Fei Hung must stands up for people who are unable to stand up for themselves.

Composer Shi Tian Sheng, suffers from an illness and the increased medical expenses prompts his wife, Lin Ying Hua, to sing at a nightclub to cover the expenses. This action creates a misunderstanding between them which leads to a separation. They reunite years later and hope that time heals all wounds...

The film features a conflict between a young wife and her mother-in-law, depicting the lives of ordinary people and their profound problems.

Loosely based on Charles Perrault's Cinderella

A Shaw and Sons production.

Tao Zutai, a bank employee, has five children. Tao's wife is addicted to gambling and spends too much and the eldest daughter Guiru is greedy for vanity. Tao is overjoyed when he is notified that he will be promoted to deputy manager.

A Shaw Brothers production.

Wan Jialiang, a factory worker, and Lu Xiuzhen fall in love and live together. Hou Liang is supported by Dong Yaqin, his cousin, and their lives improve. Desperate to get rid of Jane, who is pregnant, Jialiang plans to make her fall into the sea and die.

HK historical drama.

A Shaw and Sons production

An early Drama by the Shaw Brothers Film Company

Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.

A Shaw and Sons production

Lee Sun-fung is renowned for adapting literary classics for the silver screen. To commemorate the seventh anniversary of the Union Film Enterprise known for producing quality films and co-founded by Lee, Human Relationships is adapted from writer Ba Jin's novel into film. The Yiu family moves into a manor. Mrs Yiu, while frustrated by the way her step-son is spoiled by her husband and mother-in-law, develops a friendship with a kid (Michael Lai) who steals flowers from the mansion's garden. She later learns that he is the son of the place's former owner whose downfall at middle age is the result of being spoiled when young. Lai was only a child but gained a foothold among seasoned veterans like Cheung Wood-yau, Ng Cho-fan and Pak Yin.

Lau Mung-mui chances on To Lai-leung and their encounter transcends to a rendezvous in their dreams. They admire each other, but they do not know each other's names and addresses. They keep on thinking of each other and decide to take each other as their future husband and wife. Mui's father wants his son to get married, but he pays no attention to his father's wishes. Mui leaves home to look for Leung. Leung's father forces his daughter to marry her rich and powerful cousin. Leung becomes despondent and dies, following an arranged marriage with her cousin. Mui sought everywhere for Leung for three years, but to no avail. He locates the home of Leung, but the household has moved out. The house is guarded by an old servant. Mui, chasing Leung's spirit, has a brief romance with her. Acknowledging that their union will be hindered by their incompatibility as a mortal and a spirit, Leung reincarnates as a mortal so that their love may be rekindled.

Dream of the Red Chamber, one of the big four of classic Chinese novels, has been adapted for film and television dozens of times over the past decades. Yet this sui generis Great Wall production daringly transposes the setting to modern-day 1950s. The contemporised story revolves nonetheless around the love triangle between Jia Baoyu and his two cousins. Both girls love him but his heart belongs to only one. The ending, however, is remarkably changed to separation of the lovers as a result of war—the war that was surely still haunting the minds of the filmmakers at the time when the film was made. Not only did Great Wall pour money into building extravagant sets just so to recreate down to the smallest detail the grandeur of the legendary Jia mansion, but the film also boasted of its lavish costume designs for the diverse female cast. (From Hong Kong Film Archive)

Marriage Angle is a Hong Kong Mandarin-language feature film of the drama genre, written and directed by Wang Yin, produced by Shaw Brothers Studio, Liu Chi and Chow Sze-Ching were the cinematographers.

A Shaw and Sons production about a couple who loves each other but end up marrying different people because of parental pressures.

After seeing a friend of his boss' son adopted over his promised promotion with connections, Shrimp's father, a minor white-collar worker Ng Kwun-sing, vows to get Shrimp a place in a prestigious school and a chance to make friends with the rich. However, Shrimpy is constantly bullied and discriminated against by his classmates. Ng has not the means to be a social climber and finally realises his mistake. He sends his son to a voluntary school so that he may grow up happily. This poignant father-son drama shows a parents' willingness to carve out a good future for their children by any means necessary.

Wong Fei Hung meets the Five Tigers

This is a drama about parents disapproving a young couple's relationship and the unfortunate consequences that it has.

Based on Romance of the Three Kingdoms, Diau Charn is a sublime retelling of a familiar tale with iconic actress Linda Lin Dai (Lam Doi) in the titular role of Diau Charn, one of the four storied beauties of ancient China.

Girls in Transformation is about an experiment conducted by assistant professor at the Shi Liangde University to demonstrate her "non-hereditary human theory," in transforming rural girls into modern women.

Hak-ming heads the Ko Family, but he and his brothers, Hak-ting and Hak-on, and the second wife of the late Master Ko quarrel. Young Cousin Mui, who has tuberculosis, is forced by to marry an older woman. Kok-sun is guilty of being unable to stop the marriage. Sun and maid Chui-wan are wary of their feelings for each other due to class difference. Cousin Mui dies of illness. Hak-ting has his eyes on Wan. His wife, Wong, complains to their daughter, Shuk-ching, who cannot take it and commits suicide. Wong blames herself for her death. Undergone these tragedies, Cousin Kam's mother let Kam have a modern wedding with Kok-man. When Ming is ill, Ting and On want to sell the ancestral home. Hak-ming dies of angst. When the fifth uncle of Sun forces Wan to be his concubine, Wan tries to kill herself but is intercepted by Sun. Pressurised by people of the house over the issue of inheritance, Sun protests by declaring his love for Wan and leaves the family, with his mother, brother Man and Wan.

Pak coek gung's family rents the third floor of a tenement building. Due to the water shortage, Pak's porridge stall is difficult to operate. At that time, Ah Seng, the son of Pak, owed money to Cheung, the fat man downstairs. Cheung saw that the porridge stall could not operate, so he took away the license of the porridge stall. In order to get the license back, Pak's daughter Miuying had to work as a dancer to pay off the debt. Then Pak's neighbors helped the porridge stall reopen and even reported Cheung for wasting water.

HK drama film.

"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.

A behind the scenes story of a small time folk opera troupe and other performers in Northern China in the 1930s.

The Kong family has four daughters. Hilda, the eldest sister, assumes the role of a mother and often lets romance slip by. Third sister Hedy introduces her to Sun Ruhao, an engineer, but Sun is snatched by second sister Helen. The youngest girl Hazel drops out of school in pursuit of love. Hedy shows no interest in romance but is chased by a rich heir, He Yan. Meanwhile, Hilda runs away to meet her true love in a foreign land. As for Hedy, she is at last won over by He.

A Shaw and Sons film

Back Home Again is an ethical film that tells the story of two young intellectuals Feng Shibin and Zhou Wansen after their marriage to two country girls, Axiang and Lili

It is the story of the novelist Luo Ping (played by Wong Ho) who meets and falls in love with Liu Rose (played by Chou Man-Hua) in the coffee room. She was abandoned by Hakama son Liu Qijie and lives under threat from the evil force Zhang Shengde (played by Wang Yuan-Long).

Yimin, the son of a carriage driver of Xinjiang ethnicity, is in love with Malihan. Malihan's father despises Yimin for his lowly background and forces his daughter to marry Bulate. Min then leaves town for development for 5 years and comes back as an army officer. However, Han has been forced to engage with Te. With Han defying the arrangement, Te challenges Min to a duel. Min catches the bullet meant for Te and wins him and Han's father to his side. But when war beckons, he sacrifices love to join the army. After the war, Min goes back to his hometown but everything has changed. Han and her whole family have gone without a trace. Min can only recall the past alone.

The film focuses on a mother (Chen Yanyan) burdened by guilt after abandoning her newborn daughter in a long lane 17 years earlier, so that she could adopt a son to fulfil the traditional belief that only a male heir could continue the family line. However, when her adopted son (King Hu) becomes a disappointment, the mother’s regret deepens. On her deathbed, she confesses her secret to her husband (Wang Yin), who resolves to find their lost daughter.

A man was murdered and a journalist has to figure out who the killer is.

Tso Kea was adroit in adapting film and literary classics from the West, organically transplanting stories and characters onto Chinese soil and nurturing them to glorious fruition. Love Lingers On is based on the gothic novel Wuthering Heights and Tso shepherds Emily Brontë's tale of profound passion, thwarted love and bitter vengefulness with a perfect balance of broad narrative strokes and delicate orchestration of mise-enscene. He wisely concentrates on the lead characters' simmering mental troubles, greatly enhanced by stars Cheung Ying and Mui Yee, who overcome glaring age differences with their characters to bring life to this saga of vivid emotions.

Early Shaw Brothers crime film

A young woman in search of a lost identity, her long lost mother who abandoned her soon after her birth.

A Shaw Brothers romantic drama