The three heroines, Wong Ang, Wu Nga, and Heung At expose a murder case involving three dead bodies found in an old temple. Unbeknown to the trio, they've fallen in a trap laid by gangster Hui Pui-shing, who desires to avenge his brother's death by eliminating the women. With the cooperation of Hui's righteous subordinate, the police arrest Hui for smuggling tobacco and seizes their forged banknotes.

Rich girl, Wu Qiu, is jealous of the relationship between journalist, Xu Shao Tang and singer, Chen Feng Juan. Wu Qiu hatches a plan to separate the couple with disastrous results.

Famed director Zhu Shilin tries his hand at a horror film! The beginning of The Living Corpse immediately sets the tone with a folk duet clearly inspired by the popular 1956 musical Songs of the Peach Blossom River. The duet, in addition to Zhu's frequent use of long, empty shots and crisp editing, gives this horror film a traditional poetic charm and a strong folk flavor. Mise-en-scene and sound effects create a terrifying atmosphere, and successfully communicate the ghostliness of a world without ghosts.

Rejected by Law (Sheung-kwun Kwan-wai), ruffian Koo (Wong Yee) exacts his vengeance by making Law lose her job. When her father is injured at work, her brother Fai and boyfriend Tse resort to obtaining a loan. Koo even kills their creditor and frames the murder on Tse. Law and her brother sow discord between Koo and his mistress, eventually exposing their crime and leading to Tse's acquittal. While retaining her feminie elegance and charm in subtle details, Law resourcefully eliminates all the threats and dangers. Unlike other conventional detective dramas of Cantonese films, this film is filled with a sense of community and grassroot sensibility. Sheung-kwun Kwan-wai impressively demonstrates a great flexibility and versatility in her characterisation and performance of this female detective role.