Australian stuntman Grant Page travels to Hong Kong to find Bruce Lee's successor and looks at the cultural phenomenon that Asian martial arts has become in the West. He talks to actors such as Angela Mao, Stuart Whitman and George Lazenby - who were all making movies in Hong Kong at the time - and fights Carter Wong twice.

Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.

This Australian educational documentary concerns venereal disease in the pre-AIDS era and reveals that it is a problem that should be taken seriously by everyone — whether young or old, gay or straight. Factual segments are interspersed with humorous skits depicting how people of varying degrees of innocence can contract awful but treatable diseases.

A fragmented film, largely following street performer George Shevtsov at the 1970 Vietnam Moratorium, the Odyssey Pop Festival at Wallacia in 1971, and street theatre sneezing for lunchtime crowds. The film then takes a darker turn, contrasting audio from a court case with footage of police.

The Stuntmen is a one-hour documentary for Australian TV written and directed by Brian Trenchard-Smith. It was through this movie that Trenchard-Smith met Grant Page, who he put under a five-year contract and featured in a number of movies. The film also acted as a "calling card" which enabled the director to get finance for The Man from Hong Kong (1975).

A short observational account of one Saturday night in the mundane life of Stuart. He gets drunk, goes out to clubs,, searches for love and falls asleep unfulfilled on the floor of the club.

Australian-made film with Steven Spielberg, Stan Deyo, Stanton Friedman, Dr. Alan Hynek, Jacques Vallee, Ken Arnold, Betty Hill and Ray Palmer (publisher of the Shaver Mystery). This rare TV documentary gave birth to The Cosmic Conspiracy and contains clips of the first episode of Star Wars and Jaws.

Wings perform live in this 1975 concert taped at the iconic Sidney Myer Music Bowl in Melbourne, Australia.

A 1979 documentary on Java and Bali, written and directed by Phillip Noyce. The end credits say this film was produced for QANTAS Airways, which suggests it was used as some sort of promotional piece for travel to these particular locations.

A single frame camera exploration of the home, inside and out, including its inhabitants and pets.

Flames in a fireplace and smoke in the bush outside evoke memories in us all. Noyce intended the film to be screened with a "smell track" of burning eucalyptus leaves.

"An exploration of a specific area of space and time. The space: 360 degrees of action at a traffic intersection, and the time: the period of waiting before the lights change - the illusion that time is running slower than normally." - Cantrill's Film Notes 1971.

A shy young man is hired by an ad agency to conduct a survey on sex in Australia. The somewhat clueless young man investigates homosexuality, transvestites, prostitution, and strip clubs along with every other variant on the "norm". While doing his interviews he meets celebrities, self proclaimed sex experts, prostitutes, female impersonators, pop stars, actors, and legislators as well as self appointed morals guardians.

Footage of this film was found in his belongings of director Mark Zenner after his death. A classic slice of Australian punk, both literally and figuratively, as razor sharp editing and collage techniques enliven the documentary on several punk bands.

SUNSHINE CITY is Albie Thom’s sprawling, protoplasmic experimental portrait of his hometown of Sydney. The National Film and Sound Archive of Australia call it “a structured diary film which investigates the process of living in Sydney, which uses a repeating light modulation to intensify experiences of light, heat, colour”.

Green Valley was a housing commission estate in western Sydney, much maligned by the media of the day. The residents were hurt by the criticism but lacked access to the media to respond. Supplied with equipment by Film Australia, they used this film to present a different image of themselves and their daily lives. In so doing, they answered the question of "Whatever happened to Green Valley?" The core of this film is the work of half a dozen residents, co-ordinated by acclaimed filmmaker Peter Weir in one of his earliest film projects. Weir also acts as the moderator at a public forum that is included in the film.

A documentary exploring the fascinating subject of the film, its production history and success. The documentary, which was produced by Patricia Lovell, features interviews with different cast and crew members.

In the early ‘70s, founding member of Australian surf magazine Tracks, Albert Falzon, began filming off the North Coast of New South Wales, Hawaii, and Indonesia. He set out to make a film “that was a reflection of the spirit of surfing at the time” and the end result, Morning of the Earth, proved its worth as a vital document of surf culture and a powerful nature film.

A light-hearted, but pointed examination of Australia's most eccentric soap-box orator John Webster. Webster draws the large crowds to the Sydney Domain (Australia) and to Hyde Park, London (Great Britain), where he speaks during his annual trip to the continent. He is so outrageous that even the Police laugh.

A short documentary film by Peter Weir featuring the music of Wendy Saddington and Teardrop, the Indelible Murtceps and The Captain Matchbox Whoopee Band.

"The beautiful pulsating winter sun discovered by a single frame camera." - Filmmakers Co-operatives Catalogue of Independent Film.

A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.

The story of the genocide of the Tasmanian aborigine population by British settlers. Specifically Truganini, the last living full-blood aborigine.

This short film documents Australian composer Richard Meale’s homage to the young French poet, Arthur Rimbaud. Meale composed a music piece for woodwind, percussion and strings which he titled “Incredible Floridas”.

A short documentary on the work and craft of ceramist and teacher Peter Rushforth. The film presents his countless works and the skills used in his pottery creations and also dwells about the importance and the tradition involved with his creative works.

The film is a unique dual-screen documentary of the Aquarius Arts Festival of 1971, an 8-day "happening" at the Australian National University, which featured arts, music and dance, capturing the vibe of flower-powered chaos through the organizers, the participants and the protests.

In 1973, fresh from his performance in Walkabout, a film that brought outback landscapes to urban audiences, Gulpilil returned the favour by paying a visit to Melbourne with camera in hand, shooting a wry fly-on-the-wall documentary that compares the sights and sounds of the city to those of his home in Arnhem Land.

Australian surfing documentary directed by Bruce Dowse

Children growing up in poverty is the subject of Smashing Kids, 1975. John Pilger meets the Hopwoods, of Liverpool, where hunger has become a way of life during father Harry’s unemployment as his family of five survive on £1 a day. The wallpaper in their council house is torn and there are no clothes in the couple’s wardrobe and no sheets on their bed. The family have never had a holiday and Harry tells Pilger: “It would be easier to serve time than to put up with this.”

Generally regarded as Australia's finest railway film and winner of many awards the world over, A Steam Train Passes is a nostalgic, imaginative essay on one of the majestic C38 class steam locomotives, 3801. The locomotive has recently returned to service and is currently operating out of the NSW Rail Museum at Thirlmere, south of Sydney.

An exotic world of eroticism, witchcraft, masochism and strange secret places.

Short documentary on the shunters in the Darling Island, Sydney, Australia railyard. Filmed in 1977.

Lalai Dreamtime takes the viewer into pre-settled Australia to show a myth from the spiritual tradition of the people. It is the story of Namarali, as presented by Sam Woolagoodja to his son Stanley and his granddaughter Kerry. Namarali is the law-giving 'Wandjina' of the Worora people who, along with him, have many other such Wandjinas. The 'Wandjinas' are ancient creators whose presence is real in the painted imprints of cave walls and in the shape of specific land formations. The film shows the importance of the Dreamtime in the Aboriginal culture.

This is the story of John Andrews, world-famous Australian architect. In the mid-1960s, when only 29, Andrews was commissioned to design Scarborough College at Toronto University. One of the world’s first ‘megastructures’, it was an important experiment in urban and educational planning. Andrews also designed the Canadian National Tower in Toronto, which was the tallest freestanding structure in the world at the time it was built.

In the first of a trilogy of documentaries made in the United States, John Pilger reveals American Secretary of State Henry Kissinger’s policy of refusing aid to countries that do not support his government in the United Nations and the existence of a “Zap Office” – officially, the Office of Multilateral Diplomacy – specially set up in the State Department to monitor voting patterns.

In 1972 - post Woodstock but years before The Big Day Out, Sunbury was an event not to be missed. This film serves as a reminder of that first festival in 1972, and captures the spirit of Sunbury's ethos - "to have a good time". So join your host Molly Meldrum - dressed in the style of the times - and sit back, relax, crank up the volume, and stroll down memory lane to Sunbury.

A loose biography of surfer and documentarist George Greenough, one of the most famous and unique members of the surfing subculture.

After 96 years under British rule, in 1970 Fijian independence was restored. In the centre of celebratory events was HRH the Prince of Wales. This film provides a record of the official ceremony on 10 October that saw the handover of the constitutional instruments. It includes the reading of a message from Her Majesty the Queen by the Prince of Wales and the official speech by the Prime Minister Ratu Sir Kamises Mara in which he talks about the determination to build a strong, united Fiji, rich in its diversity. The film also depicts ceremonies and performances from the various cultural groups that comprise the people of Fiji. Finally, we follow Prince Charles to the places he tours which include the old capital, Levuka, as well as Taveuni, Savusavu, Nadi, Tavua, Labasa and Lautoka.

John Pilger’s first documentary on the aftermath of the Vietnam War, To Know Us Is to Love Us, features a caring, humane American community in Fort Smith, Arkansas, welcoming South Vietnamese refugees just months after the United States’s defeat and humiliation in south-east Asia – while their own dead of the war lie in the town’s graveyard.

The Legend of Lasseter is a 1979 Australian documentary about Lasseter's Reef. Lasseter's Reef refers to the purported discovery, announced by Harold Bell Lasseter in 1929 and 1930, of a fabulously rich gold deposit in a remote and desolate corner of central Australia.

Madison Avenue, the centre of the American advertising industry, is the subject of the last of John Pilger’s three 1976 documentaries made in the United States. At a time of recession and nine million unemployed, $26 billion a year is still being spent on advertising.

This playful mix of documentary and fiction provides a vibrant record of the Second University Arts Festival held at the University of Melbourne in May 1969, while also providing a fascinating time capsule of late 1960s Bohemian Carlton.

An examination of the prophecies and predictions of the 16th-century mystic Michel Nostradamus.

A contrast between two kinds of attitudes to gay liberation in Adelaide.

American defence policy under Gerald Ford, successor to a disgraced president, is the subject of Mr Nixon’s Secret Legacy. John Pilger says that military thinkers in Washington are for the first time “thinking the unthinkable” and Strategic Arms Limitation Talks with the Soviet Union announced by Ford and Henry Kissinger are “no more than a sham”. Before resigning over Watergate, President Richard Nixon had given Pentagon generals a flexible strategy that would blur the distinction between conventional and nuclear warfare.

Annihilation of the Aborigines of Tasmania.

"The infamous Finks bikie gang caught off-guard as they shoot their latest 8mm movie epic: the story of a bikie and hillbilly showdown. " - Filmmakers Co-operatives Catalogue of Independent Film 1975/6

George Greenough chronicles ground zero of the shortboard revolution, as it evolved in 1968. Experience remote Australia and hidden California, as ridden by Bob McTavish, Ted Spencer, Baddy Treloar, Chris Brock, Gary Keys, Russell Hughes and a brigade of the underground's best. Check out Norther NSW in the golden era of the late 1960s, with empty perfection at Lennox Head.

The second of John Pilger’s three 1976 documentaries made in the United States. In Pyramid Lake Is Dying, he reports on the demise in the culture of native Americans and the stealing of their resources. Pyramid Lake, in Nevada, home to the Paiute peoples and once described as “one of the few remaining unspoiled natural wonders in the American West”, is drying up and its fisheries and wildlife disappearing due to changes to the local ecology made by white settlers. In addition to their natural resources, the Paiute peoples' culture and lifestyle are also under threat.

At the request of a dying Tiwi man and his family on Melville Island, this film was made of the pukumani (bereavement) ceremony to follow his death. The film observes the family through the long period of preparation for the ceremony, following age-old traditions. Dancing and face-painting are rehearsed, to the family’s satisfaction, and because “things should be right for this film”. For the two days of ceremony, the community moves to Carslake Beach where a smoking ritual is held to protect the participants from spirits. The cemetery poles are erected, traditional dances are performed along with personal dances by family members. Facial and body decoration is elaborate and spectacular. After saying a final farewell to the old man, the community and the family leave the Beach and return to the village where routine life resumes.

John Pilger documentary from 1974.

Part 2 of the History of Australian Cinema series. Covering the 1920s and 30s. From an origin that promised so much, the Australian film production industry faced new challenges from abroad which ultimately proved to be more than they could cope with. Unfortunately very few films from then now survive.

Avalanche is a film on the Moment of Birth. Although birth has been treated many ways on film it is imagined here from the point of view of the baby being born.

Alabama governor George Wallace made his name as a segregationist remembered for standing “in the schoolhouse door” of the University of Alabama in 1963 in an attempt to stop the enrolment of black students. John Pilger subsequently interviewed Wallace on the campaign trail during two general elections.During the second, in 1972, Wallace was shot in an assassination attempt, leaving him paralysed and in a wheelchair. In The Most Powerful Politician in America, made in 1974, Pilger looks at the likelihood that a reinvented Wallace will run for the White House two years later, manipulating contemporary American passions and exploiting his influence in the powerful “Dixie” states controlled by the Democratic Party.

Shortly after his 1977 Daily Mirror reports on dissidents in the Soviet Union, John Pilger entered Czechoslovakia undercover to film A Faraway Country… a people of whom we know nothing, a title taking the words that British Prime Minister Neville Chamberlain used to describe Czechoslovakia dismissively in 1938 when it was invaded by the Nazis.

In the line-up of great Australian realist films of the '70s, this short student film, nominally a documentary, is the most in-your-face and "gritty" realist film you will see. It's powerful and unforgettable. "It's a ground-breaker, venturing into the dark, slovenly lives of a couple of outsiders", said Nigel Buesst.

One of Curtis Levy’s finest documentaries, Sons of Namatjira, follows Keith and his wife, Isabel, and other relatives, in their interactions with the wider world including art galleries in town and bus-loads of middle-aged tourists from the big cities. The film highlights communication difficulties between black and white, and in Levy’s terms, becomes “a parable of black-white relations in Australia”.

This short documentary produced by Australia’s national science agency CSIRO in 1979 traces the introduction of the European rabbit to Australia and subsequent attempts to control its population.