A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.

A portrait of Ennio Morricone, the most popular and prolific film composer of the 20th century, the one most loved by the international public, a two-time Oscar winner and the author of over five hundred unforgettable scores.

An Italian documentary about Italian cinema.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

A tribute to Italian filmmaker Sergio Corbucci (1926-90), presented by American filmmaker Quentin Tarantino.

Talking about the story of the Gaza genocide with other images and other words is possible. The discovery of some slides in a high school in Catania is the starting point for analyzing the origins of Israel's military occupation of Gaza by resorting to the etymology of the words used to describe what expressions like "terrorist" or "military occupation" mean, while the drawings of Amos, an Israeli child who portrays his imaginary friend Anya under the worried gaze of the babysitter May Golan, point out that most horror stories have deep roots in everyday life. Invention and black humor try to overcome the (denied) reality of an apartheid and a normalized genocide, exposed and simultaneously removed.

A look at the 1950s muscle men's magazines and the representative industry which were popular supposedly as health and fitness magazines, but were in reality primarily being purchased by the still-underground homosexual community. Chief among the purveyors of this literature was Bob Mizer, who maintained a magazine and developed sexually inexplicit men's films for over 40 years. Aided by his mother, the two maintained a stable of not so innocent studs.

During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.

"One evening, without any particular expectations, I went to the Lavanderia a Vapore theatre in Collegno, headquarters of the Balletto Teatro di Torino, directed by Loredana Furno, and I saw Sexxx, the ballet by Matteo Levaggi. I’m not a fan of modern dance, but I think this is why my fascination that evening was sincere and convinced. Above all, I was struck by the way the choreographer was able to take the explicit gestures and movements of sexual communication and transform them into the language of dance. And since body language is one of the topics I have been interested in filming since that ‘scandalous’ Guardami, I was already sufficiently motivated to transform the ballet into a movie." - Davide Ferrario

Who was Joe D'Amato aka. Aristide Massaccesi? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.

A short film containing a collection of clips from various Hollywood movies.

Created by his son Leonardo, this portrait of Adolfo Celi reconstructs his personal and artistic journey between Italy and Brazil. Through interviews, film clips, testimonials, photos, and extraordinary footage from the Celi family's personal archive, we will revisit the places that shaped his life.

Capturing life on the Italian island of Lampedusa, a frontline in the European migrant crisis.

Cesenatico, a town located on the Romagna Riviera, has always been synonymous with seaside tourism. Every 100 meters, an endless series of massive buildings alternate—structures that, over the years, have welcomed generations of teenagers during the summer: the colonies, many of which have since been abandoned and left to decay. In 2014, Simone Tribuiani—known as Tribu—with the help and support of other local creatives, decided to revitalize one of them: the former Santarcangiolese colony, later renamed Bronx Ponente. Inside, he created a space dedicated to local artists, surfers, and skaters—a place for meeting and self-expression. In 2020, members of H.C.B.P. (Hard Core Bronx Ponente)—a collective of skaters that emerged from the events of La Santa—breathed new life into another structure, located just a few meters from the Bronx.

February 20, 1958: the Italian Parliament approved Law No. 75, the "Merlin Law": the end of an institution of Italian society for ages: the brothel. The Italian writer Dino Buzzati likens the event to the fire in the library of Alexandria in Egypt. The brothel is an institution that has spanned the centuries,thru different aspects, different forms. It is an institution that, in Italy, at least officially no longer exists. But it is also an institution that in other countries, still exists. The doc offers a journey that will start from the ruins of Pompeii brothel to get to the lights of Artemis in Berlin, with its soft drinks and its attention to the well-being and to the erotic papyrus from the Egyptian Museum of Turin and the giant Paradise in Girona, that El Pais has called the biggest brothel in Europe.

To mark the recent thirtieth anniversary of Sergio Leone’s death, this documentary sets out to pay tribute to one of the great legends of world cinema. The singular artistic vision of Sergio Leone has transcended national borders, creating the Spaghetti Western genre and transforming the international cinematic panorama forever with his innovative stylistic and narrative solutions, which have now become part of the language of the movies. The film, which is enriched with precious archive footage from the Cineteca di Bologna, including rare audio recordings and film clips shot behind the scenes, sees for the first time the direct participation of the Leone family and has interviews both with Leone’s longtime collaborators and with icons of Hollywood who have been profoundly influenced by his work.

Traces the life of Anna Magnani, her creations, her successes, her triumphs, her boycotted career, her nonconformism, her anxieties, her generosity ... Punctuated with photos that tell her career in theater and cinema, Extracts of films, this documentary portrait also gives the floor to his friends and relatives, from Roberto Rossellini to Marcello Mastroianni, through Federico Fellini.

Marco Belelli, aka Divino Otelma, is a well-known Italian philosopher and television personality. He has 6 degrees and owes his notoriety to his past career as a magician, chansonnier, politician. He is also the founder of the Theurgical Order of Elios and the Church of the Living, a cult with more than 20,000 followers, in which he has the role of a self-proclaimed God. Obstructed in the first stages of its production by the Covid-19 pandemic, the film unfolds over one long year of exchanges at distance between the director and the “Divine”, through Skype conversations in which the manifold topics relating to his multifaceted existence are treated. Significant figures who have been variously connected with his earthly life are also involved in this long journey of knowledge, contributing with their precious testimonies and blurring further our understanding of such a complex and layered figure.

Ferruccio Castronuovo was the only authorized eye, between 1976 and 1986, to film the brilliant Italian filmmaker Federico Fellini (1920-1993) in his personal and creative intimacy, to capture the gears of his great circus, his fantastic lies and his crazy inventions.

Pope Francis responds to questions from around the world, discussing topics including ecology, immigration, consumerism and social justice.

A documentary consisting of a series of travelogue vignettes providing glimpses into cultural practices throughout the world intended to shock or surprise, including an insect banquet and a memorable look at a practicing South Pacific cargo cult.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Emanuelle hosts this peculiar sexploitation Mondo film that looks at several examples of bizarre sexual behavior.

Filmed at the Teatro del Silenzio (Theatre of Silence) in Lajatico over three nights in 2024 and marking his 30th year as an artist, this once-in-a-lifetime event sees classical star Andrea Bocelli appear in his home of Tuscany with a star-studded lineup of special guests to perform songs that have been the pillars of his career. This 4-disc package features two shows – “The Celebration” and “30 Years of Musical Inspiration” and over 4 and a half hours of performances. Bocelli is joined by an 80-piece orchestra, a cast of over 200 musicians and family and friends including Ed Sheeran, Jon Batiste, Shania Twain, Brian May and more. It’s a night that transforms both the landscape and beautiful Tuscan sky into something totally spectacular. The result: a mesmerising and truly unforgettable concert.

Promotional omnibus film, made for the 1990 FIFA World Cup in Italy, featuring portraits of 12 Italian cities.

Interspersed with interviews that the actress Sydne Rome gives to some of the most famous "Formula 1" champions - from Lauda to Regazzoni, from Andretti to Fittipaldi, from Villeneuve to Reutemann - the film shows some moments of the races on the most famous tracks of the world, and above all, the accidents that have caused it.

Somewhat crazy semi-documentary by director Joe D'Amato is a strange series of Burlesque performances from around the globe. Actress and dancer Amanda Lear hosts these mostly musical numbers designed to get people on stage.

After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

World-renowned director Martin Scorsese narrates this journey through his favorites in Italian cinema.

Naples faces dual volcanic threats from Vesuvius and Campi Flegrei. Amid increasing tremors, archaeologists work as residents live anxiously, haunted by Pompeii's fate while emergency services strain.

A documentary on the director’s career, featuring interviews with friends, collaborators, and filmmakers.

A British Intelligence Officer in Naples at the end of World War II: Norman Lewis's acknowledged masterpiece about a war-torn city and its unforgettable humanity.

An unconventional point of view on one of the most successful Italian bands: Elio e le Storie Tese.

William Friedkin attends an exorcism with Father Gabriele Amorth, as he treats an Italian woman named Cristina for the ninth time. Prior to filming, Cristina had purportedly been experiencing behavioural changes and “fits” that could not be explained by psychiatry, and which became worse during Christian holidays.

In the words of the director, a movie about 'the colonizers in the view of the colonized', the movie presents a series of disconnected happenings throughout Europe and Brazil emphasizing the perception of human life as trance-like experiences and thus offering a view of the human history as a connection of symbolic behavior.

A portrait of the comic trio "Aldo, Giovanni e Giacomo".

After the war, almost by chance, Alfonso Sansone started to produce documentary films and moved from Palermo to Rome, the city of film.

Documentary on Italian genre cinema.

It is a musical portrait that shines a spotlight on unknown aspects of the creative, visionary and groundbreaking talent of filmmaker and writer, Lina Wertmüller.

In 1956, Roberto Rossellini was in the throes of a personal and artistic crisis. His recent films with Ingrid Bergman had flopped, their marriage was falling apart, and the press was relentless. When Bergman returned to Hollywood, Rossellini accepted an invitation from Indian Prime Minister Nehru to document India's progress. With doubts and a suitcase full of spaghetti, he set out to find a creative and emotional rebirth in India, inspired by a culture that balanced tradition and modernity.

An account of the life and work of legendary cinematographer and director Carlo Di Palma (1925-2004) and an emotional journey through the great moments of cinema, from Italian neorealism to the masterpieces of Woody Allen.

Sportin’ Life is the sixth incarnation of the international art project Self, curated by Saint Laurent’s creative director, Anthony Vaccarello. This project is an artistic commentary on society while emphasizing the complexity of various individuals through the eyes of artists who evoke the Saint Laurent attitude of confidence, individuality and self-expression. The documentary is an exploration into the sources and personal history of creativity, the essential life of an artist. Raw and sharp, it has the feeling of a moment in time that is still happening. Abel Ferrara’s intimate and lush look at his own life, his world refracted through his art – music, filmmaking, his collaborators and inspirations such as Ferrara’s early works and his creative partnerships with Willem Dafoe, Joe Delia, Paul Hipp and the musicians who inspired this work.

Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.

The documentary offers testimonies and documents never disclosed about the plot against its protagonist, who had the stigmata of Jesus Christ in his hands, feet and side for 50 consecutive years.

This entertaining documentary of the World Cup Soccer tournament of 1966 follows the 15 countries competing for the sport's most coveted prize. Nigel Patrick narrates, with commentary provided by Brian Glanville. The executive producer spent $336,000 on the production and used 117 cameras to record nearly 48 hours worth of action. Four editors were employed to create the final 108-minute feature.

A portrait of Italy observed through the eyes of teenagers who talk about the places they live in and imagine themselves, torn between the opportunities that surround them, the dream of what they want to become, the fear of failing, the trials they hope to overcome.

Francesco Maselli pitched this documentary to the CGIL, CISL, and UIL trade unions as part of the 1.5 million-strong protest march on November 12, 1994 against Silvio Berlusconi's projects on social security and the reform of the pension system. A large number of directors, cinematographers, camera operators and technicians from all over the country worked for free in 22 different crews, chronicling one of largest political gatherings ever held in Italy.

The life and work of master Italian filmmaker Mario Monicelli (1915-2010).

The first Italian documentary on the most extraordinary phenomenon of the 70s: the Kung-fu films!

Docu-film directed by Carlo and Luca Verdone realized on 2013 in occasion of the tenth anniversary from the actor’s death happened on 24th February 2003. Through this documentary Verdone’s brothers with deep respect towards the Roman actor trace an affectionate and sincere portrait not only about an Artist but, above all, about a man with his habits, his ideas, his tics, his vices and his virtues. And for the first time Mrs Aurelia – Alberto Sordi’s sister who is dedicated the documentary – opens the doors of the beautiful house of Via Druso where the actor has lived since 1958. In this way we are led by Carlo Verdone (a sort of Virgilio whose Dante Alighieri wrote about but we are not in the Hell but in the Seven Heaven where there is the source of the Italian Cinema) and on the tips and staying in silence we can go into the rooms of this wonderful house which reveals the true, authentic character of Alberto Sordi.

A farmer's son transforms into a fashion mogul, building a billion-dollar luxury empire while staying true to his humanistic values and commitment to ethical business practices and fine craftsmanship.