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How to Be Really Bad

The life of 14-year-old Lilith is similar to that of a normal teenager, but there is a peculiarity: she is the daughter of the devil and lives with him in hell. Because she is totally bored there and also wants to have fun and explore the world, she makes a pact with her father: she is allowed to go to earth for a week - but she has to convert a good person to evil there. If she succeeds in this challenge, she may stay on earth forever, otherwise she'll be waving a hell of a boring job in the bookkeeping of the underworld.

How to Be Really Bad

6.6 2018
Wuff

Romantic comedy about the love confusion of four girlfriends, whose lives are properly turned upside down by their four-legged friends. After being abandoned by her boyfriend, Ella adopts a half-breed called Bozer, who jumbled up her everyday life, but also makes her happy again. Cecile, on the other hand, is about to divorce, but the meek four-legged Simpson averts the worst and is also there for the children. Silke works as a dog trainer and knows very well about the animals, but she has her problems with her fellow human beings. She meets former footballer Olli. And also Lulu has met someone, but her acquaintance is a dog lover, while she has a preference for cats.

Wuff

5.4 2018
Styx

Rike is forty, a successful doctor whose job demands everything of her. She intends to use her much-needed annual holiday to fulfill her long-cherished dream of sailing alone from Gibraltar to Ascension, a small tropical island in the middle of the Atlantic. Her desire for a carefree holiday seems to be coming to pass but then, after a storm, her beautiful adventure suddenly turns into an unprecedented challenge when she spots a badly damaged, hopelessly overloaded refugee boat nearby.

Styx

6.3 2018
Yuli

Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.

Yuli

6.9 2018
Mischief

Set in a Medieval town, the film has a theatrical quality, as the behaviours and actions of the characters are exaggerated almost to the point of satire. Nevertheless, its relatively dark and heavy plot yields over-the-top expressions from the actors. There is little dialogue as the story opens: a mother is seen tending to her sick daughter, whom she is then told must be sacrificed to the forest. The viewers patiently but curiously watch the mother perform healing rituals with objects like egg shells, dried plants and twigs–also recurring in the installation–until the daughter mysteriously disappears.

Mischief

0.0 2018
Only God Can Judge Me

Ricky spent years behind bars after taking the rap for his brother Rafael and his buddy Latif after a failed robbery. Now, Latif wants to express gratitude by letting Ricky in on a coup that will bring lots of money. After some hesitation, Ricky agrees, and gets his brother Rafael on board. Everything runs smoothly, until police officer Diana turns up on the scene. A nerve-wracking cat and mouse game is set in motion. Director Özgür Yildirim’s most recent film offers insight into Frankfurt’s gangster world. As before in CHIKO – which also starred Moritz Bleibtreu – he portrays the daily life of the criminal underground scene in a large German city.

Only God Can Judge Me

6.8 2018
Where Are You, João Gilberto?

Where are you, João Gilberto? sets out in the footsteps of German writer Marc Fischer who obsessively searched for the legendary founding father of Bossa Nova and last great musical legend of our time, Brazilian musician João Gilberto, who has not been seen in public for decades. Fischer described his journey in a book, Hobalala, but committed suicide one week before it was published. By taking up Marc Fischer's quest, following his steps one by one, thanks to all the clues he left us, we pursue João Gilberto to understand the history, the very soul and essence of Bossa Nova. But who can tell whether we will meet him or not?

Where Are You, João Gilberto?

6.4 2018