Satyajit Ray's poetic documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. Ray's documentary is about the sovereignty of Sikkim. The film was banned by the government of India when Sikkim merged with India in 1975. The ban was finally lifted by the Ministry of External Affairs in September 2010. Preserved by the Academy Film Archive in 2007.

This is a documentary on Kaifi Azmi, a famous Urdu poet. His work reflects his strong commitment to the weaker sections of the society.

The film brings to the screen the determination of the common man of Bangladesh to stand up to tyranny and win his priceless liberty back.

Director Shah Krishna compiled this compelling documentary of Indian cinema after spending two years searching through film archives from all over the world. Included are films from the turn of the 20th century through the 1970s to illustrate various schools of filmmaking and the historical progression of the art form.

Cinema is an inseparable part of life in urban India. The film shows the effects of popular cinema on the people.

The Bauls of West Bengal are nomad musicians who practice a traditional form of concert challenged by the increasing modernization of India. The term "Fous" here refers to those inspired and wandering musicians of Bengal known as Baül. The word Baül is derived from the Sanskrit word "vatul," which means "mad" in the sense that it commonly connotes a more or less frenetic behavior in French. The Baül are peculiar individuals, particularly in their mannerisms, customs, and practices. Although they may belong to either the Hindu or Muslim religion, the Baül refuse to be guided by any social or religious conventions. Freedom of spirit is their only guide. They thus move against the tide of habits, preconceived notions, and general theories. "Le chant des fous" (The Song of the Mad) is a film made by Georges Luneau.

Film made during the repressive days of the Emergency in India documents the 1974-75 uprising of the people of Bihar in Eastern India.

In 1970, Ghatak explored the traditional heritage of Chhau in the documentary titled Puruliar Chhau. He explores the life of the performers, including close shots of eminent dancers like Madhu Ray, Gokul Roy, Gambhir Singh and Lal Mahato. His use of flambeau (a rural life lighting to avoid technical lights) and the dramatic way of the narration in which the narrator becomes an integral part of Chhau are highpoints of this documentary. Ritwik went to showcase how tribals use this artform to articulate their struggle against oppression and exploitation in this documentary as well as in Jukti Takko Aar Gappo.

Ramu Kariat films a documentary about a Tamilnadu village

A documentary about the aging prima ballerina Balasaraswati (popularly known as "Bala"), the most famous exponent of the Bharatanatyam dance.

Documentary on the food shortage in India.

Through a couple of poems penned by Sardar Jafri and recited by the matinee idol, Dilip Kumar, this quickie foregrounds faith in human labour that can sell silver of the body and gold of the mind.

Amar Lenin is a 1970 black and white documentary film directed by film director Ritwik Ghatak made for Government of West Bengal in the centenary year (1970) of the birth of Vladimir Lenin.

The documentary film is about the Film and Television Institute of India including the views expressed by students, staff and Ex-Director Shri Jagat Murari. The filmmakers from the institute are 'Rays of Hope' for the alternative or New Indian Cinema.

An abridged version of the film “Ravi Shankar”, a film portrait of the Sitar Maestro, depicting through a series of interviews and recitals his versatile personality as a well-known classical performer and a creative composer of Indian Music.

Unpaid... overworked... a woman at home.... mother ! How muchdoes her labour cost ? Raising such a questions, this film fathomshistory - of matriarchy and patriarchy, of morality, of oppressiveanti-woman modes.

At the age of 54, Binode Bihari Mukherjee, an accomplished painter, lost his sight following an unsuccessful cataract operation. He continued to create art despite his loss of sight. The documentary explores Binode Bihari’s inner eye that guides his fingers to create art.

In the summer of 1974, the Indian government organized an expedition to the Andaman Islands. What you are about to see is the first ever released film about the native peoples of these islands. After a brief review of Port Blair's history, the expedition leaves to meet the Onge people on Little Andaman Island, then to meet the Jarawa people on Interview Island, and finally to Sentinel Island where the Sentinel people have been filmed for the very first time.

The documentary briefly accounts for the achievements of Kathak dancer, Birju Maharaj. It also brings out some interesting glimpses of Birju Maharaj's personal life.

"Visionary post-war modernist Tyeb Mehta channels the nightmares of the nation in Koodal, at once the artist’s self-described “autobiography” and a profound meditation on collage, crowd control, cinematic subjectivity and the violence buried within every glorious act of foundation." -- Sarkari Shorts

The art and life of noted Tabla player Ustad Alla Rakha

Situated in the hilly regions of North Eastern India, the Mizo district was for many years a part of the state of Assam. Having a distinct culture, heritage and language it became a Union Territory on January 21, 1972. Divided into three districts, Mizoram's capital city is Aizwal. This film describes the agricultural wealth of Mizoram, various measures taken by the Government of India to uplift people's standard of living. The hilly territory has a rich tradition of weaving.

Documentary about the violent events that led to the creation of Bangladesh.

The film discusses the various aspects of Begum Akhtar’s life. She was also known as the “Gazal and Thumri Queen”. An intimate portrait, the film presents her in the domestic set-up of her home and as a formidable performer.

A backgrounder showing the state of affairs which eventually led to the proclamation of Emergency by the Government of India in 1975.

The Film is on Subhash Chandra Bose, who founded the Indian National Army (INA) or the Azad Hind Fauz , of which he assumed personal command on 25th July, 1943 to fight the British imperialists. Its Supreme Command Headquarters was established at Rangoon.

A sweeping documentary survey of Indian civilization, tracing 5,000 years of history from the Indus Valley to the era of Indira Gandhi. Written, directed, and narrated by S. Krishnaswamy, the film explores the cultural, religious, and social traditions that shaped the Indian subcontinent and continue to influence contemporary life.

The film showcases India's progress through live footage and numerous photographs, capturing the maker's experiences and impressions.

With only music and images, this film captures the grim struggle for existence of a family of unskillled labourers working on the construction of a new building.

A timelapse short film that chronicles Bombay of the 1970s. Used as educational tool to understand time-lapse, sound sync and lighting apart from historical chronicle of a city.

Educational documentary filmed in b/w on 16mm.

Documentary filmed in Technicolor on 35mm for Steel Authority of India Ltd. (SAIL).

The film explores the significant contributions of Sufi poet, philosopher, musician, and courtier Amir Khusro to the Indian sub-continent's art and culture.

Tucked away in the North-Eastern Himalayas, Sikkim with an area of 7300 sq. km has traditionally been looked upon as abode of spiritual tranquillity. Hinduism is the religion of the vast majority of its inhabitants. Lepen has and Bhutias professing Buddhism form the next dominant group. A protectorate of India, since 1890, this special relationship continued after independence. The Sikkim ruler, known by convention as the Maharaja was permitted to call himself the Chogyal in 1965. The Indian Parliament passed the 38th Constitution amendment bill on April 23rd, 1975 which declared Sikkim as the 22nd state of Indian Union. This film narrates the political history of Sikkim right from 1890.

A short TV filler rendering the raga Megh Malhar as sung by Ustad Amir Khan. The Megh Malhar evoking the rain gods is generally sung between 11.30 PM and 1.00 AM.

Programme on film appreciation made for Bombay TV.

Documentary filmed in b/w on 35mm made for Films Division, India.

The film talks about the opening of opportunities for artists through national exhibitions, state exhibitions and cultural exchanges.

The film presents fascinating life of the people of Manipur both in the valley and hill areas and their colourful festivals and dances.