Pan lives two lives. During the day he is the son of a traditional Hong Kong family. But at night he transforms into the unapologetic drag queen Pansze Diva entertaining the underground of the city. Ultimately looking for acceptance by their parents, what does a death in the family change?

Director Ren's grandmother suffered from depression during the Cultural Revolution as her husband was jailed and tortured. Although the Cultural Revolution ended almost half a century ago, the trauma left behind still affects three generations of this family.

Veteran filmmaker Mary Stephen digs into her own family past to uncover the long-hidden origins of her Western surname, revealing a story of culture shock, colonialism, and contested remembrance.

In March 1972, Rebecca Pan self-financed the production of the first ever Mandarin musical, Pai Niang Niang and performed for 60 times at Princess Theatre, Tsim Sha Tsui. This is not only a piece of history of Hong Kong art and culture, but also the most important milestone of Rebecca’s oeuvre. This work used the Broadway musical model to adapt the famous Chinese myth Legend of the White Snake. Bringing together Eastern and Western theatrical styles, the production combined Chinese traditional music, dance, costume and stage design with modern Western concepts. Despite this bold attempt, the resulting work was ahead of its time and was not a commercial success. Also, it was thought to have not been captured on film and faded into obscurity. In April 2023, however, a partial film record of the performance was miraculously discovered. The restored surviving footage has become the finale of this documentary, Pai Niang Niang: The Last Osmanthus Blossom.

For many, home is a refuge and a sanctuary; for stray animals, however, a loving home remains a distant dream. From 2019 to 2023, director Au Cheuk-man followed the non-profit organisation Paws Guardian on their harrowing missions to rescue and rehome stray animals – many of whom were abandoned, abused, or tortured. The result is a heartrending collection of stories on survival and resilience, highlighting the brutal realities faced by stray animals: of the 40 stray dogs featured in this documentary, only four ultimately found new homes.

During 2020, when the pandemic policy loosened, a violinist went back to hometown in mainland China to meet his parents and his friends. A sudden accident happened, everything changed, and a ceremony is no longer a "ceremony".

A cultural worker turned farmer extols the healing power of nature, a sea-diving model tackles marine pollution, a wildlife buff practises ‘wellness photography’, and a real estate agent channels his love of birds into paintings.

Cheung Chau, once a fishing village in Hong Kong, has transformed into a tourist spot. Ri-Tai, a food stall run by A-Cheung, reflects local life, absurdities, and societal realities. A-Cheung spends his days playing games with customers like Plumpy, forming bonds that transcend generations. However, the onset of COVID-19 disrupts this sense of community, leaving the island deserted and questioning whether Ri-Tai's simple way of life will vanish.

Parco writes a plea letter for his younger brother Rico, arrested for his role in the 2019 Hong Kong protests. The process stirs memories of Parco’s own 2014 arrest and their emotional distance. Before Rico’s sentence, the brothers share a rare moment of connection and plan to document prison life. Parco moves abroad before Rico’s release. The family sells their home, preparing to emigrate. On a final trip to Japan, Rico briefly experiences freedom, while Parco is wrongly arrested. As the family prepares to leave Hong Kong, Parco reads his letter one last time, confronting questions of fear, freedom, and identity—as a Hongkonger and a brother.

Nestled between the skyscrapers of Hong Kong, housing some of high finance’s most creative minds, and the gleaming glass and steel boxes of Shenzhen, China’s Silicon Valley where the future is being built, lies a hidden world no less exceptional. In this lost country backwater of mountains and vegetable fields, factories still manufacture soy sauce in century old clay pots; Kenny hand makes concrete spacers that hold up some of the world’s longest suspension bridges. Cha Guo 茶粿 shines light on the lives of the villagers, craftsmen, farmers and business owners who make up this local village’s close-knit community. The people’s philosophy and signature are their resilience and their dedication. They embody “Made in Hong Kong” over generations. Cha Guo 茶粿 celebrates the heroes of Hong Kong and the fabric of what makes it and its people synonymous with warmth and the ubiquitous “can do” attitude.

A film produced in collaboration with Beijing-based collaborator Yuan Yuan which interweaves 16mm film and DV video with textual intertitles and fragments of voice-over narration. Merging aspects of visionary cinema, landscape film and home movie, the film combines footage shot in Manhattan Chinatown, Hong Kong, and Beijing into an intimate reflection on the act of physical and spiritual passage between a series of pressurised and rapidly shifting temporalities governed by different myths of order.

Aisha McAdams, a former competitive runner turned photographer, embarks on a journey to document the triumphs and struggles of famed ultra trailrunners, including Jim Walmsley and Eszter Csillag. Traveling to mythical races—the Western States Endurance Run in the mountains of eastern California, the Ultra-Trail du Mont-Blanc in the French Alps—the film marvels at athletes who maintain their intensity as they run 100 miles of mountain trails while climbing thousands of vertical feet.

When Ariel was in elementary school, she often lied in her mother's arms and listened to her recounting memories about Ariel. In 2024, at the age of 26, Ariel invited her mother to share her experiences about her pregnancy, but she declined. So Ariel interviewed her close friend and her mother instead. If Everyone is just an observer of memories, what is the meaning of retelling them once again? Are children and their mother bonded by blood, by relationship, or by an invisible gap within the streams of memories?

As a bird that briefly perches is a cinematic diary that weaves together the filmmaker’s sentiments about homeland with reference to the geology of Hong Kong; an analogy between human nature and greenhouse gardening; and her reflections on the choice of living abroad as she studies the everyday life of migrant farmers and their adaptation on foreign soil, reinterpreting agricultural processes and the migration of species. The work explores the implications of rooting, re-rooting and growing as the artist contemplates on the evolving dynamics between land and human.

Five years ago, a group of form-six girls from a local all-girls school made a graduation video together. Now, the director picks up her camera again to document the friendships they shared back then. Can they keep the promise they made - to stay best friends forever?

Make a living as delivery riders. Making friends and getting along for several years. What kind of "spring" do each of us discover? From the spring of 2022, the end of the fifth wave of the COVID-19 epidemic, to the winter of 2024, from the perspective of these delivery riders, the work experience, mindset shifts and growth of three of them were documented.