In 1970s Hong Kong, the Independent Commission Against Corruption (ICAC) was formed to bring down the corruption syndicate led by British government officials. One of its top investigators is Senior Investigator Lau Kai-Yuen, who brought down countless corrupted officials. Just as he thought stability and prosperity are within reach, a new era of greed and riches takes him into a new battlefield of corruption.

The decades spanning story of two very different policemen who rise to power in Hong Kong during British rule, and end up at odds with both organised crime groups and the anti-corruption unit vowing to bring them down.

Two lone female fighters who have learned to rely on no one but themselves venture into Seoul's underworld. In search of the big hit that could mean liberation from their useless husbands, these disparate women grow closer.

Ho Sau, an undercover agent, has been working with Yau, a drug lord, for years, but his job and family are in trouble.

Kay is a tough-as-nails investigative reporter, and goes undercover at a home for the disabled based on a tip about staff abuse of the residents. She not only corroborates the frightening allegations but also discovers how disastrously flawed Hong Kong’s health care system is, especially for those who cannot care for themselves. However, after her story breaks, further unspeakable truths are revealed leading Kay on a dire crusade for justice.

Water Ng, a typical loser who likes to gamble and takes no responsibility is asked to take care of his ex-girlfriend Jik’s son, Yeung. With Jik tells him that Yeung is his son, and promised 100 thousand dollars, Water Ng agrees to be a father for one month. Soon he notices his son has Autism. He gets to understand the difficulties of raising a child along with special needs. With Jik's absence on the agreed date, Water Ng realizes why she brought him his blood. He finds his life goal while discovering Yeung’s talent on the racing field, then decides to get rid of the dissipated life and accompany his son spreading wings for the dream.

After his negligence causes an innocent woman to go to jail, a lawyer and his colleagues work to clear her name.

“I want to marry myself!” To plan for a solo wedding, to marry myself, to declare my forever love for myself to the world! Attractive comedienne Ping vows to become a viral Youtuber. She concocts a plan to put on a show of marrying herself in what was meant to secure both money and likes! However, the scam ultimately ended up in the discovery of her true self in this coming-of-age fairy tale comedy. To love others, I must love myself. Simple enough, right? But who am I? In a pageant of love, four contest as lovers, each one goodhearted in their own right. Does Ping want all four or none at all? By marrying herself, can she figure out who she really is? And who she really loves? Ping will tell it all on the day of the solo wedding… In this satire of marriage and the individual self, nothing is left untouched: women, men, organised religion, homosexuality, the filthy rich, not to mention ye good old mother! Love yourself in Say I do to me, won’t you?

Accomplishing her late husband's wish of remaining a mysterious neon sign, a depressed middle-aged widow and the neon signmaker's protégé discover surprises and bitterness amidst the city's vanishing glow.

Nam and Fire are racing champions of Asia’s track and street. However, when the owner of a racing team recruits Nam to mentor her son Calvin to become a future champion, Nam does not realize his choice will destroy everything he has. With Fire and Calvin suffering the fatal accidents caused by Kenji, a ruthless Japanese racer, it rekindles Nam’s courage to take on his darkest challenge on the road again.

This is a story about how family can impact the growth of a young woman. It follows Elaine, who grew up in poverty in the 1980’s, and her best friend Ying as they enter the Hong Kong entertainment industry to change their fate. In the golden era of Hong Kong cinema, Ying becomes a popular erotic star while Elaine struggles between her identity and her job as an actor. When Hong Kong cinema’s glory fades a decade later, the two women end up on diverging paths due to their life choices.

Female business owner Ding is put in prison for fraud conspiracy. To fight for survival, she recruits Bo to fight against Sister Po for leadership in prison. Out of nowhere, recidivist Waan joins the battle too to reclaim her status.

High school teacher Cheng looks back to his repressed childhood memories, as he finds an anonymous suicide note in the classroom. He strives hard to prevent another tragedy from happening, meanwhile facing a series of family problems, his wife is divorcing him, and his father is dying.

A confrontation between two Hong Kong immigrants – one a cab driver from Mainland China, the other a lawyer and refugee from Pakistan – spells disaster for their families, especially the lawyer's young son.

Around the turn of the millennium and with the entire city in chaos, the government decides to eradicate the corrupt underground entertainment industry and money laundering practices to revitalize order and reduce crime.

A short film with dialogue for Eason Chan's Mandarin song "Don't Mind Me" 社交恐懼癌 (from his most recent album "Chin Up"), which was produced as an extended backstory for the music video. The Chinese title literally translates as "social anxiety cancer". Starring Eason Chan himself, along with a guest appearance from Tony Leung Chiu-Wai.

During that summer, Bo (Mandy Tam), a cheerful and kind-hearted girl who lives on Fa Yuen Street in Mong Kok, meets Edward (Edward Chen), a wealthy young man with an estranged father, by chance. To retaliate against his father, Edward hires Bo and her friend Keung (Leung Chung Hang) to ruin his father’s wedding. Bo and Edward are increasingly drawn to each other and start dating. Falling head over heels in love, they think their love will last forever. Just as the couple think this is the love of a lifetime, life doesn’t always go the way they want……

21 years after a major armed robbery where the masterminds escaped, a video of the crime resurfaces causing the police to reopen their investigation.

A ghost soldier bids farewell to his mother then possesses bodies worldwide to meddle in unfaithful relationships in Taiwan, Japan, Spain and Thailand. In Hong Kong he encounters his soulmate amid protests and they take refuge in a garage.

For wedding planner Zhang Yang, tying the knot is out of the question as he seems to bring doom to whomever he falls in love with. That's until he meets talent agent Lin Chuchu.

An American travels to Bhutan searching for a valuable antique rifle and crosses paths with a young monk who wanders through the serene mountains, instructed by his teacher to make things right again.

From a young age, Mancer had always known that his father Wah is different from other adults; he speaks illogically, he has slow comprehension and he’s quite easily deceived. After growing up, Mancer finally understood that Wah is intellectually disabled. After his mother ran away from home, Mancer was forced to become his father’s primary caregiver. By chance, Mancer joins a stand-up comedy competition for the prize money and becomes instantly hooked. He’s addicted to the joy he feels from making people laugh. However, after the competition, Mancer couldn’t make people laugh again. While searching for inspiration, Mancer realizes that his best jokes seem to come from his hardships – the ridicule he received at school, his difficulties at work, his struggles in caring for his father, and even the worldwide pandemic. Perhaps misery can also be the best source of comedy after all.

Throughout his life, CHEUNG Tak-hung is obsessed with creating his own cloud. After an untimely cardiac attack, CHEUNG wakes up and finds himself onboard a flight of the Afterlife Airline, and learns that the destination depends on the testimonies of the witnesses, who will determine whether CHEUNG has led a meaningful life. Will CHEUNG be able to find someone who approves of his life as a cloudmaker and send him to the realm of eternal bliss? With cloud as an allusion to dream/life, the thought-provoking short features a strong cast including CHU Pak-hong, Kaki SHAM and Candice YU On-on, against a fantastic set design reminiscent of Michel GONDRY’s dreamscapes.

Wrongfully imprisoned in a brutal multinational prison, a Hong Kong businessman must escape the sadistic warden's torture to survive.

Like her directorial debut Twelve Nights, Twelve Days depicts 12 scenes of a tumultuous marriage, from its blissful beginning through its bitter collapse. On day one, Jeannie and Simon seem to have the makings of a perfect marriage, but the following 11 vignettes reveal the various conflicts, both big and small, that slowly eat away at their bond. Love may build a marriage, but Twelve Days shows that reality can just as easily shatter it.

A short film with dialogue for Eason Chan's Cantonese single "The Code" 盲婚哑嫁 (also included in most recent album "Chin Up") which was produced as an extended backstory for the music video. Starring Eason Chan himself as a passionate portrait photographer whose wife (played by Cecilia Choi) has passed away. During his grieving process, he oddly encounters the lives of another young couple with a tragic yet optimistic romance tale.

Cat, lead singer of indie band Band Four, reunites with her estranged father King following the death of her mother. King only wishes to make amends and reunite his family introducing Cat to her half-sister Lok Yin. After years of no contact, the newly reunited family struggle to form a bond, however, they all soon realise they share a deep passion and love for music and performing.

Even as bombs fall on Damascus, Mutaz refuses to flee to the uncertain life of a refugee. His wife, Hala, and daughter, Zeina, must make the choice whether to stay or leave.

Everyphone Everywhere’s cross-cutting narrative brings together a large set of players within the mobile-communications theme. First there’s designer Chung Chit (Endy Chow), who rushes to catch a ferry and leaves his phone at home. There’s no time to retrieve the device, so he tries to soldier on without it – and the results are eye-opening. Eventually, he’ll need to call his wife Ivy (Cecilia Choi) to awkwardly help him out. Meanwhile, soon-to-emigrate middle manager Raymond Ho (Peter Chan) starts his day with his WhatsApp account hacked and frozen. Broken contacts aside, his big fear is exposure of shady workplace practices and possible blackmail or arrest. Then there’s Ana (Rosa Maria Velasco), an old classmate of theirs who’s waiting in a private kitchen and getting odd messages. And all the time a young lady, Yanki (Amy Tang), and a nerdy computer wiz (Henick Chou) are busy using messaging apps for sleazy purposes.

Following an accident on a set, a director tries to pick up the pieces of reality.

Since his release from prison, Sweet Potato has been content to run a little business with a meager income by the sea, disregarding the advice of others to the contrary.

A driver who has ties with criminals follows certain principles and distinguishes himself from the “bad guys”. But just as the unanticipated carrots found in the usual “Today’s Special”, this night’s mission is made special when a young woman is seemingly in grave danger. Trying his best to avert the crisis through a night’s battle of car chases and fist fights, he arrives at the totally unexpected destination of futility. Appropriating the most popular elements of Hong Kong genre cinema: triads, street fights and car chases, Tiger YAU’s first drama short cooks up a visually rich bowl of “Today’s Special”.

In hopes to wake their father up, the sisters, Abb and May, set off on a journey in search of their father's past love. With such a drastic difference in personality, the sisters each take matters into their own hands to find her.

A rapper with a rising career hires a US manager and label, taking over from his father who has steered it to date.

That year, Jean drifted away from her hometown, straying into a new land. Three years have passed, while Jean feels she has found a new home, past trauma still weighs on her mind. It is time to be reacquainted with the city she has missed and since become unfamiliar. More importantly, she is to be reunited with her temperamental mother. Will there be a merry ending waiting for the prodigal daughter’s return? Will reconciliation be possible for our conflicted young people in Hong Kong? A portrait of the era of estrangement and displacement.

Yi, who is about to get married, returns to his hometown to see his parents, meanwhile, he ran into his old friend Zhong. Their discreet past was revealed, and they are no longer the two teenagers they used to be.

A cinematic and conceptually inventive film that explores the haunting memories of Asia’s late 20th-century modernization through the large-scale export of wigs during the Cold War. Yet, in every wig resides a ghost from the imperial past.

Drowning in a room cluttered with mementos reminding her of her ex, Mevius comes across the storage service “Move In, Move Out, Move On”, catering to people suffering from a breakup and managed by the eccentric and mysterious Takumi. With wisecracks and scientific anecdotes, Takumi helps Mevius go through the stages of grief. During the decluttering process, Mevius embarks on a healing journey. NG Wing-sze, previously in award-winning short Conditioned (2015), feature films Septet: The Story of Hong Kong (2022) and Mad Fate (2023), plays Mevius and shares the screen with RubberBand lead vocal No.6 in this colourful romantic comedy.

Wah and Yee are two young strangers who live next to each other in subdivided units. In February 2022, at the peak of the pandemic, they first become aware of each other’s existence when both are tested positive for COVID-19 and are required to self-isolate at home. The two soon form a bond through music, rekindling their passion for life. Like the partition between the two units is no barrier against the flow of music, social isolation does not bar the growing affection between them. But when the quarantine ends, they become hesitant: Will the magic survive beyond the protective/restrictive wall? A pandemic and local version of Begin Again (2013), the two characters bare their hearts as they chase their dreams amid struggles through music and lyrics.

Single mother and autistic daughter Yan live together with endless fights because they never agree with each other. It is only through Yan's painting that her mother realizes her wish is just to grow up happily and healthily for both of them.

A pair of young highschool lovers fight against a hitman organisation, with violence, forgiveness and redemption. And they built a carousel just for fun.

Fei is trapped by the grief of losing her boyfriend Kit from an accident a few months ago. She still feels Kit’s aura surrounding near by. While Chau, who has a crushed on Fei, accompanies her for channeling sessions in search for Kit despite the bitterness. Yet, he gradually loses his patience and breaks Fei’s heart. Refusing to let go, Kit witnesses all the painful moments as an outsider with his hands tied. This is a story about three lost souls drifting in torrent of times yearning for love.

On a regular day in an office for a music company, a man must make a brave decision to either save himself or his colleague in an intense life-or-death situation.

Kevin, a young theatre director from Hong Kong, is searching for ideas for his next play with his team, hoping to get funding for an overseas production. Frank, a middle-aged hairdresser in Berlin, is performing his daily routine. Coincidences bring them together, though their friendship is dictated by the parameters of the smartphone. Kevin decides to adapt the stories of the Berlin Wall to the stage, as old memories of living in East Berlin come flooding back to Frank. Shadows, in their literal and metaphorical sense, become the third wheel which silently alters their lives and turns into a story that transcends the boundaries of reason. Through this experimental work, director Terence LI sheds light on the inner space-time of the queer and the displaced.

High school student Faye leads a lonesome life, being bullied at school and her family living abroad. She keeps a distance from people, including her classmate Yiu whom she secretly admires. Yearning for love and desperate to break away from her mundane life, Faye becomes a part-time girlfriend named “Sushi”. A delicate dish on the sushi conveyor belt, Faye is coveted and manipulated by the assortment of men who seek her services. Her life is further complicated when Yiu suddenly confesses his affection for her on the phone. Navigating the tumultuous journey of love, will Faye finally be able to lift herself up, take the lead and find her way?

Inspired by a true story, Eggs tells the tale of A-Li and A-Mai from Vietnam who meet and fall in love in Taiwan. When A-mai gets pregnant, what follows is not necessarily a blessing. Like many lost-contact migrant workers in Taiwan who, worried that they cannot afford to raise their children, flee and take on cash-in-hand jobs, A-Li and A-Mai go up the mountain to a place full of lychee stink bugs where A-Li can earn some money. When stopped by the police, they escape into the mountains and forests for fear of their status as illegal migrant workers. Taking refuge inside an abandoned factory, the couple tries to evade the police and to ensure the safe delivery of the baby.

Set in Norway, Lykke Til is a story about struggling in a foreign land. Ann, who has moved to Norway, is facing obstacles on multiple fronts: visa, employment, cultural differences, racism and an unexpected pregnancy, which puts her relationship with her girlfriend in jeopardy, another secret hovering over the already strained relationship with her mother. Instead of trying to simply stay afloat, the worst person in the world now has to make a decision and reclaim her life. The director who also writes the script and plays the main role expresses through the short her own experience as a Chinese diaspora and creative talent living in Europe.

What is love in the time of Coronavirus, when people are separated in both space and time? Wing returns to Hong Kong from Taiwan upon learning that her estranged father is dying in a hospital but she has to undergo quarantine in a hotel. Talking to her father through the screen, Wing realises she can never forgive this older man who abandoned the family many years ago, while the other man, her husband, seems very far away in Taiwan. Isolated in the tiny hotel room, Wing battles alone with the diseases of body and mind, caused by old and new grievances.

Who lost their memory? Why did you forget your story? Where is my hometown? Home Kong is an 8-minute short film comprising only 3 drone shots. A tale of 2 cities. A co-production between Hong Kong and Taiwan.

A photographer awaits competition results while he wanders around Hong Kong across space and time, pondering his own relationship with love and death.

A young boy successfully transforms into Superman, but he can’t find a way to turn back to human.

Chiu, a lonely teenager, always feels disconnected from school and home. One day, she comes across a poor stray cat on the street and takes it home for a decent bath. Unfortunately, the cat dies at her home eventually. However, its death unexpectedly brings her the long-awaited attention she has longed for through social media, leaving her feeling content.

Luna, a high school student, committed suicide. Her classmate, Sam, finds her death suspicious. Thus he tries getting in touch with her older sister, Solana, for more hints. One night, Sam finds Solana at the convenience store. Meanwhile a fight between gangsters happens. In the middle of the fight, a pistol dropped onto the ground. Solana picks up the gun instinctively. Sam helps Solana escape from the chaos. Two of them become partners immediately, and embark on a journey of truth - seeking. With a gun, they are determined to denounce the corruption of the school. In the end, they find out the mastermind. Yet, in front of the truth, Solana faces a choice between vengeance and forgiveness.

Entry to the Nikon Film Festival yearly contest to make a film on a given topic in less than 2min20. This year's topic was "the number 13". Synopsis: Alex suffers from triskaidekaphobia, an intense and irrational fear of the number 13. Will he be able to overcome his anxiety triggered by the simple sight of the number 13?

Flipping through pages of Hong Kong and London, the participating artists talk to each other in their mother tongue with implications perhaps only they will truly understand. Among the most familiar yet unfamiliar places—a bridge, a rooftop, a cafe and a station, as different as night and day, they reveal their hesitation or expectation, disappointment or comfort, sorrow or possibly even a change of heart as the first light seeps into the sky.

After her boyfriend Hao's untimely death, Yin is left to operate their studio by herself. The devastated Yin stumbles upon “Closer”, a mobile application that bridges the communication between the living and the dead. Through it, Yin is reunited with a lifelike Hao with not only the same voice but the same personality, emotions and memories. After a brief return to normalcy where the reality of death is obliterated, the limitation of “Closer” eventually forces Yin to confront the inherent divide between the living and the dead. Can love last forever by staying closer?

The antidote to loneliness may be found between the two ears instead of legs. Financially ruined, Kwong is ready to go by sleeping pills, until his attention is called to a TV commercial of a sex hotline. He is connected to a female voice who calls herself Sugar, who, initially flirtatious, becomes alarmed at the weeping suicidal voice on the other end. Sugar then tries to keep Kwong on the line by sharing her own life. Inspired by an article about a disabled sex worker, the short is a tribute to these alternative sex workers.

For sixth grader Marco, the minutiae of life revolve around taking the light rail with his best friend Chris and their Beyblade battles. But just like the Beyblades that spin in unpredictable directions, Chris is embarking on a different life path. Before Chris’s departure, they continue to linger around the neighbourhood playing with friends, uncertain about the future and how to say farewell. Tuen Mun, through the director’s lens, is slightly tinged with melancholy, resembling both a maze and a playground. In a child’s imaginative and innocent perspective, the film makes poignant observations on the anxieties of the adult world during the pandemic and how people deal with inevitable losses.