417 Matches Found

Der Röhm-Putsch

The documentary play reconstructs the backstory of the so-called “Röhm Putsch”, during which a few hundred people got killed, depicts the intrigues between the Reichswehr (German army) and the SA, and draws an image of the character of Röhm who, prior to Hitler’s accession to power, was his friend but later got pushed more and more into the background and eventually was disposed of. Röhm, captain during the 1st World War, organisational talent, daredevil, and one of the ‘discoverers’ of the corporal Hitler, was the central figure in the secret power struggles in the just established Hitler state. He demanded a ’second revolution’ and wanted to unite the million-man army of the SA and the Reichswehr under his leadership…

Der Röhm-Putsch

0.0 1967
Ski-Faszination

With his first film "Skifascination", Willy Bogner junior composed something unprecedented: a ski symphony of ski races, sketches and ski ballet. The world had never seen such an aesthetic combination of choreographed ski turns, brightly colored ski suits and emotional music in 1966! Shot in Ultrascope in the mountains around St. Moritz, the idea, script, production and camera shots were all the work of Willy Bogner. The spectacular images opened up completely new perspectives on skiing, which at the time was primarily seen as a high-speed sport. Willy added a romantic touch to skiing by combining it with beauty, harmony and fun. He didn't even need a continuous plot - snow, mountains and dancing on two boards were all he needed as the main characters!

Ski-Faszination

0.0 1966
Was tun?

The film consists of four parts: Part 1 shows the founding of a new working group of the "Critical University" at the FU Berlin. Participants are students, workers, pupils, assistants and a university lecturer. The working group is founded to study the problems of educational advertising. Part 2 shows the campaign "Expropriate Springer"; the university administration of the FU Berlin refuses the rooms. The Springer Hearing takes place after all. Part 3 describes the Vietnam Congress, shows Dutschke's speech and a first approach to a counter-demonstration against the students. Part 4 answers Wolfgang Lefevre's questions about the next goals of the SDS.

Was tun?

0.0 1968
Dreamland of Desire

Essentially an extensive travelogue through Greece and its islands, this 103-minute documentary was written, directed, and shot over a two-year period by Wolfgang Mueller-Sehn. Aside from a tour of the scenic and historical wonders of the country, Mueller-Sehn spends a lot of time in Athens examining its famous attractions like the Acropolis. Perhaps over-long at its current running time, this docu introduction to Greece would certainly be ideal for anyone planning a first visit to the country.

Dreamland of Desire

0.0 1961
Harlem Theater

HARLEM, USA: in the aftermath of Martin Luther King’s murder, German filmmaker Klaus Wildenhahn turned his 16mm camera on the New Lafayette Theatre as its players rehearsed scenes, ran public workshops and conducted exercises in uptown Manhattan. New Lafayette (or NLT) had been founded by actor-director Robert Macbeth the previous year, with the aim of producing theater for black people, by black people, to reflect the experiences and vernacular of the Harlem community. Within the Black Arts Movement, NLT would become a significant institution: it published the journal Black Theatre, and employed a host of talents – including the Black Panthers’ Minister of Culture, Ed Bullins, and the great pianist Junior Mance, both of whom appear in Wildenhahn’s film as resident collaborators.

Harlem Theater

0.0 1969
Two Paths

This short piece for the television station Sender Freies Berlin (SFB) is highly relevant to Farocki's later work. Zwei Wege is a cheeky description of a picture; Farocki shows us an image, a religious allegory showing the 'right' and the 'wrong' path for a Christian. The one path leads to heaven, the other to hell. Farocki uses the camera in effect to dissect the picture; he shows close-ups of the paintings various motifs, which he underscores with rhymes. This method of breaking down an image with the camera reminds us of similar sequences in his essay films, namely Wie man sieht and Bilder der Welt und Inschrift des Krieges.

Two Paths

0.0 1966
3 American LPs

Another short was 3 American LPs, which was the first film I did with Peter Handke. It was a film about American music, about three pieces of three LPs. There was a song by Van Morrison, another by Harvey Mandel, and one of Credence Clearwater Revival. It was mainly the music and some shots out of a car, landscapes out of the car window. And it had a little bit of commentary – dialogue between Peter and me about American music and about how American rock music was about emotion and images instead of sounds. That is to say, about a kind of phenomenon, that it was in a way a kind of film music, but without a moving picture. It was a 12-minute film and it was never shown. – Wim Wenders

3 American LPs

3.5 1969
Petrol - Carburant - Kraftstoff

An audiovisual experiment that shows how oil is refined into gasoline and ultimately powers cars and other vehicles, accompanied by classical music and experimental synthesizer sounds. Filmed in the Libyan desert, the film traces the path and development of the gasoline, from the extraction of oil as it is drilled in the Libyan desert to the pump at the gas station, making road construction machines dance and convertibles roar through the Spessart forests. This film also drew Herbert von Karajan and Leo Kirch's attention to Hugo Niebeling, in which the director has road bulldozers "dance" to the music of Vivaldi.

Petrol - Carburant - Kraftstoff

0.0 1965
A European Rope

Three famous climbers, the Frenchman Pierre Mazeaud, the German Winfried Ender and the Italian Roberto Sorgato, meet up at the bottom of the Tre Cime di Lavaredo and decide to join together in a single roped party, climbing the 'Direttissima' on the north face of the Cima Grande di Lavaredo. The beautiful film illustrates with precise sequences the climb of the route, that was opened in 1958 by the filmmaker himself, Lother Brandler. The film wants to highlight the idea of frienship, cooperation, fraternity and peace showing three men from historically-confronted nationalities roped and working together as a single team. The film won the Grand Prix at the Trento Film Festival in 1964.

A European Rope

10.0 1964
Chicorée

The poet Urban Gwerder and his artist friends used to produce multimedia shows called Poëtenz (Poetence). Soon, FMM’s portrait film Chicorée became the focus and principal activity of these soirées. This ironic, poetic picture of Gwerder’s family life in black-and-white, with colour sequences that conjure up the poet’s flights into a dream world, culminates in an outdoors action-writing sequence and a leap into the clouds. Gwerder dreams he is Salvador Dalì, Alfred Jarry, the Beatles and Frank Zappa. He makes fun of conventional forms of protest, and FMM faithfully catches every inspiration and crazy notion: a kitchen appliance becomes a larger-than-life monster, the head of the neighbour, a socialist bookseller, turns red – hand-coloured on the negative –, the family eats spaghetti and dreams of suckling pig; the young son looks for his fairy-tale parents in a labyrinth of mirrors… Chicorée is a silent film with live music played by Celly Pastorini as the film was projected.

Chicorée

0.0 1966