93 Matches Found

Three Daughters

Three stories with three central female characters linking the stories together. The first one concerns an orphan girl who grows attached to the postmaster she is caring for after he teaches her to read and write. The second one is a supernatural tale about a woman obsessed with the jewels her husband buys for her. The final one follows a young man who falls for an unconventional girl from his new village instead of his arranged bride, the daughter of a respectable family.

Three Daughters

7.6 1961
Dil Tera Diwana

Wayward, brash, and disobedient Mohan (Shammi Kapoor) is sent by his angry dad Diwan Badriprasad (Ulhas) to a retired army captain Dayaram (Om Prakash) to learn some discipline and respect. But Mohan asks his friend Anokhe (Mehmood) to switch places with him, and Anokhe agrees to do so. Mohan meets with Meena (Mala Sinha), who lives with her blind dad (Manmohan Krishan). Anokhe is welcomed as Mohan by Captain Dayaram and his daughter Malti (Shubha Khote) in their household. Eventually both Malti and Anokhe fall in love. Things start to get even more muddled when Captain Dayaram finds out that Anokhe is married to another woman, and that Anokhe drives a rickshaw. The police are notified and they are asked to arrest Mohan - they arrest 3 Mohans. Who is the real Mohan?

Dil Tera Diwana

6.0 1962
An Evening in Paris

In romantic Paris, two Parisians of Indian origin are in love namely Shyam or Sam and Roopa. Mystery and intrigue surround this romance, as Roopa is abducted and held by criminal mastermind Jack and his minions, who will trade her for a hefty ransom. Roopa has a look-alike in the shape and form of Suzy, who is sent in place of Roopa to ensure that the money is received, while the real Roopa is still being held captive. Sam must use all the resources available to in order to set Roopa free, but he will have a difficult time to differentiate between Suzy and Roopa.

An Evening in Paris

5.5 1967
Bhoot Bungla

Rekha and her uncle Shyamlal are the only survivors in their family which has a long and painful history of death under bizarre and suspicious circumstances while living in their ancestral property. Rekha and Shyamlal leave their ancestral property in fear and settle down in the city where Rekha meets a jovial and rowdy bunch of youngsters belonging to the Youth Club. Members of the Youth Club decide to unravel the mystery of Rekha's ancestral property and hope to find out if those deaths are freak accidents or an ancient curse.

Bhoot Bungla

7.1 1965
Waris

Due to disagreements in the King's household, his wife and son decide to move away from his kingdom. Years later, the King passes away and the palace decides to locate the Prince, so that he can claim his rightful place on the throne. They locate three young men, all claiming to be the prince. The Palace officials put them to the test, and one by one, all of them pass various tests imposed on them, leaving the officials in a quandary, as to who the real prince is between these three young men.

Waris

5.0 1969
Bluff Master

Ashok, is on a lookout for a job. But that does not stop him from putting on airs and bluffing, pretending that he is from a rich family. As luck would have it, he get a job of a photographer for a fictitious tabloid - Bhukump, only to lose it, because he had the misfortune to click the photograph of the owner's daughter Seema slapping an eve teaser. Never one to give up, he somehow meets her and convinces her of his good intentions. When she falls in love with him, Ashok tries to give up bluffing. But it is too late. No one believes him.

Bluff Master

5.8 1963
Love in Simla

After the untimely death of her father and step-mother, Sonia is orphaned and lives with her aunt and paternal uncle (Mrs. and General Rajpal Singh). Sonia is plain-looking as her real mother, and often invites unappreciative, taunts, and critical remarks from her aunt and cousin-sister, Sheela. Sheela has a boyfriend, Dev Kumar Mehra, and she plans to marry him. Fed-up of hearing frequent taunts and adverse remarks about her plain-looks, Sonia challenges Sheetal that she will make Dev fall in love with her.

Love in Simla

6.0 1960
Bharosa

Ramdas is a trusting individual, and trusts everybody around him. When times turn bad for him, he entrusts the life of his son, Bansi, to his trusted employee, Ronaklal, and departs. He regularly sends money to Ronaklal to provide for the upkeep of his son, but Ronaklal uses this money to educate his son, Deepak, keeps Bansi uneducated, and makes him do a lot of manual work. Years pass by, Ronaklal is now crippled, and is dependent on Bansi, as Deepak has left him, got married to a wealthy girl, and lives with his in-laws. Ronaklal is unable to show his face to Ramdas, and avoids him, and Bansi has grown up without knowing who his real father is. Will Ronaklal be able to tell Ramdas the truth when he returns, or will be just let Deepak be the sole heir to all the estate and the property?

Bharosa

0.0 1963
Jhumroo

Anjana lives a wealthy lifestyle with her dad, Dwarka Nath, in a hilly region in India. When she returns home after several years, she finds that her dad has become more strict and a disciplinarian, and even has his erring employees and villagers flogged. Then she meets with local villager, Jhumroo, and both fall in love with each other. Jhumroo takes her home to introduce her to his mom, Kamla, who approves of her instantly. When Dwarka comes to know about this, he is enraged, and quickly announces her marriage with his Manager, Ramesh. Jhumroo is heart-broken and goes to meet with Anjana, who does tell him that she loves him, but must obey her father. What Jhumroo and Anjana do not know is that she is not Dwarka's daughter, but is the daughter of Kamla, and abducted at a very young age.

Jhumroo

0.0 1961
Athey Kangal

A woman gets ready to leave for a get together and finds her husband dead in their room. In no time, she is also tried to kill by a black masked face man. His attempt gets failed and he escapes. The woman is now in state of shock and mentally paralysed. A murder case is registered and investigation take place. Susi (Kanchana) a young college girl comes to her home for vacation along with her friends. She lives with younger paternal uncles Kamalanathan and Vimalanathan who are the younger brothers of the victim and her aunt who was supposed to be the victim in the hands of the murderer. Susi meets Baskar (Ravichandran), a singer and both of them are attracted to each other at first sight.

Athey Kangal

7.0 1967
Johar-Mehmood in Goa

Mary and Peter fall in love with each other and are about to get married, when Peter is asked to re-join his regiment to go to war. Shortly thereafter, he is missing, believed to be dead, leaving behind a devastated Mary who subsequently gives birth to twins, and leaves them on the doorsteps of two Goan households, and becomes a nun. Twenty four years later, India is a free country, while Goa is under the rule of the Portugese, Mary is the Mother Superior; Peter, who is still alive, is the Deputy Superintendent of Police in Goa, who has been entrusted the task of apprehending two revolutionaries by the name of Ram and Rahim - none other than his very own sons. Watch what happens when duo unleash a series of attacks against the oppressive Portugese regime, including robbing the Bank of Portugal, disrobing an arrogant Superindent of Police, Alburqueue, then setting his house on fire, joining hands with dreaded bandit Daler Singh, and abducting the daughter of the Goa's Hakim, Rita.

Johar-Mehmood in Goa

8.0 1965