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Game of Thrones: The Last Watch

For a year, acclaimed British filmmaker Jeanie Finlay was embedded on the set of the hit HBO series “Game of Thrones,” chronicling the creation of the show’s most ambitious and complicated season. Debuting one week after the series 8 finale, GAME OF THRONES: THE LAST WATCH delves deep into the mud and blood to reveal the tears and triumphs involved in the challenge of bringing the fantasy world of Westeros to life in the very real studios, fields and car-parks of Northern Ireland. Made with unprecedented access, GAME OF THRONES: THE LAST WATCH is an up-close and personal portrait from the trenches of production, following the crew and the cast as they contend with extreme weather, punishing deadlines and an ever-excited fandom hungry for spoilers. Much more than a “making of” documentary, this is a funny, heartbreaking story, told with wit and intimacy, about the bittersweet pleasures of what it means to create a world – and then have to say goodbye to it.

Game of Thrones: The Last Watch

7.1 2019
On Broadway

An all-star cast tells the inside story of the Broadway theater, and how it came back from the brink thanks to innovative work, a new attention to inclusion and a sometimes uneasy balance between art and commerce. Legends of the stage and screen—including Helen Mirren, Christine Baranski, August Wilson, James Corden, Alec Baldwin, John Lithgow, Viola Davis, Hugh Jackman and Ian McKellen—take us behind the scenes of Broadway's most groundbreaking and beloved shows, from A Chorus Line to Hamilton. Iconic performances by Lin Manuel Miranda, Patti LuPone, Bernadette Peters, James Earl Jones and Mandy Patinkin lead the way on a hurly burly ride through Times Square, once again the main street of American show business in this documentary directed by Academy-Award nominee Oren Jacoby.

On Broadway

8.7 2019
What She Said: The Art of Pauline Kael

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

What She Said: The Art of Pauline Kael

6.7 2019
FUCK TV

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

FUCK TV

0.0 2019
Trish & Lita – Best Friends, Better Rivals

Behind the scenes, Trish Stratus and Lita are the best of friends, but when they go eye to eye in a WWE ring, they become two of WWE’s greatest adversaries. For the first time ever, WWE Home Video collects this historic rivalry from beginning to end with Trish and Lita: Best Friends, Better Rivals. From their first foray into sports entertainment as valets, to their legendary matches for the WWE Women’s Championship, to their team ups, this set covers their parallel journeys together in sports entertainment.

Trish & Lita – Best Friends, Better Rivals

9.0 2019
Margaret Atwood: A Word After a Word After a Word Is Power

The views and thoughts of Canadian writer Margaret Atwood have never been more relevant than today. Readers turn to her work for answers as they confront the rise of authoritarian leaders, deal with increasingly intrusive technologies, and discuss climate change. Her books are useful as survival tools for hard times. But few know her private life. Who is the woman behind the stories? How does she always seem to know what is coming?

Margaret Atwood: A Word After a Word After a Word Is Power

6.8 2019
Stacey Dooley: Face to Face with the Arms Dealers

Stacey Dooley meets an arms dealing family in the USA who supply more than 100 countries with high-grade weapons. She gets a rare glimpse into this strange world - hanging out with the mum who sells all kinds of arms from grenade launchers to sniper rifles, and her son, who makes thousands of bullets for the weapons his mum sells. Stacey finds out which countries can and can't buy international arms, and sees how deals are made in this most secretive business, which kits out armies, law enforcement agencies, private security companies and individuals. She goes inside a gun factory to see how weapons are made, checks out the latest in guns with facial recognition, loads a bullet case with gunpowder and learns to shoot one of the world's most powerful sniper rifles. While she questions the morality of this unusual career choice, and worries about guns falling into the wrong hands, she discovers these arms dealers have their own code of honour and set of ethics.

Stacey Dooley: Face to Face with the Arms Dealers

0.0 2019
For Sama

A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.

For Sama

8.2 2019