Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.

For three days at the Copacabana Palace in Rio de Janeiro, amorous cross-fertilizations are intertwined with petty tricks against the backdrop of the famous carnival festivities. Three (sympathetic) accomplices are beaten to a punch in the hotel vault; three charming stewardesses are looking for entertainment, but their three Carioca host, musicians Tom Jobim, Luiz Bonfá, and João Gilberto, are married; a man, separated from his wife, wants to catch her in the act of adultery.

A man gets locked naked outside of his apartment.

Two ladykillers living in Rio de Janeiro know no limits when courting a beautiful woman. A problem arises when one of them starts coming on to a girl, not knowing she's his buddy's daughter.

A volatile young man, Edu is a typical Rio de Janeiro middle-class kind, who flirts with multiple women at the same time. None of them, however, had managed to make him fall in love, until he met with mysterious Tatiana.

In a fictitious country, a civil servant receives the greatest inheritance in history (ten trillion dollars) and is confined by authorities to prevent a collapse of the world economy. But he manages to escape.

In colonial Brazil, rich farmer and owner of slaves is blackmailed by a lady; to get rid of the problem, he involves innocent countrymen in a diabolical plan.

A shockingly irreverent follow-up to the rural austerity of Barren Lives, dos Santos’ Godardian social satire owes more than a nod to the self-conscious antics of the French New Wave. The pampered son of a general, El Justicero is a hipster playboy who fancies himself a James Bond/Jean Paul Sartre urban hero. “Archetypical” yet “full of contradictions,” he sees that justice is achieved for the disadvantaged while taking advantage of certain bourgeois perks. His exploits are closely followed and eventually directed by his biographer who decides a film is not only more lucrative than a book, but it gives him the luxury of reviewing previous scenes. Unlike Bond, El Jus eventually experiences an awakening which threatens to compromise the entertainment value and glamour of his life story. - Harvard Film Archive

Divided into three episodes based on stories by Stanislaw Ponte Preta (Sérgio Porto), the film portrays three young people from Rio de Janeiro: a furious lover, a beautiful beachgoer, and a former beauty queen. All live in profound solitude amid the apparent social vibrancy of Copacabana.

A young female fugitive escapes from a juvenile institution (the Child Assistance Service) and joins a group of poor beggars with the intention of finding a potential partner to marry in order to avoid her return to that place.

A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.

Paranoia, guilt, misery, and technology in the developing country. A fragmented narrative, distorted frames, shouts, and noises. The Nazis take over São Paulo: prison and torture of revolutionaries, a samurai lost in chaos, locked lovers, a dictator and his bunch. Considered one of the most influential films of the marginal period.

A scientist discovers a breakthrough formula for harnessing nuclear energy and becomes the target for numerous secret agents around the world.

When womanizer Paulo meets a friend’s fiancée, she changes the way he looks at the opposite sex. He falls in love, and believes she is in fact all women in one. Because of that, he has to face an important decision: to go on with his old life, or embrace this special relationship and become a monogamous man.

A comedy divided into two episodes. The first tells the story of Agildo, a man obsessed with women, who is caught by his wife in bed with the maid. He begins to live a sexual fast so his wife doesn't leave him, but tries to use his imagination to cheat on his wife without betraying his religion. In the second episode, a tough guy manages to win over a beautiful woman, but doesn't have the money to take her on a date. However, his three best friends will do anything to ensure his success with her.

A long time public servant is told by an angel that he will die at midnight of the following day.

Ângela Carne e Osso (Angela Meat and Bone), a young nymphomaniac, lives surrounded by delinquents, and exerts intense allure on them, dominating them all with her erotic power.

Parable about the 1964 military coup in Brazil, where three characters unite through the exercise of the word.

Marquinhos is in his early 20s and lives in Copacabana with his petits bourgeois parents and older brother. He doesn't have a job, he doesn't go to school, he just lives on the spur of the moment, watches TV, plays soccer on the beach by day and goes out with his mates by night. He meets Irene, a 40 year-old woman and they have a love affair that is going to change his life - for a while.

The Gerimum Trio arrives in Rio de Janeiro wanting to make it big in their artistic careers. They struggle with great difficulties and even sing in the street. The police pursue the three, who end up in the place they most want to be: a television studio. Mistaken for northeastern congressmen, they are taken to the TV director-general, Mr. Walter. Shortly after, Marly, the advertising star, and her secretary, Josias, enter. A heated argument ensues, but the situation is resolved when the real congressmen show up.

The counterfeiter Clementino begins to be pursued by Interpol. Arriving in Sao Paulo, he notices the presence of the police and suffers an accident. However, he has a double, which causes enormous confusion.

Marcelino, a country bumpkin, comes from the countryside to try his luck in Rio de Janeiro. His uncle Simão, a taxi driver and resident of a favela with Sofia, comes to greet him at the train station. A neighbor, Tereza, takes an interest in the newcomer. At the pier, the criminal Zé receives a package and is pursued by police. Mira Diler performs at the Caverna nightclub. In her dressing room, the criminal Zé is found, injured and without the package. Valentino complains about the police action that is disrupting his "business." Marcelino still hasn't found work; at the same time, he tries unsuccessfully to sell his compositions. He begins helping his uncle as a driver, but puts his own worries first: he goes to the nightclub looking for Mira, but finds himself caught up in Valentino's schemes.

Two dark-comedy stories involving blackmail, murder and love triangles in Rio de Janeiro

Year 2000. Brazil was partially devastated by the Third World War. An immigrant family arrives in a small town, which they call "I Forgot." The trio is recruited by an indigenist to pretend to be indigenous during the visit of a general. In the dilemma of integrating into the system or preserving individual freedom, the family moves toward disintegration as the city prepares to launch a space rocket.

A soap opera idol, lonely despite his fame and wealth, seeks a woman for companionship. He becomes interested in Míriam, a mysterious character who causes him countless setbacks. He's inclined to marry Carolina, his 19-year-old neighbor, who spends her time playing waltzes on the piano. However, all of Míriam's adventures will pale in comparison to the discoveries he will make in intimacy with Carolina, the sweet woman he loves.

Bressane’s first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: “In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world”. “If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: ‘This is the film. This is the horror’. The meaning of the film, its appeal, derives from this laboratory of light” (J. Bressane). — Torino Film Festival

A group of scoundrels want to make it by planning hoaxes.

Paulo is a middle-class playboy who reluctantly gets involved in a terrorist conspiracy and ends up exiled with the engaged Letícia in an embassy, after a guerrilla camp is discovered by the police and two of them, Sócrates and Mário, fall into shrapnells. Luís and Márcia, a rich couple, spend their time looking for different emotions. They get smet with a couple of lesbians, Márcia flirts with one of them, provoking the jealousy of the other, Susana.

Poor and beautiful girl is hired by a sales promoter to advertise a new brand of soap. The success is immediate, but the need for a new face hinders her way to stardom.

When a lady-killer announces his wedding, seven of his ex-girlfriends decide to kidnap him, keeping him in a sailing ship.

Alfredo, a rich playboy and restless womanizer lives a happy life until receive threats from several cuckolds. Things get worse when each of the seven involved women accuse each other causing a big mess.

General's daughter, who lives with her boyfriend without being married, gets in trouble when her conservative father decides to visit her. A friend decides to help them, but things only get worse.

A Velha a Fiar illustrates a Brazilian folk song in which a being or entity is always predating another being, but is in its turn predated by some other animal, until the circle closes. It begins like this: an old woman is quietly weaving and a fly disturbs her; a spider eats the fly; a mouse eats the spider; a cat chases the mouse and so on...

The project of urbanization of a shantytown is endangered by lack of money. To get the necessary sum, three friars start to sing in plain clothes, incognito, also recording records and doing shows in nightclubs.

Ted Boy and Renato, two clumsy mechanics from the countryside, are dating two young women who live in a luxurious mansion near their workshop. Ted Boy gets into a fight with some catch fighters, and their coach, thrilled with his performance, invites him to train. Ted Boy trains diligently and, in a dizzying career, becomes a serious contender for the ultimate title. Criminals try to buy him into losing the final fight, but when they fail, they kidnap his girlfriend and threaten him with blackmail.

A pastor and a priest compete for the religious leadership of the population of a small town. When the pastor tries to prevent his sister's involvement with the sacristan, he accidentally starts the rumor that the church houses a miraculous statue of St. Francis.

César wants to be a singer and, with the help of his friends Maloca and Didi, seeks an opportunity on television talent shows. When he performs on Chacrinha's show, he wins all the night's prizes and wins the affection of a young woman from a wealthy family who is dating a con man who steals cars. Realizing the girl has a crush on the singer, the con man sets a trap to get César out of the game.

It tells the story of a girl being abducted by the evil pirate with a wooden leg.

A young woman from a conservative family loses her virginity to her boyfriend who dumps her after. She starts a new relationship, but when her parents find out she has been "ruined" they try to arrange a marriage with the first boyfriend.

In the village of Leva-e-Traz, the discovery of a oil field is responsible for a mass evasion of the townspeople. Left are the old and incapable for the extraction job. When the local priest announces he, too, is leaving the town, Satan emerge thrilled with the chance of overtaking the place.

Eleven small stories, loving chronicles about Rio de Janeiro and its people, written by some of the best Brazilian writers of the time.

Epitácio is the driver of a widower musical entrepreneur. Concerned with the boss' happiness, Epitácio tries to find him a wife and introduces him to Lucy, the children's teacher, who dreams of becoming a singer.

The adventures of a peaceful and infatuated man, who tries to identify the man who killed his sweetheart, an unconventional young woman who used to receive "guests" at home, calling them her cousins.

João Grilo is a backwoodsman who tries to get along at the expense of the powerful in the city, who pretend to be respectful of morals and good customs and hide their sins. But when a band of cangaceiros attacks the small town, everyone has to settle accounts with God and the Devil.

A rich uncle demands that his nephews live a healthy existence, with a lot of exercise, instead of clubs, in order to live up to their inheritance, . But a sentimental affair complicates everything.

The Syndicate of Brazilian Thieves tries to steal the world's greatest diamond, owned by the international star Iraya, who comes to spend the carnival in Rio. Interpol kicks in.

The sophisticated thief Mão Leve and his simple-minded accomplice Jonjoca take from the rich to give to the poor. Their new mission is raising funds in order Mão Leve's brother can study abroad. But great care must be taken lest the honest boy discovers the origin of the money.

During the inauguration of Brasília, Brazil's brand new capital city, singer and ballerina Gilda hides in a working-class night club to escape from an inconvenient millionaire who's trying to date her.

Based on a radio show that was broadcast for 11 years (1947-1958) and ended only when the host and creator, the genius Henrique Foreis "Almirante" Domingues, had a stroke. There were hundreds of horror stories, supposedly true, sent by listeners from all corners of the country, radiophoned and broadcast by Rádio Tupi in Rio de Janeiro. It became a book in 1951 (reissued in 1984), a film in 1969 and a TV show in 1994-1995, broadcast by the extinct Rede Manchete.

Manuel is a fanatical barber for a São Paulo soccer team, Corinthians, and that's why he always gets into trouble with his neighbors and family.

Two women from Méier, a suburban neighborhood of Rio de Janeiro, marry wealthy men who suddenly become millionaires. Displaced from their original social background and unsuited to wealth, the two wives must devise a plan to, acting like socialites, win over high society and win back their husbands.

Western spoof. Depicts the conflict between the leader of a gang of country bandits and his former protégé, now a police officer.

A dollmaker, whom Death decides to spare, becomes a vampire of the tropics. He uses this opportunity to exact revenge on those who humiliated him.