253 Matches Found

I Am

I Am is a 2011 Indian anthology film by Onir. It consists of four short films: "Omar", "Afia", "Abhimanyu", and "Megha". Each film shares the common theme of fear and each is also based on real life stories. The film was financed by donations from more than 400 different people around the world, many of whom donated through social networking sites like Facebook. There are four stories but the characters are interwoven with each story. "Abhimanyu" is based on child abuse, "Omar" on gay rights, "Megha" is about Kashmiri Pandits and "Afia" deals with sperm donation. I Am was released with subtitles in all regions as six different languages are spoken in the film: Hindi, English, Kannada, Marathi, Bengali and Kashmiri.

I Am

6.5 2011
Gyani Maiya

“We left our language and started speaking others’. The girls have got married and have left for the villages. Boys are getting married in villages. It should be taught to children”. — Gyani Maiya Sen-Kusunda The Gi Mihaq (also known as Kusunda) was a semi-nomadic hunter and gatherer community that settled in villages around the mid-western Nepalese district of Dang. They have long lost their native language Mihaq (Kusunda), to acculturation and other barriers to active use. The community also lost their 83-year-old elder Gyani Maiya Sen-Kusunda in 2020, the most and the only known fluent Kusunda speaker then. Filmed in Kulmor in the Dang District in 2018, this openly-licensed documentary is a memoir of Sen-Kusunda in her own words and a biography of her people who were forced to leave their language and cultural identity. Kusunda is being revived by Kamala Sen Khatri, Sen-Kusunda’s younger sister, and Uday Raj Aaley, a local researcher who is the key interviewer for this film.

Gyani Maiya

10.0 2019
The Cinema Travellers

Showmen riding cinema lorries have brought the wonder of the movies to faraway villages in India once every year. Seven decades on, as their cinema projectors crumble and film reels become scarce, their patrons are lured by slick digital technology. A benevolent showman, a shrewd exhibitor and a maverick projector mechanic bear a beautiful burden - to keep the last traveling cinemas of the world running. A critically acclaimed, poignant documentary that celebrates India’s travelling picture shows and laments their demise, filled with exquisite visuals and marvellous eccentrics.

The Cinema Travellers

0.0 2016
Tiger Tiger

Tiger Tiger follows Dr. Alan Rabinowitz, renowned big cat conservationist, as he travels deep into the primordial landscape of the Sundarbans - a tidal mangrove forest spanning the India-Bangladesh border. Known as one of the most dangerous places on Earth, the Sundarbans is the domain of what may be the largest, wildest remaining tiger population. Only 3,000 tigers remain in the wild throughout Asia, and as Alan journeys through the remote landscape of the Sundarbans, he confronts the treacherous terrain both tiger and man must navigate in their mutual struggle to survive. This may be his last journey; diagnosed with leukemia, Alan must face his own mortality as he races to save one of the world's most charismatic animals from the razor's edge of extinction.

Tiger Tiger

0.0 2015
The Last Adieu

Having the need to resolve the unfinished relationship with her father who had died suddenly when she was only fourteen, Shabnam decides to confront her mother and talk to all the people who had known him. She is eager to fill the holes in her sketchy memory only to find out that he had always been there with her and influenced her at every stage in her life without her knowing it. After thirty years she is now ready to claim her father as she discovers his significance in her life.

The Last Adieu

0.0 2014
Prison Diaries

Story of the unexpected imprisonment of a number of women, for their resistance to the Emergency of 1975-77, through the life of Socialist and famous actor Snehalata Reddy. Being the only woman political prisoner in jail, she spent eight months in solitary confinement, recording her concerns and traumatic experiences in her diary, extracts of which were later published. Released for a few weeks on parole, she died of a heart attack just before she was to return to jail. The film recounts her ordeal through the reminiscences of her children and close friends.

Prison Diaries

0.0 2019
Up Down & Sideways

As they work in cooperative groups — preparing the terraced fields, planting saplings, or harvesting the grain and carrying it up impossibly steep slopes — the rice cultivators of Phek sing. The seasons change, and so does the music, transforming the mundane into the hypnotic. The love that they sing of is also a metaphor for the need for the other – the friend, the family, the community, to build a polyphony of voices. Stories of love, stories of the field, stories of song, stories in song. Up down and sideways is a musical portrait of a community of rice cultivators and their memories of love and loss, created from working together on the fields.

Up Down & Sideways

0.0 2017
Small Things Big Things

If this were a letter, the return address would be: From the students and teachers of Sita School, Silvepura, Bangalore 560090, India. If this were a diary, it would contain entries between 5th June 2012 an 28th April 2013. I return to my first school and join with the present students and teachers in their everyday adventures of learning. Through the stories that unfold we enter imaginary worlds and intimate relationships. 'Small Things, Big Things' is a celebration of when Education becomes Art.

Small Things Big Things

0.0 2014
The Kali of Emergency

During social and political turmoil, what is the manifestation of divine intervention? How do the gods and goddesses act in the volatility of the contemporary world? If they walk on earth as men and women, how do they endure the chaos of modernity? Centering on the terrible and majestic incarnations of Goddess Kali and her celestial avatars, this film is a metaphysical contemplation in times of perpetual emergencies. Avikunthak’s remarkable sense of forms finds expression in the extraordinary combination of performance and essayistic cinematic practices.

The Kali of Emergency

0.0 2017