583 Matches Found

Vishwanatha Nayakudu

The story is based on Indian historical events during the 16th century. It narrates the victory of Viswanatha Nayak on his father to express his devotion towards Srikrishnadevaraya. Viswanatha Nayak (Krishna) is the son of Nagama Nayak (Sivaji Ganesan), a successful General of Srikrishnadevaraya (Krishnam Raju) of the Vijayanagara Empire. Chola King Veerasekhara Chola invades the Madurai Kingdom and deposes the Pandya King Chandrasekhara Pandyan who was under the protection of Srikrishnadevaraya. Due to this, an enraged Srikrishnadevaraya sends Nagama Nayak to aid Chandrasekhara Pandyan. Nagama Nayak suppresses Veerasekhara Chola and takes Madurai, but then suddenly he calls off his allegiance and declining to help Chandrasekhara Pandyan usurps the throne. So, Viswanatha Nayak volunteers to face his father in the battlefield.

Vishwanatha Nayakudu

0.0 1987
Lahoriye

Lahoriye is the story of love. The love which does not see boundaries, the love which does not see nations. Kikar Singh (Amrinder Gill) is a clerk at DTO office and his family holds a piece of land which is right at the LOC. The people living in Border areas are familiar with the situation. Right across the land in Pakistan is a Kinnow farm where Ameeran (Sargun Mehta) works and live with her family. Kikar falls for Ameeran and slowly slowly even Ameeran falls for Kikar. What follows next is a tale of romance which is worth watching on the big screen.

Lahoriye

5.3 2017
The Falcon

The Crown Prince of Malabar dallies with Rosita whilst his people suffer at the hands of cruel Portuguese colonists. Whilst voyaging on a Portuguese ship, the Prince is captured by patriots who are rebelling against the foreign invaders. They are led by a girl called Nisha known as "The Falcon" ("Baaz"). The Prince conceals his identity from Nisha and a romance blossoms between them. Together, they rouse the people, rout the Portuguese and free the Kingdom - but can a commoner marry a Prince ?

The Falcon

5.0 1953
Nani Ma

Musamoni Panigrahi (1920s–2017), fondly called “Nani Ma” by her neighbours, appears in the centre of this first film in the Baleswari dialect of India's Odia language. The story revolves around folklore and folk songs narrated by Nani Ma. Born in the 1920s in pre-independent rural India in a coastal village in the Balasore district of Odisha, she never got to go beyond the first few days of school. The film is an alternate history of a society broken through colonization, Brahminical patriarchy and a post-famine (Orissa famine of 1866, killing nearly 5 million people, one-third of the population), and the dominance of formal writing over spoken tongues. Three academics -- Damayanti Beshra, PhD (recipient of India’s fourth civilian award, “Padma Shri”), Panchanan Mohanty, PhD (noted linguist), and Laxmikanta Tripathy, PhD, DLitt (anthropologist and author) -- also appear in the film to provide contextual commentary on patriarchy, oral history and the sociolinguistic diversity.

Nani Ma

10.0 2022
Mother Teresa & Me

Mother Teresa of Calcutta, one of the few canonized saints of our day, is discovered through the eyes of Kavita, a young Englishwoman abandoned by her boyfriend after she’s found to be pregnant. Kavita journeys to Calcutta to escape her pain and soon discovers that even holy people like Mother Teresa have to face life’s challenges and, in fact, struggle through years of spiritual crisis known as the “dark night of the soul”. Inspired by Teresa’s example of perseverance and compassionate love, Kavita rediscovers hope and purpose.

Mother Teresa & Me

6.9 2022