Paris is a monstrously inhuman cityscape, in which cars, buses, crowds, and unceasing noise combine to smother any decent and delicate human activity. People and flowers attempt to survive in a city that seems ready to explode from an over-heated mixture of traffic and noise.

A keen chronicle of the unlikely rise to power of Adolf Hitler (1889-1945) and a dissection of the Third Reich (1933-1945), but also an analysis of mass psychology and how the desperate crowd can be deceived and shepherded to the slaughterhouse.

A study of the psychology of a champion ski-flyer, whose full-time occupation is carpentry.

Made for German TV documentary about the early craze of Hong Kong Martial Arts Cinema. While critical on the subject and not too well informed, it nevertheless offers some interesting insights into the Hong Kong film industry of that days.

Werner Herzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leave.

A report style film that focuses on salacious episodes of housewives engaging in infidelity.

Nine fictitious documentaries and films reflect the mood of late 1970s Germany, particularly the two-month period in 1977 when a businessman was kidnapped by the RAF (Red Army Faction). The kidnap had been made to orchestrate the release of the original leaders of the RAF, aka the Baader-Meinhof.

Documentary based on the book by Erich von Däniken concerning the ancient mysteries of the world, such as the pyramids of Egypt and Mexico, ancient cave drawings, the monuments of Easter Island, etc., and the fact that these things and modern civilisation could have been influenced by extraterrestrial visitations hundreds (or perhaps thousands) of years ago.

Mondo-style shockumentary about various aspects of the occult and paranormal. An investigation into the fringes of psychic spirituality with so-called experts, it includes demonic possession, exorcism, seances, Voodoo ceremonies, hypnotism, ESP, psychic surgery, and more. A warning bell alerts squeamish viewers to avert their eyes from the more graphic scenes.

A documentary about French film director Agnès Varda on the set of her 1977 film ONE SINGS, THE OTHER DOESN'T. It includes interviews with Varda and the lead actors in the film.

Shot under extreme conditions and inspired by Mayan creation theory, the film contemplates the illusion of reality and the possibility of capturing for the camera something which is not there. It is about the mirages of nature—and the nature of mirage.

Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie’s “Heroes” and concludes with “Rock ’n’ Roll Suicide.” The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s.

"The Great Magician" - Max Reinhardt (1873-1943) was an Austrian theater and film director, director, theater producer and theater founder. With his Jedermann production on August 22, 1920, he founded the Salzburg Festival.

William Shatner explores the theory that the U.S. government is involved in a cover-up of visiting alien spacecraft. Based on a book by Erich von Däniken, this documentary contains evidence of extraterrestrial life here on earth. Proof discovered through photographs taken by scientists and evidence of actual voyages found by archaeologists.

Documentary of a 1970 rock concert held in Rotterdam, The Netherlands.

This is a continuation of the sex education films by Oswald Kolle. The entire Kolle family appears nude and openly discusses sex among the parents, two daughters and one son. The father recommends masturbation for children unless the act would be traumatic for the participant. Some mention of the Oedipal complex is discussed, but no details are given because individual situations may vary.

About the making of "Der amerikanische Soldat/The American Soldier" in 1970.

Behind the scenes footage of Sesame Street and The Muppet Workshop.

Through examining Fini Straubinger, an old woman who has been deaf and blind since her teens, and her work on behalf of other deaf-blind people, this film shows how the deaf-blind struggle to understand and accept a world from which they are almost wholly isolated.

Werner Herzog discusses the making of "Nosferatu" on set.

The movie depicts the events from July until September of 1914 which led to the defeat of the German troops at the Marne. While Sebastian Haffner explains and comments on operations and decisions on the basis of situation maps, key scenes are depicted by actors. A main focus is thereby placed by Haffner onto the controversial mission of lieutenant-colonel Richard Hentsch who is said to have, during a war patrol to the various army high commands, contributed to the abortion of the operations significantly.

A documentary by Werner Herzog exploring the different treatment accorded to the disabled in Germany and the USA.

This film is a kind of anthology about Vienna, from the invention of film to the present day. The aim is to break down the usual clichéd "image of Vienna" such as that found in the traditional "Vienna Film" by juxtaposing documentary footage, newly shot material and subjective sequences created by various artists. Individual, self-contained sections of the film gain new meaning within the context of historical material. Familiar sites appear estranged when edited together with historical scenes. Other scenes appear like a persiflage or satirical. The film does not incorporate any commentary whatsoever. It is a collage of diverse materials aimed at conveying a distanced image of Vienna to the viewer

Interview film with German director Werner Herzog revisiting the films he made up to ca. 1977.

Documentary on the Kentucky Derby.

The production of a film requires recording equipment and financial resources, if nothing else. Hellmuth Costard places these basic prerequisites at the centre of his film: using a Super 8 camera system he developed, he films himself as he tries to raise funding for his film project. This creates an unconventional experimental setup, which reveals how the economics, politics, technology, and aesthetics of filmmaking relate to each other – with the ‘great’ Godard being called up as a kind of chief witness.

The Flying Doctors of East Africa (German: Die Fliegenden Ärzte von Ostafrika) is a 1969 documentary film by Werner Herzog about the "flying doctors" service of the African Medical and Research Foundation in Tanzania, Kenya, and Nairobi.

Mondo-type shockumentary claiming to be an explicit manifesto of sex in Germany today.

An educational film about an aspect of political economy. The concepts of use value, barter value and labor as a commodity are the subjects; they are intended to introduce the process of understanding the theory of value of work and the law of values, alienation and fetish.

A documentary short examining the language and performance of auctioneering, filmed at the World Livestock Auctioneer Championship in Pennsylvania.

Film adaptation of Werner Keller's bestselling non-fiction book, which attempts to show in a "less spectacular way than the original" that archaeological finds and findings do not contradict biblical statements.

A documentary about the village Kienitz at the river Oder, about the people, their life, their history.

Portrait of 80 year old Gustav J., born in Lithuania, who became a blacksmith and whose paths of life led him to East Prussia, Russia and finally to Germany.

Jonas Mekas weaves an elegiac diary film from his 1971–72 return to Lithuania, chronicling a visit to his birthplace of Semeniškiai after decades in exile. Blending personal memory with documentary observation, the film becomes both a portrait of homecoming and a meditation on displacement, family, and the passage of time.

A documentary about Fassbinder and the early years of the legendary Antiteater, the group he was a member/leader of. You can here see and hear some of the actors he was going to use in his movies for the next years. The movie shows rehearsals for his play "The Coffeehouse," which also became a television movie, and you can watch unique footage from the 19th Film Festival in Berlin (1969) where "Love is Colder Than Death" was shown. As told in this documentary, his first feature movie was given a cold shoulder by many of the journalists and visitors at the festival. You can in "End of the Commune" watch Fassbinder and actor Ulli Lommel walk out on stage after the opening of "Love is Colder Than Death,” while a man in the audience is shouting "Out with the director!” In this documentary, Fassbinder also talks a lot about his father, who was a respectable doctor.

It follows Chilean writer Antonio Skármeta as he celebrates the end of the autocrats. Cheerful farewell rituals accompany others facing political persecution on their way to fly home.

Documentary featuring the last filmed interview with director Howard Hawks

Mondo Cane and the Schoolgirl Report series stand as obvious influences on this occasionally amusing but generally rather tedious exploitation film that alternates between documentary, fake documentary and docudrama. The theme is Satanism and the linking thread is a recreation of what is supposedly the real-life case of a murder and attempted murder of two Munich teenage men by a quartet of girls who had been dabbling in devil worship. During the ensuing trial, the lawyer resorts to dilatory tactics while the hearing is frequently interrupted by the girls breaking into incantation, temper tantrums or shivery fits ostensibly bearing on demonic possession. When the subject of the Manson killings is brought up, the most obnoxious of the defendants breaks in indignantly, claiming that Sharon Tate’s “execution” was justified as she posed dangers to the Satanic community.

Educational film about variants of sexuality.

Four documentary scenes with subtitles document the year 1917 as the beginning of a new era. In addition to the military situation and the supply situation in Germany, the intervention of the USA and the events in Russia are shown in particular.

In buildings where foreign workers lived in Germany, there were strict rules of conduct, defined by the house rules and supervised by the building superintendents. Many rights regarding the freedom of movement, communication and behavior were abused. Interviews with the tenants and with the "orderlies" which point out absurd situations and clashes caused by these restrictions.

The film was shot in an old, decrepit building where dozens of guest-workers' families live. The owner, a local influential politician, has avoided paying for the maintenance of the building under the legal standards by using his connections to proclaim the building a national cultural heritage. However, the rent he has been charging was as if the building were an object that offered standard comfort. The only German tenant takes the crew around and speaks of his battle against the landlord’s manipulation.

Personal diary-style documentary of German Gay rights activist Von Praunheim's sojourn in the US.

H.R. Giger became known all over the world as the designer of the aliens in Ridley Scott's feature film ALIEN. In this documentary about H.R. Giger's work, which was made many years before, the artist's creative process and the interplay between conscious and unconscious influences are the focus. Statements by experts and contemporaries address the question of the artist's position and social responsibility [filmingo].

With the young Friedrich Engel’s letters and drawings from the years between 1838 and 1842, a unique cinematic portrait is created. The viewer thus gets to know the young Engels personally, learning about the significant moments of his development from a bourgeois-liberal upbringing to the theoretical partner of Karl Marx. Later be awarded the Gold Dove at the International Leipzig Documentary and Short Film Week.

German TV film, also shown on Spanish TV in 1976, this is a film all about TD which includes informal interviews and concert/studio footage, most of which seems to have been done exclusively for the film. The interviews are in the German language. The street name in the title refers to where Edgar Froese used to live in Berlin (apparently Klaus Schulze lived on the same street at the time) and is now the site of the TDI offices.

Historian, author, and movie critic Lotte H. Eisner is the subject of this documentary. She recalls her early childhood in Germany and her association with such legendary directors as F.W. Murnau and Fritz Lang. Leaving Germany for Paris in 1933, her anticipation of WW II saw her relocating to the South of France. Eisner gives her considerable and insightful opinions on classic German Expressionist Films, as several of her admirers drop by during the interview conducted by director Sohrab Shadid-Saless.

The allotment gardens on the outskirts of the city of Zurich provide hundreds of unpropertied men and women with a home which they are unable to find in the impersonal rented blocks in which they live. The gardens represent their hobby, their freedom and their living space, which exists side by side with hard work. They cannot however own these "homes" and the film shows the chronicle of the events which took place in 1976 - 77 when construction of the Zurich wholesale market hall destroyed 150 gardens and made many people "homeless". This portrait of a group is complemented by the stories of three individuals.

Documents the 1974 Giro d'Italia, from the Pope's blessing of the riders to the record-tying finish.

A visual record of London punk life in the late '70s, filled with never-before-seen live concert footage and commentary from the Clash, the Jam, X-Ray Spex and the Electric Chairs.

This short film depicts Omega, one of Hungary's most successful rock bands, on tour in the GDR.

Young people living in a children’s home in Mecklenburg talk about their unstable home situations and domestic violence. Many of them have alcoholic parents and some are in danger of going down the same path. They speak openly about the past and their hopes for a better life. The documentary follows the young men and women within the group and in search of personal space. A party to start the summer holidays marks not only the end of the school year – it also means that an entire class will be taking leave of the home forever.