472 Matches Found

Munna

On a dark, stormy night, a young woman appeared near the orphanage. Holding her child close to her chest one last time, she left him at the door and disappeared as quietly as she had come. Only the moon and stars were silent witnesses to her deed, the cry of a desperate soul. "Munna" means "baby" in Hindi. That is what the owner of the orphanage named the foundling. Years passed. One day, a wealthy childless couple came to the orphanage, wishing to adopt one of the boys. Their choice fell on Munna. However, upon learning that the child's mother was alive, they changed their minds and left, leaving a gold amulet around the boy's neck. That night, Munna could not sleep: pain and longing weighed heavily on his little heart. The boy ran away from the orphanage and set off for Bombay in search of his mother. He was determined to find her.

Munna

0.0 1954
Chori Chori

Kammo lives a very wealthy lifestyle with her widowed multi-millionaire dad, Girhdarilal, who would like her to get married to someone who is not after their wealth. To his dismay, she chooses to marry a Pilot named Sumankumar, who is known to womanize, and for his greed, so when he disapproves, she runs away. He advertises for her safe return and offers to pay Rs.1.25 Lakhs to the finder. Four days later, Kammo returns and she is not the same anymore, she is more humble, sober, and respectful. Fully appreciative of this, Girdharilal agrees to get her married to Sumankumar. Just before the marriage, a man named Sagar approaches them - and it is this visit that will change their lives forever.

Chori Chori

7.3 1956
Adarsha Hindu Hotel

Hajari Thakur, a middle-aged Bengali Brahmin cook, faces humiliation and exploitation at his job while harboring dreams of owning his hotel. After overcoming numerous challenges including wrongful imprisonment and financial hardship, he successfully establishes a thriving hotel business, eclipsing his former employer and even securing a contract to manage large railway hotels. In a surprising turn of events, Hajari offers his former tormentors, Bechu Chakraborty and Padma, positions in his growing enterprise, showcasing his resilience and magnanimity.

Adarsha Hindu Hotel

0.0 1957
Barkha

Ajit is a poor farmer who has mortgaged his land with Zamindar Haridas. Ajit gets in the bad books of Haridas, and as a result he loses his house and property, on the very day of his sister's marriage. Ajit loses his temper and assaults Haridas, and as a result is arrested and imprisoned. His sister, Parvati, on her own now, gets molested, but is rescued in the nick of time by Haridas' son, Dr. Manohar, who eventually marries her, much to the anger of his dad. When Ajit is released from prison, he comes to Haridas' house with a sharp knife, bent on vengeance at any cost, not knowing that his sister is married in this family.

Barkha

0.0 1959
Jog Biyog

The story revolves around the last life crisis of Jamini Mohan and his wife. After his retirement, Jamini Mohan and his wife Santoshini continued to be despised in the family of their earning sons. At this time, Gobinda, an orphan of a distant relative, became their mental hope. After facing various humiliations from their blood relationship Jamini Mohan died and as the mother of three sons, Santoshini became a burden to this family. Eventually, Gobinda became Santoshini's absolute refuge.

Jog Biyog

0.0 1953
Bhai-Bhai

A rich businessman, Dayashankar Kumar (Shivraj), who is a widow, lives with his two young sons Ashok and Raj. When he catches the younger boy Raj stealing money, he punishes him and threatens to cut off his fingers. A frightened Raj runs away from home. Years pass and the older brother Ashok (Ashok Kumar), becomes the owner of his father's business and property, running Superior Motors, which also extends to Bombay. Ashok is married to Lakshmi (Nirupa Roy) and is a caring and loving husband. They have a young son, Munna (Daisy Irani).

Bhai-Bhai

0.0 1956
Malliswari

During the days of the Vijayanagara Empire there was a system to bring willing women to the royal palace and render them official residents. This was called 'Rani Vasam'. According to this royal tradition, they sent palanquins to their houses, after they presented the family with gifts and jewelry. These Rani Vasam women should never have any contact with any man or let any man see them without permission. If any one violated the law, they were beheaded. Malleswari (Bhanumathi) was taken to this Rani Vasam. She was forced to accept this, for lure of money and jewelry by her parents. But she was already in love with her 'Bava' Nagaraju (N.T. Rama Rao), a sculptor. He stealthily got into the garden of the palace to meet his beloved and was caught. He was to get the death penalty. Krishnadevaraya for once pardoned the hero and allowed Malleswari to go with him.

Malliswari

10.0 1951
Khelaghar

The story starts with the scene where Goutam Chatterjee is escaping from jail. Goutam is a freedom fighter and political leader. When Goutam is escaping, he takes shelter in Ruchira Banerjee's house. Ruchira's father Rajbahadur. R. C. Banerjea is a police officer. Goutam gets away from there. In the meantime, Ruchira leaves her house because her father forces her against her wish to get married to Subir. After that, suddenly Ruchira meets Goutam again. They become friends and they move from one place to another together. And the story continues with suspense at every turn.

Khelaghar

0.0 1959
Bahar

A singer and dancer par excellence, Lata lives a wealthy lifestyle with her dad, Choudhry Goverdhanlal Patwardhanlal and mom. Her parents would like her to get married to wealthy Shekhar, who she initially approves of. Shortly thereafter she meets with Vasant Kumar and both fall in love with each other. When Shekhar finds out that Lata does not want to marry him, he is enraged and starts to investigate Vasant's background. He finds out that Vasant's real name is Ashok, who is a writer for a magazine 'Bahar, has a relationship with a woman, and also has a son.

Bahar

0.0 1951
Thodi Kodallu

Lawyer Ganapathi and his wife Annapurna are the eldest members of a family. His brother Subbu and his wife Anusuya live in the village. The duo treats their cousin brother Gopu, who is an idealist, as their own sibling. Annapurna is a chronic patient so Gopu's wife Susheela takes care of the family. Jealous of the bonding between Annapurna and Susheela, Anusuya creates a rift between them. Gopu and Susheela move to the village. Gopu propounds cooperative farming and prospers.

Thodi Kodallu

0.0 1957