Cameras from the Australian Channel 9 recorded the sixth and final show of the Melbourne leg of The Beatles' world tour on 17 June 1964. It was screened on 1 July 1964 as an hour-long special, The Beatles Sing For Shell, named after the oil company which sponsored the broadcast. Nine of The Beatles' Melbourne performances were included in the show (the others edited out and discarded at the insistence of Beatles manager Brian Epstein): I Saw Her Standing There, You Can't Do That, All My Loving, She Loves You, Till There Was You, Roll Over Beethoven, Can't Buy Me Love, Twist And Shout and Long Tall Sally. The complete unedited concert (from an alternate audio feed) was also aired on Australian radio.

Documentary following the 1964 groundbreaking Beatles tour of Australia.

David Low's classic narration says it all: King Cross is a "glittering mile of dreams, delusions, hopes and headaches, where life comes out of an espresso machine and you can have it any way you like it."

Albie Thoms' Marinetti was the culmination of the synthetic environments that the UBU group had pioneered in Australia; festive public 'happenings' that combined the energy and volume of creative rock and jazz with the mesmeric effect of multi-dimensional lightshows. Another kind of culmination: Marinetti records most of the principal collaborators in the UBU film group, like Aggy Read and the Perrys. Uniquely valuable as a document of Australia's late 1960s counter-culture, the soundtrack provides the best indication of the unrestrained liberty that bands like Tully and the John Sangster Underground band some of whose members perform on this recording were famously achieving in their improvisations of the period.

While flying to the first stop on their latest tour, the four members of the Australian music group The Seekers recall in flashback the origins of the group and their rise to success.

A montage of a Nigerian athletics meeting cut to music by Okoli Obazo

This film showcases an idealised version of life in the Victorian regional city of Geelong — complete with stable jobs, family homes, bustling shops, and thriving sporting and cultural life.

In a dry unforgiving part of Australia, a man and his wife have set up home and live stock to make their living. Just when it seemed the drought and lack of finances were getting to be too much, things change: BP is looking for a suitable area to attempt the world land speed record.

Shows new methods in treating those afflicted with mental health issues. Contrasts past treatment regimes where people were locked away out of sight with the new, 1960s, psychiatric ideas of "group therapy" and talking therapy. Also shows practical behaviours aimed at returning patients to productive lives in society and outpatient services.

This film shows an idyllic picture of life in the Victorian capital of Melbourne in the mid 1960s.

This film about Library services in Australia shows some of the work of the Commonwealth Parliamentary Library, the National Library with its varied resources and examples of State, University, special and public services suggesting their value in meeting needs for information at all levels. The library movement has become a vital part of Australian life. How libraries have fitted into society all over Australia, from the bustle of Sydney's Kings Cross to the remote outback.

A colorful account of Nigeria's brilliantly painted buses with their biblical names, edited to the beat of Nigerian rock and roll.

Sydney's population had just reached three million, and while its skyline was not as tall as it is today, it was already on its way to become a modern city. The film visits all of Sydney's most iconic locations, from its beautiful harbour to Circular Quay, Martin Place, Kings Cross and Bondi beach.

Pemberton Forest, a karri forest in the southwest region of Western Australia, is the site of a youth camp for school children. In this film, forest officers explain various aspects of forestry and associated industries to the children.

Part 1 of the History of Australian Cinema series. Australian cinema from the very beginning, from the newsreels, ethnographic and actuality films, to the controversy of "The Story of the Kelly Gang" and the success of "The Sentimental Bloke".

A picture of life in the South Australian capital of Adelaide in the mid 1960s, social, commercial and recreational.

Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the Western Australian regional town of Geraldton in the mid 1960s.

A series of Resnais-like tracking shots are interspersed with candid interviews with “freshers” by Maudson and co-writer Robin Laurie.

Thoms dedicated three months and a toolkit of pins, razor blades and scalpels to create the rich, abstract surface texture in Bluto. The result, according to the filmmaker, ‘was something like thunder and rain, interspersed with burps, belches and farts, which added an urgency that seemed to express the anxieties of the time’.

Shot with a big cowboy nod to the Western genre, this road safety film shows the danger of speeding on an unknown country road at night.

Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the South Australian regional town of Mount Gambier in the mid 1960s.

A road safety lesson using puppets and animation kindergarten age children.

This experimental documentary about two young Paddington dress-makers was banned for nudity, but was screened widely in Australia without complaint.

Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the New South Wales regional town of Wagga Wagga in the mid 1960s.

An avant-garde audiovisual essay riffing on the work of Marshall McLuhan.

The way of life for people living along the tropic of Capricorn in Queensland 1965. Farming and mining are the main industries in this area of Australia and the only way to get around is by road train, train or plane. The hard way of life for these people is portrayed in this film.

This film makes a general survey of the Northern Territory of Australia and indicates its potential in regard to many already established industries. These include agriculture, mining, fisheries, cattle raising, pearling and the like. The Territory is still a land of many challenging problems; its greatest limiting factor being the lack of water. In recent years transportation has been improved and education approached with vision and imagination. Housing is also being developed. Two thirds of the Territory’s work force is in Government employ.

A picture of life in the West Australian capital of Perth in the mid 1960s. The social, business, sporting and other activities of an average Australian family in Perth are told through the eyes of the local newspapers.

A small city in the tropical north of Queensland, Cairns boasts a life that is leisurely and comfortable. The tempo quickens, however, at cane-cutting time when the sugar is harvested, and in winter when tourists come north to escape the cold. The Life In Australia series portrays Australian cities and rural centres as happy, lively places where good homes, abundant jobs, schools, hospitals and amenities provide the foundation for a relaxed lifestyle where sport, shopping, religion and even art combine to create a homogenous and prosperous society.

Set on the Upper Sepik River in New Guinea, this film records the day-to-day experiences of Kiap (one-man representative of the Australian government in regional areas) Barry Downes as he patrols an area that in 1963 had only recently been brought under control from headhunters. As well as being a record of the role of the colonial administration, Along the Sepik offers insights into some tribal communities' cultures through depictions of their spirit houses and traditional 'sing sing' ceremonies. Downes investigates a murder, and the culprit is caught and tried by a magistrate in a jungle courthouse under the Australian flag, on the edge of the Sepik River. Australian patrol officers and their men operated under rugged conditions to bring western law and order to this remote area. The film also portrays some of the impact the colonial government had on regional, traditional communities.

Surf documentary

Life in Australia: Hobart shows scenes illustrating daily life, industry, recreation and the tourist features of Hobart, Tasmania.

Shot around the 1968 Arts Vietnam protest—where artists gathered to oppose Australia’s role in the war—this experimental collage film splices festival footage with news imagery, photographs, commercials, and televised material to expose how Vietnam was “experienced” through media and to implicate the viewer in that mediation.

Summary of 1954 in Australia, including the Queen's visit, the Petrov Affair and the Empire Games.

A study of Sydney's traffic.

In the Brisbane Creative Leisure Centre, conducted by the Cantrills, children are shown reproductions of stained glass windows and then make large transparent pictures with black paper, coloured cellophane, and other materials such as discarded x-ray pictures and textured fabric, with a minimum of instruction. These are taken indoors and fastened to window panes.

This film looks at Nauru in 1962 when it had the highest per-capita income in the world but when the depletion of the country's phosphate resources was already on the horizon meaning the only industry they had, and the only source of foreign investment, was coming to an end. Having become accustomed to the ways of the modern, industrialized world but with no way of supporting themselves how will the Nauruans maintain their lifestyle?

A documentary about the making of the film "They're a Weird Mob", a movie about an Italian adjusting to life in Australia.

A picture of life in the Tasmanian town of Launceston in the mid 1960s.

This film shows events in the biennial Festival of Arts and the annual Flower Day of 1968. Adelaide celebrated Flower Day annually from 1938 to 1975 and it made a return in 2021. The footage includes a ‘welcome said with flowers’ to performers Marlene Dietrich, Marcella Reale, Morag Beaton, Lucero Tena, and the Elizabethan Theatre Trust Orchestra. There is also a look inside the Art Gallery’s display for the 5th Adelaide Festival of Arts. This is quite possibly the moment the phrase “Mad March” was coined!

Above the tip of Cape York, beyond the northernmost point of the Australian continent, are the Torres Strait Islands. The economy here is based on home gardens and pearlshell fishing. The culture, with its basis in music, dancing and ceremony, provides a striking contrast to that of mainland Australia. This film, shot in the late 1960s, shows how strongly old traditions still affect Torres Strait Islander people, even though they also have most of the trappings of modern life.

An ethnographic documentary directed by Roger Sandall, recording the construction of a bark canoe by two Aboriginal men, Djurkuwidi and Wangamaru, on the north coast of Arnhem Land. Filmed in the coastal swamps of Buckingham Bay near the end of the wet season, the film follows the process from the selection and stripping of a stringybark gum tree through to the completed canoe in use for hunting magpie geese and collecting eggs. Sandall’s narration explains the techniques involved and notes changes from earlier practices.

Two Aboriginal families live like their ancestors have for centuries in this anthropological documentary. The gathering of food is the main focus as women harvest grass seeds to make a primitive flour for bread. Grubs, lizards, and fruit are also on the menu, with the only contact with the modern world being their trek to a government compound for much-needed drinking water.