Nina is a rich and spoiled girl. Dilip accidentally meets her and starts liking her, not knowing that she is already engaged.

The story revolves around the characters played by the actress Sulochana. Sulochana had eight separate roles in this film: a gardener, a policeman, a Hyderabadi gentleman, a street urchin, a European blonde, an old banana-seller and an expert pickpocket who gives her money to charity.

Kamala elopes on her wedding day with her childhood friend Ratanlal. Her father Manganlal chases the couple and catches them on a train. His furious exchanges with Ratanlal are interrupted by gunfire and in the mysterious gloom of the evening a body is thrown off the train. The suspects are Ratanlal, who cannot furnish an alibi, Kamala, who insists on being the murderess, ex-convict Sukhdev, who confesses to the murder claiming robbery to be the motive, and the lunatic Tarachand, who also admits his guilt.

This love story claims to uphold the tradition of domesticated female virtue. The story tells of virtuous Sushila and her husband Pratap, who leads a peaceful life until her former suitor Jaswant arrives on a social call. His appearance prompts Pratap to suspect his wife's marital fidelity and he drives the visitor away.

Unusually violent film for its time advocating widow's right to remarry.

A classic modernization melodrama exploring the consequences of female autonomy.

The story for this film was derived from the Bawla murder case. The maharaja of Holkar fell in love with a dancing girl named Mumtaz (Moti) who spurned his advances because she loved another man. In fact, the maharaja had the man kidnapped in full public view and killed.

Millionarie Ratanlal is an old man without an heir. He marries the rich, Western-educated Mohini. He has two managers, the sincere and faithful Dhairyadhar and the Anglicised crook Manhar. Mohini, bored with her marriage, falls in love with Manhar who embezzles Rs. 50,000 from Ratanlal's office and frames Dhairyadhar for the crime, who is imprisoned. Mohini's affair with Manhar develops and they decide to eliminate old man Ratanlal...

This film claimed realist intent, mainly for its thinly veiled allusions to a major scandal in Bombay known as the Champsi-Haridas murder case.

A moralistic social film in a contemporary setting. The plot concerns a young woman, Sarojini, who, under the influence of her jailbird cousin Jairam swindles her aged husband and ruins her lover, the next door neighbor Thakurdas.