A grieving Chinese father travels to America to collect his daughter and stays to catch the killer.

The once-glamourous Club EJ suddenly experiences a hostile takeover. Much like the nightclub industry, the glory days are over for the club’s manager, despite having stood tall in East Tsim Sha Tsui for decades. To make matters worse, the new CEO is none other than his cutthroat ex-wife.

A story of big losses, small triumphs, and moments of grace amid the grind of capitalism — in other words, life itself. Four Hong Kong immigrants are living lives of desperation in Scarborough, Ontario: Dan was a pop singer on the rise before his move to Canada, now he’s barely scraping by; Eva is a lonely woman whose commitment to her aging mother has held her back in life; Fan is a part-time sex worker struggling to break into real estate; Tony is an aging widower whose factory job is at risk.

In 1994, a tycoon's kidnapping shook Hong Kong, threatening its financial standing. Police pursued personal gain while OCID Superintendent Li Wenbin risked everything to navigate conflicting interests and expose the truth.

Kam Muiday (Elaine JIN) has long been asking her granddaughter Sunnie Lam (CHUNG Suet Ying) to buy the same set of lucky numbers in each Mark Six lottery ticket for years. However, fate played a cruel trick. During the Lunar New Year’s "Snowball Draws", Sunnie was unable to place the bet, and that set of lucky numbers won a jackpot of HK$ 88.88 million. Not wanting to shatter grandmother's dream, Sunnie borrowed a villa from her filming colleague Jay Lai (Edan LUI), claiming that it was purchased with the winnings. Sunnie's father, Ken Lam (Jiro LEE), mother Charlotte Tong (Harriet YEUNG), and younger brother Harry Lam (LI Hoi Lam Marek), moved into the villa with her grandmother. Living together under one roof gradually healed their once-distant relationships and brought them closer. However, an unexpected incident ultimately revealed this well-intentioned "villa lie"...

A transgender woman from mainland China travels to Hong Kong with a single, urgent goal: to undergo gender-affirming surgery. Moving through the city in a state of emotional suspension, she navigates temporary lodging, medical bureaucracy, and fleeting encounters with strangers who alternately offer intimacy, indifference, or quiet solidarity. As the date of the operation approaches, her journey becomes less about the procedure itself than about the weight of expectation, fear, and self-recognition.

Youth is always full of confusion, electronic gaming may be a way to achieve hero's dream. This is a story of six passionate girls fighting hard in the gaming world, hoping to break the social stereotype. Yet this is more difficult than it seems, with all the unknown challenges ahead.

Early one morning in a Southeast Asian tourist destination, dismissed police officer Paisa approaches a Japanese tour bus—but it drives away.Parked in front of him is another bus, carrying a group of Hong Kong tourists. Among them, Elaine chats with her boyfriend Wang Jinming, holding a souvenir she plans to bring back to her son.A brief delay keeps the bus from leaving on time.Moments later, Paisa—this time armed—steps onboard.Nothing will be the same again.

After nearly a decade apart, two former lovers from Hong Kong unexpectedly meet again in the UK, where they have each built a different life. Their reunion brings back memories they have tried to move on from, as they slowly reconnect and begin to see how much has changed. Now living far from home, they are forced to face the distance between who they were and who they have become. Set within the everyday reality of immigrant life, The Distance We Drift is a quiet and intimate story about love, memory, and the way time reshapes people in ways they don’t always realise.

In bowling, there is nothing more daunting than the 7-10 split, which leaves two side pins in a position that is almost impossible to knock down. In this stirring sports film, the infamous split serves as a metaphor for not only a long-standing rivalry between two retired female bowlers, but also rare second chances to correct past mistakes. Produced by the team behind sleeper hit Love Lies (48th), this directorial debut shows us that bowling involves far more than just hitting wooden pins with a ball – it requires precise timing, immense strength, and grace under pressure.

While trying to keep his struggling business afloat, a chef goes on a dating app in search of Zelda, his crush from his chatroom days as a teenager. For each Zelda he meets, he makes a tailor-made meal to fit their story. Putting a spotlight on the city’s struggling restaurant sector, indie filmmaker Amos WHY and his co-director Frankie Chung’s unconventional and bittersweet road movie follows a rootless man who turns to his memories to avoid confronting his unknown future. Is it better to drift with uncertainty, or to stay in your comfort zone whilst tethered to a sinking ship?

Panning from a tour guide testing his microphone, to tourists deciding on a cafe, to a camera operator hurriedly scouting for locations, this comedic single-take filmed from a rooftop in Kowloon City, Hong Kong, moves between rehearsed, reenacted, real, and all the way back again. Who’s watching who, and if everyone is both watching and performing, who gets to frame the truth?

Four wraithlike figures of different ages and pasts, haunted by memory, drift along Nanjing's wintry riverbanks. They share an abandoned ruin where talk turns to poetry, painterly pauses, instrumental reveries and the unabashed group therapy of karaoke.

Kam Tin is home to people of many ethnicities, like a miniature United Nations. Chris moves there from the city with his wife Erica and their daughter, Wing Yan. As they adjust to their new life, they must also learn how to get along with neighbors of different ethnicities. Chris starts a business with an Indian partner, though Erica has little faith in it. Wing Yan befriends an African asylum seeker, sparking gossip. Haunted by unpleasant past experiences, Erica carries racial stereotypes, growing increasingly anxious and unsettled as tensions rise…This film is funded by the Hong Kong Arts Development Council.