A documentary that takes audiences on a captivating journey into uncharted territories, pushing the boundaries of filmmaking and advancing the art form. It serves as a captivating window for audiences to appreciate the unique charm and cultural richness of Hong Kong cinema.

A site of rapid redevelopment, the Hung Hom district of Hong Kong is home to the Kwun Yum temple, which attracts droves of devotees seeking financial betterment during the grandiose Treasury Opening Festival. Across the street, however, is a run-down yet lively block running a parallel economy consisting of recycling shops, illegal flea markets and modest restaurants, all on the verge of extinction.

This documentary records the precious memories of Chinese artist Huang Yongyu during the celebration of the Lunar New Year in 2012, showing his life details and personal emotions.

In 2022, while living and working in Hong Kong, Hester started writing daily about her experiences. The previous year, inspired by the weekly online film discussions at "Caochangdi Workstation," She finally took her neglected camera out of the closet and began capturing everything around her. Together, her writing and visual documentation created a tangible memoir of her life in 2022.

Having devoted much of his career to programming and film history research, Law Kar, a.k.a. Uncle Kar, places himself before the camera for the first time. This nostalgic trip down memory lane, as he recounts his personal and cinematic experiences, from film criticism, experimental filmmaking to auditioning for Federico Fellini, cumulates in a brief history of Hong Kong cinema itself. Reflecting on the past 80 years, Law Kar's affectionate documentary sheds light on local movies and Chinese cinema, brooding over the socio-political transformation of our perplexed city, as the restless cinephile ponders the role cinema and art play in times of crisis.

How challenging is the Hong Kong university entrance exam? Is failing it the end of the world? Popular Youtube Channel “Trial & Error” spent 8 months documenting the journey of Hong, an exam candidate that doesn’t give much thought to his future. With the help offer by the team, will Hong be able to make up for the lost time and secure a spot in university?

Overcoming a mid life crisis, an unlikely character inadvertently creates one of the world's hardest ultramarathons. This intrepid adventure becomes a journey into humanity’s indomitable spirit.

Memories of his four-year journey focused on the Hong Kong protests. Narrated in the first person, is rich with reflections and contemplations, most intertwined with feelings of guilt.

A documentary on the daily life of local street performer Lai Yee as he showcases his talents to the charming Swiss town of Vevey.

Still Life (2024) is a self-reflexive documentary and intimate portrait of renowned self-taught painter Yeung Tong Lung (b. 1956, Fujian), best known for his large-scale figurative paintings that capture daily life in Hong Kong’s busy urban landscape. With a cinematic quality, Yeung’s paintings compress multiple perspectives and spaces into one canvas, coaching his audiences in different ways of seeing. The film follows Yeung over a three-year period, including his preparations for his 2021 solo exhibition Daily Practice at Hong Kong’s Blindspot Gallery.

Different groups of people wander in a rainy, windy, dark world. They spend time together, trying to get away from their depressing jobs, meandering constantly towards a disturbing surreal queer fantasy.

Law Wai-cheung is an important figure in promoting disability’s rights in Hong Kong. A life in a wheelchair equipped Law with the perseverance and fighting spirit to not only achieve independent living, but even dedicated himself to helping others in the local disabled community to build a life of their own. Executive produced by Oscar winning documentarian Ruby Yang, this documentary by So Ka-ue incorporates heartwarming animation by Macau animator Wong Weng-chon to chronicle Law’s life in tandem with the local disability’s rights movements from the 60s to the present.

Continuing her career-spanning contemplation of home and reunion, Tsang Tsui-shan (Flowing Stories, 38th) once again turns the camera on her home village of Ho Chung. This time, she documents her village’s Tai Ping Ching Chiu Festival, a once-in-a-decade event that brings villagers back from all over the world to the village. But when the world is hit by a global pandemic, what will happen to this long-awaited reunion? Made amidst great change in Hong Kong and her own life, Tsang’s latest love letter to her home is a melancholic and wistful affair.

A raw and intimate portrait of Vivian Siu, an amateur female racing driver with a burning desire to race the world’s greatest street track, the legendary Macau Grand Prix. Notorious amongst drivers for being the ultimate test of skill and courage, it’s terrifying blind corners and relentless high speed straights, present a unique challenge that has been the making of champions for 70 years. Senna, Schumacher, Hamilton and many other famous names all took on the formidable Guia circuit. Self-funded and with almost zero driving experience, Vivian leapt from junior karting to becoming the first female driver in Formula 4 Chinese Championship within just a few months. But the gulf between reality and her dream became evident on every level and most gave her little chance of success.

An overview of Chiu Fu-sheng, a fundamental producer and promoter for Chinese cinema. He worked between China, Taiwan and Hong Kong producing the best films by authors of the caliber of Hou Hsiao-hsien and went through eras that are reflected in his work: the war in Vietnam, the Chiang Ching-kuo era of Taiwan, the reform and the opening up of mainland China, the dissolution of the Soviet Union, the handover of Hong Kong.

A Hong Kong Newt once resided in a narrow irrigation channel, believing it would be confined there forever. However, an unexpected flood swept it away, carrying it through a dark passage until it arrived in a serene, azure pond. The newt found companionship among its kind and thrived in the aquatic haven. But as it ventured back onto land after the breeding season, it encountered unforeseen threats.

With over seven decades of history, Chi Kee Sawmill has lived through multiple transformations by Hong Kong’s timber industry, including the economic boom in the 1980s and 1990s, as well as its radical shift to processing and recycling used timber. However, when the sawmill faces compulsory eviction by the government for its Northern Metropolis development project, the survival of this successful family-owned business becomes a modern David- versus-Goliath story. The latest documentary by photojournalist- turned-filmmaker Elyse Hon is a wistful look at the unstoppable machine of urban development and an old-school business unable to withstand the flow of time

People wear vivid colours to express political stances in the demonstrations in Hong Kong and Taiwan. This digital video artwork explores how colour, particularly skin tone, is ideologically constructed in media and design. Through sampling, glitches, and critical overlays, the work questions the perceived neutrality of colour standards and highlights how visual systems encode racial and cultural biases. Blending theory with experimental aesthetics, it invites viewers to rethink how identity and power operate through the language of colour.

Performance artist Florence and documentary filmmaker Tze-woon are lovers. They propose to exchange each other’s distressing memories before they met and attempt to re-enact each other’s experience with their own art form. Could they really walk closer towards each other through the process?

Divided into 26 parts, an attempt to remake James Benning's film, YouTube (2011) with similar internet footage after 13 years.

Hong Kong barrister, labour and democratic movement activist and feminist human rights defender Chow Hang Tung was awarded five international prizes in 2023 in recognition of her steadfast spirit and sacrifice in safeguarding democracy and human rights of Hong Kong and China. Since 2021, Chow was repeatedly arrested due to her Hong Kong Alliance leadership as well as June 4th commemorative activities.

Away for years, what is the unit for alienation? The saxophone at the intersection eleven years ago, the Korean music on the street four years ago, the flight broadcasts after the epidemic, the voices of family members, the days and nights when Taipei and Hong Kong were at a standstill, some moments linger.

In the wake of cataclysmic regional change in the artist's homeland of Hong Kong, Simon Liu’s Cinema-Strobo-Scopic film features a laborious sequence of analogue darkroom practices and dense shrouds of video processing techniques which actively work to both conceal and reappraise approaches to personal expression in the face of censorship. Times ahead and behind collide - a new linearity is in need of; the glittering lore of the way things were, generations lost to resolution errors. Sifting through new realities of misinformation, digital consciousness, and cultural disappearance, "Single File" seeks new lexicons of disobedience through formal experimentation.

Law Siufung is a professional bodybuilder, a passionate advocate for queer rights in Hong Kong, and a PhD candidate who has dedicated their life to challenging societal norms and binaries. This documentary follows Siufung's journey as they reflect on their experiences in Hong Kong and embark on a new chapter in the United States, continuing their fight to build a more inclusive and accepting society for all. As a genderfluid individual, poet, and intellectual with a deep interest in Buddhist philosophy, Siufung’s story is one of resilience and defiance. Director Jean-Luc, who has spent 15 years in Asia producing commercials and TV shows for major international clients, uses his expertise to explore the complexities of identity and the ongoing struggle for acceptance in this compelling and deeply personal narrative.