41 Matches Found

Crazy Blood

Chen is a dedicated social worker who has allowed her job to dominate her personal life. Inadvertently, she neglects her devoted husband Lo-Wei and their young son. Although he dislikes his wife's patients ("they're just street trash"), Lo-Wei is tolerant of his wife's workaholic situation and he takes the opportunity to develop a strong unity with his son, Chia-Pu. Then, Lo-Wei's sister offers to babysit the child while the parents respond to an emergency case. While they're gone, one of Chen's "delinquents" breaks into the house and rapes the sister. During the assault, baby Chia-Pu climbs out of the window and falls to his death. Lo-Wei is over-the-edge with grief. His brain snaps. He withdraws into himself, except at night when he stalks the "street trash," gruesomly killing them...

Crazy Blood

0.0 1983
Cut Throat Struggle For An Invaluable Treasure

In the early days of Republic of China, Buddhist monks from Shanhua Temple of Shanxi Province escort an important Buddhist relic to the Shaolin Temple. On the journey, the treasure is heisted. Wide spread rumors implicates the famous bandit Jing. Jing is a Robin Hood figure roaming the grasslands. To clear his name, Jing with the help of friend “Divine Hand” Zhang start a fierce battle against the real culprit - Captain Mai of the security team.

Cut Throat Struggle For An Invaluable Treasure

6.0 1982
Visions from a Jail Cell

Childhood can be said to be the best and most carefree stage of life. Looking back, we have forgotten many fragments of childhood, but never deny her unforgettable warmth. However, for children who are exposed to the flames of war and oppression, their childhood is cold and cruel. Xiaoluotou is a poor child who has lived in prison since the day he was born. His mother is a Communist, so he was brutally persecuted by the Kuomintang reactionaries. He is a prisoner of the Kuomintang, and the beetle on the sand is a toy of a small carrot head. Death and killing locked the child's footsteps, but could not seal his free-spirited imagination. In his mind, schools and prisons are no different, and the teacher’s laughter is unbearable.    The prison is a black home filled with murderous children. He is flying freely above the prison...

Visions from a Jail Cell

7.0 1986
Death Ray on Coral Island

Said to be the first science-fiction film produced in China (and perhaps having its North American theatrical premiere in Future Imperfect?), Death Ray on Coral Island spares no bile, camp, or latent envy in portraying America as the cunning archenemy that will stop at nothing—industrial espionage, assassinations, even ballroom dancing—to steal China’s futuristic weaponry. The film occupies a pivotal moment in China’s modern history, representing a legacy of the Great Cultural Revolution and a harbinger of the nation’s ascension on the global economic stage. Courtesy of the China Film Archive and Shanghai Film Group.

Death Ray on Coral Island

5.2 1980