Paris is a monstrously inhuman cityscape, in which cars, buses, crowds, and unceasing noise combine to smother any decent and delicate human activity. People and flowers attempt to survive in a city that seems ready to explode from an over-heated mixture of traffic and noise.

Documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committed suicide to avoid more prison time, made his name by selling forged works of art by painters like Picasso and Matisse. Irving was infamous for writing a fake autobiography of Howard Hughes. Welles moves between documentary and fiction as he examines the fundamental elements of fraud and the people who commit fraud at the expense of others.

The film's subject is a photograph of Jane Fonda visiting Hanoi during the Vietnam War. It asks what the position of the intellectual should be in the class struggle and points out the irony of Jane Fonda's participation in the photo shoot, which was staged.

Ironic portrait of the strong men of the Chilean military dictatorship commanded by General Augusto Pinochet after September 11, 1973. As a counterpoint, the families of the victims and the missing bear witness to a different reality.

Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: "I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!"

This is a documentary on the 70's French porn industry. There are generally two kinds of porn documentaries--those that actually take an insightful look behind the scenes, and those that are just an excuse to show a lot of nudity and XXX porn footage. This is actually somewhere in between. It's generously seasoned with porn footage, but there are also a lot of (fully-clothed) interviews, and they even talk to the owners of porn theaters, some typical porn customers (including some pre-adolescent boys who are walking by the the theater--I wonder what their parents thought of that?), as well as a guy who makes promotional billboards for porn movies although he claims never to have seen one!

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

Chris Marker’s A Grin Without a Cat is an epic political essay tracing the rise and decline of the global left from the 1960s to the 1970s. Through archival footage and commentary, the film examines revolutionary movements in France, Latin America, and beyond, reflecting on the ideals, failures, and fading hopes of a generation.

Guy Debord's analysis of a consumer society.

An evocation, realistic and poetic at the same time, of Proust's work " in which he is locked up as in the room ". Halfway between the audiovisual adaptation and the portrait of the dandy and reclusive writer, all in black and white signed Claude Santelli, evoking the mystery, the intimate, and the fatality of existence.

Inês Etienne Romeu was an opponent to the Brazilian's dictatorship. She was kidnapped, tortured and raped in jail, where she stayed for almost 100 days. She was later sentenced to life imprisonment. She stayed ten years in prison, from 1971 to 1979. Delphine Seyrig directed this film in 1974, when Inês was still in prison, protesting against this imprisonment and in support to Inês.

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

Jeanne Moreau, filmed by Jacques Rozier, meets with Jerry Lewis, Barbet Schroeder and Orson Welles, among others.

A group of friends listen as one man tells them a story about a time when, in a small cafe, he discovered a peephole into the ladies' bathroom and became addicted to looking through it at female genitals. They ask him questions and come to conclusions about sex. This is a filmed, scripted version. Then, the actual person who this happened to relates the same story; this time, however, it is an unscripted documentary, in which the same things occur as in the scripted one.

An intimate cinéma vérité style documentary following french mega star Johnny Hallyday's summer tour.

The Basilica of Monreale, near Palermo in Sicily acts as subject and springboard of Carné's final film; Its hundreds of gorgeous and intricate tiled mosaics vividly depict scenes from the Bible. Kinetic camerawork and dramatic narration of each scene compliment these stunning pieces in order to retell the Holy Book's age-old Story.

Universally accepted as a true icon of the 20th century, Muhammad Ali’s phenomenal achievements spanned sport, politics and religion. One man – photographer William Klein had comprehensive access to the events that shaped Ali’s legend. In 1964, the young gregarious Cassius Clay successfully defeated the seemingly invincible Heavyweight Champion of the World Sonny Liston – the manner of Clay’s victory and his amazing persona made him an instant superstar. Through this incredible period, and Clay’s subsequent rematches with Liston, William Klein enjoyed unrivalled access top Clay’s camp – witnessing at first hand Cassius Clay becoming Muhammad Ali and angering the American people with his allegiance to Islam. Forward to Zaire 1974, and the return of Muhammad Ali to the world stage to face another invincible champion George Foreman. As Ali reclaimed the crown for a second time, Klein was ever present, capturing the full story at close quarter.

Jacques Lemonnier of IBM France, Francois Dalle of L'Oreal and other ultrapowerful French moguls are surprisingly candid -- and cold-blooded -- as they discuss their attitudes about business in this startling 1978 documentary. After sounding off about unions, strikes, hierarchy and management, the subjects realized how callous they sounded and managed to convince the French government to suppress the film.

In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).

A group of educators led by Fernand Deligny are working to create contact with autistic children in a hamlet of the Cevennes.

Filmed between 1973 and 1975, L’Olivier was produced by the Vincennes Cinema Group. This activist collective of teachers and filmmakers, formed on the occasion of this film, attempts to explain the Palestinian problem through interviews. The Olivier was one of the first films to attempt to give substance to what was still largely ignored in the West: the existence of the Palestinian people and their fight to recover their rights. L'Olivier responds to a concern: the already weak support of French public opinion for the Palestinian cause diminished following the Munich operation of 1972. Structured in such a way as to tell the Palestinian story and explain the state of the struggle at the time, the film appeals to global militant solidarity and, in particular, to European political commitments.

In the form of an investigative report, Super Woman offers a dive into the world of transvestites and transsexuals who, in 1975, brightened up certain Parisian cabarets such as the Carrousel, the Etrier, the Alcazar or Chez Michou... The latter introduces us to two of its stars, Duduche and Fifi, who evokes his encounters with Sylvie Vartan, whom he imitates to perfection. Then an investigator goes to the Carrousel and meets Claudie, Laurence, Peggy, Albane, Griselleda, Maryline and Kristel.

This half-hour documentary by Chris Marker explores Aleksandr Medvedkin’s 1930s “Cine-Train,” a mobile film studio equipped with cameras, editing rooms, animation stations, and a laboratory. Traveling across the Soviet countryside, the train’s crew documented agricultural and industrial life—from Ukrainian harvests to southern steelworks—while living and working in cramped shared quarters.

During the summer of 1966 Jonas Mekas spent two months in Cassis, as a guest of Jerome Hill. Mekas visited him briefly again in 1967, with P. Adams Sitney. The footage of this film comes from those two visits. Later, after Jerome died, Mekas visited his Cassis home in 1974. Footage of that visit constitutes the epilogue of the film. Other people appear in the film, all friends of Jerome.

Woody Allen's interview with France Roche.

"This book is a descent into the soul of a child." On November 26th, 1865, Lewis Carroll's 'Alice's Adventures in Wonderland' was published. In this 1973 broadcast, we discover the genesis of this "masterpiece of the absurd" and delve into the depths of a child's soul, thanks to Jean Gattegno's fascinating analysis. As a bonus, Claude Rich reads us an excerpt from Alice's adventures.

Film montage of documents shot between 1895 and 1900 by the operators of the Lumière brothers.

On his ship "Calypso," as well as in a submarine, Jacques Cousteau and his crew sail from South America and travel to Antarctica. They explore islands, reefs, icebergs, fossils, active volcanic craters, and creatures of the ocean never before seen. This voyage took place in 1975, and Captain Cousteau became one of the first explorers ever to dive beneath the waters of the frozen South Pole.

On images of the Tuileries Gardens, Marguerite Duras recalls Césarée, an ancient destroyed city.

Pollet provides an insight into life on the leper colony of Spinalonga, an island off Crete, through the eyes of Raimondakis, who tells the story of his life to the camera after having been excluded from his community to spend years of his life on the island with his fellow sufferers. Themes addressed include love, community, companionship and death and the importance of these values to all people whatever their state of health.

Artur London was arrested in 1951 in a Stalinist purge, imprisoned and tortured for two years and forced to confess in the Slansky Trial, one of the last Stalinist "show trials" in Eastern Europe. The documentary explores some of the reasons for the controversy aroused by Costa-Gavras' The Confession, which had been accused of being anti-communist, and it highlights the political importance of filmmaking which, by its nature, is a fiction intended for the general public.

Louis Malle presents his entertaining snapshot of the comings and goings on one street corner in Paris.

Lefebvre's Le Droit à la Ville as visualised by Jean-Louis Bertucelli

Filmmaker Barbet Schroeder shows the Ugandan dictator meeting his Cabinet, reviewing his troops, explaining his ideology.

Maurice Béjart answers an interview about choreographic creation; it shows ballets and improvisations. The film was screened for the 1970 Directors' Fortnight, at the Cannes Festival.

Claude Lelouch presents in his own vision of Iran. Between tradition and modernity, the movie reveals all the country's vision contrasts, under the very precise and aesthetic eye of Lelouch: veil and miniskirt, caviar and oil, ancestral Islamic art and the Shah of Iran.

A documentary interview with the French actress while on the sets of films in production. Several of the directors for whom she has made films are also interviewed

Writer / director Jacques Demy and actors Catherine Deneuve and Jean Marais are interviewed on the set of 'Le peau d'ane'.

This documentary chronicles an Yves Montand concert for Chilean refugees in France.

Garrel convinced Jean Seberg, in the midst of a long struggle with mental illness, alcohol and drug, to “star” in this silent document of her daily life. Consisting mostly of meditative B&W close-ups of Seberg and her friends, as her torments and inner life flicker across her eerily beautiful face.

A documentary about the Swiss motorcyclist culture in the early 1970s.

A family portrait in which the director profiles his grandmother, Odette Robert. Eustache includes in the film the conditions of its production — he is seated at the table with her, pours her some whiskey, speaks with the camera operator, manipulates the clapboard at the head and tail of the reels, and even takes a phone call. Robert, who was seventy-one, speaks rapidly and tells the story of her life, starting from her early childhood in villages in the Bordeaux region of France. A shorter version of the film ("Odette Robert") was edited in 1980 to be broadcast on television on TF1. The complete film only gained exposure in 2002, when it was salvaged by Boris Eustache, Thierry Lounas, João Bénard da Costa, Jean-Marie Straub, and Pedro Costa.

The two memories

It was a sporting feat, a national feat, but also and above all a technical feat: on October 15, 1978, three French mountaineers, for the first time, reached the summit of Everest: Pierre Mazeaud, Nicolas Jaeger, Jean Afanassieff, accompanied by Kurt Diemberger, Austrian mountaineer and cameraman. A performance broadcast live on the radio thanks to the France inter teams and filmed for television by TF1. Christian Brincourt, a great French reporter, tells us about this expedition and questions the members of the expedition on their motivations. With Pierre Mazeaud (expedition leader), Jean-François Mazeaud (doctor), Claude Deck, Raymond Despiau, Nicolas Jaeger, Walter Cecchinel, Jean Afanassieff, Kurt Diemberger.

Documentary about economic development in Cuba, particularly the effort to boost output of sugar cane. This film is made from a compilation of newsreel footage from the Cuban film institute and from Santiago Alvarez's film Despegue a las 18.00 (Departure 18:00).

The story of a Serer village in the groundnut basin of Senegal. Using the words of their ancestors passed on by oral folklore, the villagers trace the history of their village and their difficulties in working their land and living off their produce. Fad'jal is an extraordinary boundary defying film that interweaves ethnographic footage, intimate observation of everyday village life and fictionalised historical scenes. With it, Faye carefully encourages the viewers to reflect both on African history and storytelling, and on the intersection of fiction and documentary.

A documentary portrait of Dominique Sanda, the fashion model-cum-actress who became an international star and sex symbol with the release of Robert Bresson's "Une Femme Douce" (1969).

During a 9-month trip, the Cousteau team will explore the longest river on the planet: the Nile. It flows north to the Mediterranean, crosses half a continent and over 7000 years of history. On its shores, civilizations have built marvels of architecture. Kingdoms rose and then fell, each person's destiny still intimately linked to that of the river... without anyone having mastered it. The Calypso team studies life around the Nile, which has remained almost unchanged since the time of the pharaohs.

In 1979, under the presidency of the city mayor, the people of Pessac elect a virtuous and gracious maiden from amongst the residents, following a tradition that comes from times immemorial.

Documentary of a 154-person bus and truck tour that set out to spread the gospel of flower power to the hinterlands of the U.S.

In the French countryside it's the day for peasants to kill a big fat pig. The slaughter goes on for a great part of the day as they work to store 140kg worth of meat.

Documentary about filmmaker Shirley Clarke which originally aired on the French television series “Cinéastes de notre temps”.

Made shortly after the death of Brazilian revolutionary Carlos Marighella, this documentary reconstructs his life and political struggle through interviews with friends and comrades. It examines his role in the resistance against Brazil’s military dictatorship and his death in a 1969 police ambush.

North Star: Mark di Suvero is a 1977 documentary film about Mark di Suvero that was produced by François de Menil and Barbara Rose. Born in 1933, di Suvero has become one of the most recognized sculptors of the late 20th and early 21st centuries. From about 1975 to 1977, fairly early in di Suvero's long career, filmmaker de Menil and art historian Rose produced this film, which was characterized at the time as "a tribute to the extraordinary work and life of the innovative American sculptor of monumental but delicate constructions." The film shows di Suvero making and installing several of his very large sculptures, and incorporates informal interviews of di Suvero, his mother, and others involved in his career and life at that time. From 1971 to 1975 di Suvero, an American, lived in a self-imposed exile in France in protest of US involvement in war in Vietnam and Southeast Asia, and the filming spans the end of his exile and his return to New York.

Portrait of the most rebellious of directors, Pier Paolo Pasolini. The artist marked his time by creating provocative and polemical works. The Italian filmmaker reminds us of the importance of maintaining a critical point of view towards the system before evoking his childhood in Italy and his first literary and cinematographic works.

The title and subtitle of this French miniseries are “Six Times Two; Over and under the media”. The “six” refers to the fact that there are six episodes; the “two” has a double meaning.