78 Matches Found

Turn-of-the-Century Surgery

George Mélies made a version of this a few years later, often titled Une Indigestion, but Guy-Blaché’s earlier film Chirurgie Fin de Siecle (1900) is more widely available. And it’s not one to watch the night before an operation. In this clinic, a sign pleads “On est prie de ne pas crier/Please do not cry”, and the doctors set about the patient with saws, cheerily hacking off limbs, and then slopping them into a bucket, all the while arguing ferociously with each other. They then reattach arms and legs from a bucket of “exchange pieces” (using glue) before re-animating their victim, I mean patient, with bellows. (from http://silentlondon.co.uk/2015/01/23/10-disgusting-moments-in-silent-cinema/)

Turn-of-the-Century Surgery

4.9 1900
The Devil and the Statue

At the beginning of the scene Romeo in his gondola sings to Juliet a sentimental song, then goes away. Hardly has he departed when the colonnade falls to pieces, disclosing the devil. Juliet, frightened, runs to the window and calls Romeo. The latter attempts to enter and protect his fiancée, but at a gesture from the devil the window is instantly covered with a grating and Romeo makes frantic efforts to break it. The devil begins to dance a wild dance before Juliet, who is beside herself from terror. The devil gradually becomes the size of a giant (a novel effect). Juliet implores the statue of Madonna, which becomes animated, descends from its pedestal, and stretching out its arms orders the devil to disappear. (Méliès Catalog)

The Devil and the Statue

5.3 1901
Belphégor

Belphégor deals with a series of mysterious appearances by a masked-and-robed figure in the Louvre; a security guard is murdered, and a later police trap is foiled when the phantom—“Belphégor” (the name of a legendary demon)—uses knock-out gas. Journalist Jacques Bellegarde of “Le Petit Parisien” (the real-life newspaper which published the original story in serial installments), investigates, and eventually discovers famous detective Chantecoq and his vivacious daughter Colette are also on the case.

Belphégor

8.3 1927
The Devil's Laboratory

"The picture shows the Devil working at a fire. Two cavaliers appear, and the Devil takes the form of a seer, old, bent and wrinkled. Then he disappears in a cloud of smoke, to reappear shortly as a ghost, whose head comes off and floats around the room. Suddenly the table gets up of itself, and flies up the chimney. All sorts of wonderful things happen. A cannon takes the place occupied by the table, and belches forth flame and smoke. A large cage appears mysteriously in the center of the room, through the bars of which the Devil passes as if it were an open door. By his magic, he makes the cavalier pass through the bars in the same wonderful fashion. Everything is so weird and fantastic, that such a small trifle as a man turning into a donkey excites but passing notice." -Edison catalog

The Devil's Laboratory

3.9 1897
A Night on Bald Mountain

Mussorgsky's composition is the soundtrack for this pin-screen animated take on night and wild things. A scarecrow blows down, clouds move by quickly. Beings take shape; a town appears, animals flee, and a horse gallops by. A child looks on. Monsters run and float by: the phantasmagoric is everywhere. A woman's figure tumbles through space. A clash ensues. The horse falls. Goblins take control. The night and its denizens are relentless. Forms appear and become grotesque. Will dawn and calm ever come?

A Night on Bald Mountain

6.2 1933
The Red Night

The red night was set within the space of a few hours and in two locations - the rich madam Lesparre's old castle (where celebrations are underway to mark the marriage of her daughter Ginette to the handsome Robert) and the sinister mill 'Moulin-Maudit'. The young couple leave to their honeymoon driven by a mysterious chauffeur. Following a breakdown in open country they are forced to seek refuge in the mill, where untold horrors wait: blood oozing from the ceiling, a body wrapped in a tarpaulin, a menacing dumb figure and an old woman, etc.

The Red Night

0.0 1924
The Treasures of Satan

The setting of this fantastic scene represents the hall of an old chateau in which a miser has locked up seven large bags containing his wealth. Satan, who has made his way into the chateau, puts the seven bags in a strong box, and makes with his hands some cabalistic motions. The miser comes into the hall and is greatly astonished to find his fortune missing. He opens the coffer and immediately the bags leap out. He gathers them up and puts them back into the coffer. When he opens it again he finds that they have been transformed into seven young girls, who rush out and chase after him, beating him unmercifully. They shut him up in the coffer from which his gold has vanished. The miser pushes open the lid of the coffer, and to his profound despair finds that both young girls and money have disappeared. (This view is most sensational in its mysterious scenes.) (Star Film Catalog)

The Treasures of Satan

5.2 1902