They're back! BTS gathers in LA to record their album "Arirang" in this documentary offering unprecedented access to the band as they enter a new era.

Featuring the global K-Pop sensation Stray Kids and a live performance from their record-breaking world tour, alongside exclusive behind-the-scenes footage and intimate interviews with the band, Stray Kids: The dominATE Experience is an epic concert film that gives fans both a spectacular front-row seat and unique access to their favourite band.

After the COVID-19 pandemic, Busan International Film Festival founder Kim Dong-ho, at eighty-five, picks up a camcorder for the first time and decides to make a documentary. His lens turns toward cinemas struggling through the crisis, as beloved theaters vanish amid dwindling audiences. Seeking to reconnect with old friends, "Mr. Kim" — now nearing ninety — travels the world to talk with filmmakers and cinephiles. Through these encounters, he reflects on cinema’s past and future, finding wisdom and resilience in a time of transformation. His journey becomes a meditation on change, memory, and the enduring spirit of film.

Experience ENHYPEN WORLD TOUR 'WALK THE LINE' IN JAPAN – SUMMER EDITION on the big screen! From their very first meeting to the global stage they command today, ENHYPEN's journey is one of growth, unity, and connection. Rising to million-seller status within a year, achieving a record-breaking Tokyo Dome debut, earning their first grand prize in 2025, and delivering a headline-making performance at Coachella, the group's success has been shaped by the powerful bond they share with ENGENEs. This concert film captures that bond in full: electrifying live performances, the intensity of rehearsals, candid moments behind the scenes, and the everyday lives of the members as they travel through Japan in the heat of summer. More than a concert, it is a celebration of connection, a line that continues to extend forward, carrying ENHYPEN and ENGENEs toward the future, together.

ONE OK ROCK DETOX JAPAN TOUR 2025 AT NISSAN STADIUM IN CINEMAS unleashes the raw pulse of a career-defining night—documenting the band's commanding takeover of Japan's iconic Nissan Stadium—where thunderous riffs, soaring vocals, and 70,000 voices collide into something electric, forging an unbreakable bond between the band and their worldwide legion of fans.

On December 3, 2024, in Seoul, the President of South Korea Yoon Sukyeol declares the martial law. Troops move toward the National Assembly to seize control. Meanwhile, citizens rush to the National Assembly to block the troops, while lawmakers break through police's barricades at the main gate, climb over the walls to attend the session that lifts the martial law.

Nicknamed the ‘heart of conservatives,’ Gyeongsangbuk-do (North Gyeongsang Province) is the conservative stronghold of Korean politics, having not elected a single liberal Democratic Party member to the National Assembly in the past 30 years. From the 2022 local elections to the 2024 general election, TV-writer-turned-filmmaker Hong Youngah documents the uphill battle of Democratic Party candidates, clad in signature blue jackets, in this ‘land of the red.’

In the third year of the Yoon Sukyeol administration, the nation was already at a boiling point. A move to end democracy backfired, opening the plaza. This records the accidental Namtaeryeong plaza on a winter solstice night and the struggle to carry its spirit into everyday life.

On the night of December 3, 2024, South Korea was thrown into chaos. What the public first heard as "an insurrection" quickly became one of the most polarising political events in modern Korean history. This documentary revisits that night and asks a deeper question: Was it really a coup attempt or the result of a calculated political trap? Through interviews, legal analysis, and evidence, the film investigates the impeachment of President Yoon Suk-yeol and the rapid collapse of his administration. It explores claims that an overwhelming opposition majority, built through alleged election manipulation, enabled a form of "legislative dictatorship" that mirrored the path that led to President Park Geun-hye's impeachment eight years earlier.

"Wae(Distorted): The Cartel" is a shocking documentary film that conducts an in-depth analysis of various statistical and physical evidence revealed during South Korea's April 15, 2020 general election. The narration is provided by Yoon Joo-sang, a renowned actor and voice actor. The horrific election fraud—so hard to believe and yet impossible to ignore—did not end with the April 15 general election. It has continued even after the change of administration. It is our sincere hope that this film will help widely expose the appalling reality of election fraud that outrages the conscience of all people.

After recovering from leukemia, Jang Juhee, who once dreamed of becoming a filmmaker, begins working at a center for independent living for people with disabilities. There, she meets documentary director Bu Seongpil, disabled and bedridden Seon Cheol-gyu, and In-sook, who lost a family member in the Sewol ferry tragedy. Shaped by childhood memories of domestic violence and years of illness-induced isolation, Jang’s gaze and inner world begin to expand through these individuals.

The film connects the present of a failed revolutionary, who has left the factories and cities behind, with the death of a subcontracted worker two decades prior. Across this temporal divide, it explores the lingering, unabandonable possibility of a new revolution—a stark meditation on struggle, memory, and the embers of hope that refuse to be extinguished.​

On May 27, 1980—the last day of the Gwangju Uprising—students at Sinheung High School in Jeonju defied martial law. Their teacher disciplined them to protect them, but this act of love left forty years of misunderstanding. Now in his nineties, the teacher reunites with his former students to finally offer each other the reconciliation they had long set aside.

13 years ago, I, Susanne, a German woman, and Jeong Rae a Korean man, fell in love at first sight and promised each other eternity. However, Jeong Rae who had to live as a foreigner in Germany, decided to return to his hometown in South Korea and open a chicken restaurant with his mother. I told him that I will start making a film or file for divorce. We both laughed, but we knew: this is serious. When we got married, we thought that love would overcome all the cultural differences between us, but the reality was not so easy. My parents, who consider Jeong Rae irresponsible for not having a proper job; my mother-in-law Sun Ja, who can't understand a single word I say; our daughter, Hannah, who just wants to have a "regular“ family; and me, feeling jealous of the chicken that Jeong Rae is so passionate about.

In Iran’s remote nomadic landscape, a family navigates their traditional existence in a modern world. When their sheep vanish overnight, tensions rise between the three sons and their parents.

In the rural Liangshan Mountains, 14-year-old Qihuo and her friends embark on a road trip to find a skirt for her traditional menarche rite of passage.

From a cramped Mumbai storefront, Khatoon leads Mumbai's first women-led Islamic court. Amidst heated arguments and raw testimony, these female judges settle cases of domestic conflict, reclaiming religious law from male dominance to offer a new path toward grassroots justice.

When an unplanned baby nicknamed Guava enters the lives of conservative mother Cuc, troubled daughter Mai, and detached gay son Quang, the trio travels back in time through their family diaries and photos. With his first film, Quang creates a time capsule for Guava, in which mending ruptured bonds and preparing for a new cycle of motherhood will hopefully help acceptance prevail.

The circumstances of artists associated with their studios are very diverse. In an era where it is difficult to occupy even one square foot of residential space due to inequality in space due to economic and social conditions, artists who own or rent studios to produce art have continued to walk a tightrope between thinking and reality. How is it possible to do what you want to do? Depending on the type of work and socioeconomic conditions, the method of occupation, size of space, and method of utilization are very different.

Growing up alongside her non-verbal brother with a developmental disability, Jinhyun has always sensed the invisible boundaries society draws between them. Her film journeys through the institutions marked by abuse, tracing the shape of a world built on exclusion.

Jung Ei-jin (79), the last transferee of the four Gukchang families, is looking for a transferee of the Dongpyeonje "Sugungga". Jung Ei-jin has many disciples, but everyone is unsuitable as a transferee due to circumstances. Jung Ei-jin is suffering because he can't find a successor as he ages. Students who continue their dreams narrowly between art and livelihood say they are happy when they sing.

A Danish-Korean director explores her life as an adopted child and discovers a family history full of shadows, stretching from the west coast of Denmark to the mountains of South Korea.

Since childhood, I have carried an imaginary self named “Rachael LEE,” who lives in France. I believed she would fade, but even in my mid-twenties she remains. Refusing to leave her as a dream, I take my camera and leave for France to uncover who “Rachael LEE” — and who I — truly am.