When a meteor carrying a destructive plant strikes the world, a suicide squad is given hours to save their post-apocalyptic city from total collapse.

The masters of the Six Major Sects are trapped in Wan On Temple, each of whom was hit with the Ten Scents Poisonous Powder, and have lost all their martial powers.

A seven-part anthology film exploring the history of Hong Kong from the 1940s to present day.

Adapted from a sensational real-life case in 2013, the intricate story begins when a young man partners with his friend to murder and dismember his parents. Pleading not guilty, the defense attorneys soon turn on each other, as the defendants play the devil and idiot game. Meanwhile, heated debates emerge inside the jury room, where nine jurors grapple with the truth.

On the eve of the 1997 handover, violence is rampant as the British Hong Kong government has joined forces with the triads to cause chaos in Hong Kong. The gang leader, Lam Yiu-Cheong assigns his crony Ah Lok to take an important role in the destruction. But Lok harbours a secret – he’s an undercover policeman and he’s about to discover a political conspiracy that will shock the country to its core.

The love-hate relationship between a young woman and her blind parents.

A young boy, Lele, goes missing in the Changbai mountains after an argument with this father. Approaching the vital 48 hour mark and with no sign of Lele, his father takes it upon himself to brave an upcoming avalanche to save his son

For his project under the lauded First Feature Film Initiative programme, director Ka Sing-fung tells the heartrending journey of a woman whose life is forever changed by the children she takes in as a temporary foster carer. In a career-best performance, Sammi Cheng stars as Mei, a woman trying to get over the death of her young son through the children she welcomes into her home. Each ward offers Mei a different challenge and a newfound appreciation for the difficulties of motherhood, but when her dedication to the job causes her marriage to turn sour, Mei is forced to make a choice.

When her “midnight gymnasium” program for wayward teens is under the threat of being defunded, social worker Yanki puts together a dodgeball team to save it. With the help of an unemployed, has-been star jock as the coach, the motley crew of teen girls learn that dodging from their problems can work temporarily, but they must learn to eventually stand back up and overcome their challenges.

A former talent manager and single mother discovers a new star, reigniting her career. However, her devotion to the star ignites her teenage son's jealousy, and she struggles to balance her family and her career.

Jointly presented by Hong Kong’s four renowned film companies - Sil-Metropole Organization, Emperor Motion Pictures, Media Asia Film and One Cool Film Production - Look Up is a Sil-Metropole Organization production produced by John Chong and co-directed by young filmmakers Daniel Chan, Tim Poon, Elvis Hau and Sunny Yip. The film runs through four Hong Kong Stories from 1997 to the present, to detail the days we have passed through these years.

Mosaic, an urban sketch artist suffering from motor neurone disease, meets an old school friend, Angelfish, at a class reunion. As his illness takes a tragic hold, he asks her to fulfil one wish - to be his girlfriend for just a day.

Brilliantly played by LAW Ka-ying, the revered Skyblade hails from a prestigious family of Cantonese opera singers. Pressured into performing opposite the sponsor’s child at the celebrated Red Banquet in return for financial support, the reluctant Skyblade is further taken aback when he realises that Jade is a girl slated to play a male lead role in a predominantly masculine cast. However, as Jade’s talent becomes apparent to Skyblade, a bond is formed between the two during rehearsals, and a mutual understanding that both have been sacrificing their dreams and passions out of duty towards the family. When Jade reveals a shocking resolution to take control of her life, it is up to Skyblade to decide their fate on stage.

During the COVID-19 pandemic, an owner of a cleaning company meets a young mother and her daughter. Would their encounter save each other during the recession of Hong Kong's economy?

An eight-hour fiction shot for a total of twenty-seven weeks, over a period of fourteen months, in a village population forty-seven in the mountains of Kyoto Prefecture, Japan. It is a geographic description of the work and non-work of a farmer. A portrait, over five seasons, of a family, of a terrain, of a soundscape, and of duration itself. A film-as-adaptive-landscape. A georgic in five books.

The chaos began at the Winter Solstice dinner eight years ago. The father lost his temper, the son, not able to forgive his father, ran away from home. Eight years have passed, and the family's relationship is still cold and distant. A cousin returns to Hong Kong from England and hopes to gather everyone for a Winter Solstice dinner. The long-awaited gathering prompted everyone to rethink their relationships with family members. Some choose to leave, some are back. When things are about to fall apart, it might as well be an opportunity to mend connections.

Shan, a Hong Kong cosmetologist, learnt about the art of solitude during the lockdown period of pandemic. As the regulation of prohibition on group gathering was imposed in April 2020, Shan had to close down her small business and build a new daily routine.

Mr. K.K. Ho (starring Vincent WONG), is a leading “star tutor” with remarkable achievements. Lee Lung Kei (starring Hugo NG), the stingy boss and principal of the cram school, regards Mr. Ho as a trump card. Chloe (starring Jennifer YU Heung Ying), a traditional high school teacher, has always tried her best in teaching. Chloe despises K.K.’s teaching methods and refers to them as deviant. The two of them give tit for tat in class. Their conflict leads to K.K.’s appreciation for Chloe. He gives her flowers as an apology, but Chloe never accepts. He finds out Chloe is the daughter of Principal Lee. When she was young, she witnessed her mother being bullied and died by accident.

On a 1980s evening, the topmost clown-actor of the 20th century Sichuan opera, Qiu Fu passes away in an accident and half-unwillingly sets off for the Ghost City under the escort of two underworld officials. Along the way, he meets old friends. As they recall the past, a history of the living is conjured up.

Fut, a parking attendant who believes in gods and Buddha, meets a mute one day during worship who reveals a secret to him. From that day onwards, Fut gets very lucky and wins a windfall. Meanwhile, massage girl Fei Fei and her friend Mei want to blackmail Fatty, a lustful taxi driver...

A dying scholar gathers 12 young men at his remote manor to explore death through philosophy, ritual, and transgressive acts—blurring the line between thought and obsession.

In the pitch-black night, a thread of light slowly appeared on the horizon, reflecting shimmering patterns on the waves; it was the dawn wandering and drifting across the ocean, illuminating the path for sailors returning home. Before navigation systems existed, those who went to sea relied on lighthouses to recognize each coastline. By the frequency of a lighthouse's flashing, sailors knew land was nearby, and home was not far away. With a glance, they could tell the direction of home. The lighthouse has stood on the island for over a hundred years, always lighting the way for those returning. To the wanderers far away, and to the lighthouse guiding the way by the shore.

At first glance, Grandma Mui and Uncle Cheung look just like another ordinary elderly couple loitering outside a school wall. Grandma Mui is suffering from Alzheimer’s disease and her conditions deteriorate notably after the death of her granddaughter Ka-ching from a fall off the school building, with the school officials suspected of negligence and being dishonest in their testimony. Stricken by grief, Grandma Mui’s mind falls into complete chaos as memories, delusions and reality mesh together. Uncle Cheung, indirectly connected to Ka-ching’s death, lacks the courage to tell the truth. As an act of atonement, he takes care of Grandma Mui even when the future looks bleak.

After his success as a martial arts film star, WONG Joi made a fatal decision to write and direct his debut feature Golden Sword Woman, with his beloved wife Mei-fung starring as the eponymous heroine. Years later, a senile, demented WONG, who keeps blabbering about his ‘groundbreaking’ debut, is being taken care of by his grudging son Ho. The film parodies the visual style of the Shaw Brothers martial arts films to tell the story of a contemporary father-and-son conflict and reconciliation. Golden Sword Woman travels in time and between both sides of the silver screen, between the romantic world of swordsmen and the unpromising, secular family life.

In June 2019, YY is one of many young people who join the Anti-Extradition Law protests. She announces that she will commit suicide as a radical method to make the Hong Kong government respond to their demands. A group of fellow protestors must race against time to find her before it is too late. After an emotionally exhausting hunt, Lai is found at the top of a building preparing to jump off...

Moon Lee, a celebrated award-winning actress, has become a full-time mom and divorcée since retiring. Desperate to regain her sense of self, she jumps at the chance to work with her long-time collaborator, director Roger Woo, again. Only this time, he casts her as the lead in a do-your-own stunts martial arts film. The role requires extensive training and though Moon is at first uncertain, she leaves her young son in the care of Roger’s assistant and commits herself to back-breaking training. As soon as she starts to gain some confidence, Roger breaks the news to her: the only way the film can move ahead is to cast her ex-husband, Julliard, as the male lead.

Amid changing times, as friends and relatives are leaving the city one after the other, our once familiar neighbourhood is becoming foreign. Yeung Por Por has her luggage packed for the one-way flight out of the city with her son. During her final hours in Hong Kong, she goes to the Wan Chai seaside and is shocked to find a barricaded construction site. Following Rhea, her domestic helper to the latter’s Filipino community, Yeung Por Por realises what it means to be uprooted from one’s homeland. Subtly and wistfully, the film relates the difficulties and dilemmas of migration, closing with ‘You Said We’d Be Back’ by the folk-rock duo My Little Airport.

Phone Made Good Film No.4

Traumatised by the doomed rights movement in Garan, former activist Decem seeks refuge and solitude in the forest, fleeing his homeland and all those he held dear. Relief is however short-lived. As time passes, nostalgia and loneliness creep upon the exiled youth. Decem remains trapped in recurrent nightmares of the past and continues to plunge into despair, living with a constant sense of peril. The challenges of living in the forest along with the wildfire in the mountains eventually make him reconsider the path ahead. Mirroring the disturbed youth’s inner turmoil with the sinister wild nature, the psychological drama relates the tormented state of the exiled body and soul.

In a small town, the funeral of a matriarch brings about the reunion of family members, many returning to the village after leading new lives elsewhere, some no longer speaking the language of the native land. With the passage of time, the big clan becomes fragmented as members, like other modern Chinese in mainland China, face changes in lives, ideals, and family structures. The occasion becomes a hot ground for deals and negotiations that are inevitable amid the rapid development of China, where family members prosper while relationships become calculated. Still, a funeral procession amid an impending storm requires them, already down different paths, to walk together.

Film director James produced a short film under the pandemic. He invited his good friend Man as his main cast. After the completion of the short film, Man was suddenly arrested and put behind bar. James was worrying about if Man could adapt the life in prison. James planned to write letters to Man. When he started to write, James is feeling helpless that he found his daily life during the pandemic might somehow similar to what Man was confronting.

Three stand-alone shorts offer insight into contemporary Hong Kong. In Departure, we meet a young couple who are soul searching en route to the airport. In 06:00 AM, an anxiety-ridden student enters a nightmare reality where she is forced to submit to compulsory government surveillance. In The Night Before, three twenty-somethings from different walks of life become fast friends as a result of their participation in the pro-democracy movement.

When Zhou Mu encounters Yi Ran and his so-called 'girlfriend' meeting, feelings flare up and Zhou Mu is determined to make his way back into Yi Ran's life.

Ashes are all that remain when someone dies, as the rest of us carry on with the remembrance of the past, in the form of things that continue to burden us. Granny Di makes a meagre living out of recycling cardboard and found objects on the street, carrying the ashes of her late husband wherever she goes. As the going gets tough, she is reduced to stealing and selling sacrificial offerings from the funeral home. Ellen Liu plays the desolate and desperate Granny Di, rendering a lively and moving performance with a human touch. The short brings us through the nooks and crannies of Hung Hom district, chronicling a sorrowful tale about forsaken old age.

Wan-yu goes on a farewell trip with her close friend Jack, seeing him off to the airport. During the drive, they ruminate on the departure and the resulting ruptured relationship. Before leaving, Jack entrusts his car to Wan-yu. Underneath Wan-yu’s calm and almost indifferent façade lies a hidden anxiety and confusion, for other than the car, she has to deal with another more complicated problem of her own. Shot as a conversation in a car, the short’s claustrophobic atmosphere heightens the helplessness of the characters. From director Wong Fei, winner of the 15th Fresh Wave Award, comes a quiet and contemplative piece about making difficult decisions amid drastic changes in life.

Roy has been learning pole dancing without telling his wife Chloe. In addition to the lack of personal space at home, he is also looking for a passion and the joy of self-exploration. Chloe, who works hard, and Roy, who hangs out to practise dancing, are becoming more and more alienated. Is it marriage or ignorance of each other that kills them?

On one auspicious full moon night, she receives an anonymous call from Taiwan. It pulls her from a quiet mid-autumn night into the sea of memories. A mix of sweat and tears, and a hint of saltiness, what a taste of summer... Miles apart, they gaze at the same moon while yearning for their homeland.

Qingming Festival is not only a solemn occasion for tomb-sweeping and honoring one’s ancestors, but also a joyful holiday when people get close to nature, go for spring outings, and enjoy the pleasures of springtime. In the future Hong Kong, the government still enforces strict epidemic prevention measures. Starting from 2026, the government will divide the 18 districts into separate zones, restricting residents’ freedom to move in and out. For Hope, who knows nothing about places outside Wong Tai Sin, there is only one wish: to get to the seaside.

Amidst the protests for freedom in Hong Kong, a domestic worker plans to break free and run wild, towards her dreams of independence, romantic love, and true motherhood.

Yumi works at a record store, dreams about Kurt Cobain could take her away from the boring life she lives. As she is approaching 27 years old, she begins to think about what can she do to resist the social norms.

Sometimes, we may hear some inner whisper in our mind or the direct sense to tell us what to do. Maybe it is a reminder of our future. We always look back on our life, asking what if I did not make that decision? What would happen? The protagonist in the play, Elder Hana, finds that she has the opportunity to return to her own consciousness in the past. She wants to change her decision. That made her realise that the personality shaped by herself is also lovely. The decision made in the past is not a concern anymore.

Death is a moment whose reverberation endures for the living. Three students from the Audio-Visual team are shooting a documentary on a schoolmate who has recently committed suicide. It is intended to convey a ‘positive message’ to the entire school about the importance of life. During interviews, the students notice some discrepancies in the testimonies, particularly those by a prefect and a teacher, while friends of the deceased seem to be withholding some inconvenient truth. Should the team pursue the truth, or act as the school’s propagandist? Filmed in a mocumentary style, The Handbook of Suicide Prevention challenges and exposes the hypocrisy and suppression that haunt adolescence.

While protests rage in Hong Kong, Kit spends most of his time on his father’s fishing boat. The radio and his phone keep him abreast of the latest developments. The migration of his girlfriend and the destruction of his gang’s secret base accelerate his uncertainty and impotence about the future.

Mommies tells an emotionally compelling and complex story of two interwoven mother-and-son relationships. Sally works as a hostess, a kind of life her unruly son Keith loathes and from which he seeks refuge through self-harm. Keith looks with longing for the seemingly happy and loving relationship between mentally-ill Mandy and her son Luke. Yearning to become part of the other family, Keith wishes Mandy were his mother instead. But will that ever be possible? The sympathetic Mandy and Luke try to help Keith, and when they think things are looking better... Subtly told, Mommies captures the human condition of Hong Kong people’s lives seldom seen.

A terrible mistake puts two best friends on a quest to reinvent themselves and overcome personal barriers to pursue their long forgotten dreams, right before the pandemic hits.

A lonely teenager hooks up with someone at the hotel, where they soon realise how their minds are both preoccupied during their encounter. Their bodily passion could hardly continue, and they have no other way but to tap into each other’s heart and soul.

Lee Sin-yu wants to make a documentary about a friend and his dementia grandfather, who would occasionally say that his wife is "Lo Ting". Lee Sin-yu set out for the fishing village of Tap Mun to begin filming, and starts to understand the dark side of Lo Ting that has been hidden in history.

In the era of the coronavirus, Genius was left behind on the street by his girlfriend and his mother passed away soon. Genius worked in an antique shop. His boss asked him to get rid of a box of feng shui stuff as far away as possible. However, he barely could find a rubbish bin. When he found one, the rubbish bin was too full and he decided to just left it there. Unfortunately, an officer ask him to pick it back up. He went everywhere to seek a rubbish bin but never succeed.

That spring, there was _____ in the sky of H-ville. What is _____? No one can tell. The sudden “unknown” caused absurd and strange phenomena. The real nightmare was not the natural disaster, but the man-made one. The regime used this to implement the “state of exception”. The system continued to operate. How much human value would be left? As Giorgio Agamben stated at the beginning of the pandemic, “The epidemic has caused to appear with clarity that the state of exception, to which governments have habituated us for some time, has truly become the normal condition.”

Diane want to get rid of her relationship with Anthony, however her flatmate Joan doesn’t agree with her.

Su shot The Magnificent Levitation Act of Lauren O at Hong Kong’s Shaw Studios. She came up with the character after she came across American science fiction writer Octavia Butler’s Parable of the Sower, which followed protagonist Lauren Oya Olamina on a quest for freedom. Su’s character belongs to a fictional activist-anarchist group called Laden Raven which was founded in the 1930s. Composed of circus performers—often viewed as social outcasts—and other marginalised members of society, the group attempts to change the world as did the 60s counterculture movement.

Phone Made Good Film No.5, about correcting the method of using chopsticks.

A group of delinquent tricks a middle-aged man and steals his phone. Upon checking the phone's content, they find a short sex clip. While noisily commenting on the video, they cause the displeasure of two children, without realising they are getting involved in a gang dispute.

A short film about mental health

Inspired by Bo Burnham's Inside, David Lowry's A Ghost Story and Xavier Dolan's Mommy, this short explores a variety of mental illness (depression, anxiety, PTSD etc...) and the effects of it. With no words spoken, the visuals speak for themselves and showcase the strong emotions of the characters.