1,012 Matches Found

Crazy Weapon 5: Back for the First Time

In the year 2297 Las Vegas, the master thief and escape artist, Wanda 'Whispers' Jones has stolen a Crazy Weapon from the distant future (The year 4225/Envision City) and plans on using it in the past (The year 1974/ Colorado) to alter the timeline for her own gain. Two time cops (Sergeants Calloway and Quinn) along with Timeline Regulator, Spencer Cooper partner for the first time to go back to 1974, to retrieve the Crazy Weapon and Whispers Jones.

Crazy Weapon 5: Back for the First Time

0.0 2020
Wander

Wander is a film primarily experimenting with the effects of superimpositions to play with surreal sensations, as a poetic dialogue floats along the way. No incarnation of the subjects exists inside, only the two's voices hovering over the dynamics like extraterrestrial creatures drifting away from the Earth. The atmosphere is dangerous. And the fluid exhibition of sceneries spans from Asia to North America with chaotic velocity, which may relive a spiritual diaspora after fragmentary experiences here and there. In this visual space, the past is unrelentingly flooded away in the fading memory.

Wander

0.0 2020
Medusa

In the indefinite future, artificial intelligence - in the form of mirrors and screens - fulfills the role of parents. The protagonist is a little girl to whom her mother-tablet tells the story of Colombre, a mythological immortal jellyfish. Aquatic, cellular, microscopic and underwater scenes comment on the adventure of the grown girl, determined to transfer her consciousness to the Colombre and thus guarantee the survival of the human race in a world now completely submerged by water.

Medusa

0.0 2020
梦想的科姬

The film mainly tells that the hero Wang Ke’s dream since childhood was to develop robots to help the weak and punish the evil and promote the good. But after he graduated, he was overwhelmed by work pressure. When Wang Ke was most helpless, he developed a robot that he developed many years ago. The artificial intelligence robot "Ke Ji NO.239" appeared to rescue him, and after a series of setbacks, Wang Ke finally recovered the story of dreams and hope. The style of the film is cheerful and bright, combining science fiction and urban elements. By focusing on the large number of graduates in reality, it shows the confusion of their first entry into society and the ambivalence of facing dreams and reality.

梦想的科姬

0.0 2020
East Village

A drone inhabited by the mind of a property developer arrives ‘top down’ from above and flies through the newly built residential neighbourhood in East London and gathers data at twilight. During the journey it maps the new utopian space it has built with its mechanical gaze, commenting and interacting with its findings, ‘We want to contain and retain our residents’. This is a place built in a bubble, controlled within the walls of developer’s billboards. Privately owned, East Village is awash with branding and reaffirming smiling faces. Purchase a luxury flat and buy into the services, life style and more. As the drone declares ‘Everything you need is here!’ With Westfield shopping mall on your doorstep, its ever present logo glowing like a beacon of hope, why would you ever want to leave?

East Village

0.0 2020
Disco Islam

Set in the not-so-distant future, "Disco Islam" is a sci-fi corporate video inaugurating the opening of the biggest nightclub in the Middle East. Using CGI, live-action and music, Disco Islamappropriates the aesthetics of the world of advertising and commerce in order to shed a light on issues created by the implementation of neo-liberal policies in the Middle East and the dystopian techno-capitalist solutions towards them. By juxtaposing fact and fiction throughout the film, "Disco Islam" ultimately pictures an apocalyptic vision of the Middle East in which the market ideology of free-trade and boundless profit-making has resulted in economic injustices, environmental catastrophes and the abandonment of the humanist project in Iran.

Disco Islam

0.0 2020
Notes from the subsurface

"Notes from the subsurface" interrogates deep subsurface environments and the extremophiles that live within them. The film considershow they can function at extreme depths and pressure within challenging conditions such as highly acidic, high temperature, high radiation, low oxygen and methane heavy environments. Through sci-fi narratives, the film exposes non-human and multi-species perspectives, hidden networks and unheard voices. Beginning with birds-eye-view footage of the Burgess Shale in the Canadian Rockies, the second part of the film takes a science fiction approach. The narrators develop proposals for adapting humans to livein these extreme.

Notes from the subsurface

0.0 2020
GALAXY

The narrator in the moving image work "GALAXY" is technology itself. "GALAXY" tells the story of the brief encounter of the two characters Touch and Long Swipe. The story is generated by an algorithm and offers an interpretation of an encounter of love and disappointment. Small deviations in the language and the narrative logic reveal our social imprint of how stories are expected to be told and how technology is programmed to follow these perceptions. The mise-en-scéne is a computer-generated galaxy of objects and images reminiscent of the organic, but dismembered and fragmented, reflecting on the possibility of creating new worlds and stories in digital space by following a subjective system of ordering.

GALAXY

0.0 2020