Impoverished priest Harihar Ray leaves his rural Bengal village in search of work. His wife, Sarbojaya, looks after their rebellious daughter, Durga, and young son, Apu. The children enjoy the small pleasures of their difficult life.

An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.

A petty thief is put on trial for the attempted murder of a lawyer. Through a series of flashbacks, the intertwining lives of the thief, the lawyer, and the thief's defense lawyer are illustrated.

A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

Apu and his family have moved away from the country to live in the bustling holy city of Benares. As he progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother.

This first co-production of the Soviet and Indian cinematographers is dedicated to the Tver merchant Afanasy Nikitin who in 1466-1472 blazed the trade way from Europe to India. The film is based on Nikitin’s travel notes. Starring in the film are popular Russian actor Oleg Strizhenov and India’s 1950s movie star Nargis.

Apu, now a jobless ex-student dreaming vaguely of a future as a writer, is invited to join an old college friend on a trip up-country to a village wedding.

The story of a small-town man who comes to make it big in the city, where he is almost instantly relieved of all his possessions. Homeless and penniless, he is taken in by a woman who looks after him.

Vijay, a destitute poet, searches for true love while attempting to get his work published. With the assistance of two women in his life, his dream comes true - but at a cost that causes Vijay to rethink his worldview.

The film tells, in flashback, the story of Suresh Sinha, a famous film director and his relationship with an aspiring actress.

On a dark, stormy night, a young woman appeared near the orphanage. Holding her child close to her chest one last time, she left him at the door and disappeared as quietly as she had come. Only the moon and stars were silent witnesses to her deed, the cry of a desperate soul. "Munna" means "baby" in Hindi. That is what the owner of the orphanage named the foundling. Years passed. One day, a wealthy childless couple came to the orphanage, wishing to adopt one of the boys. Their choice fell on Munna. However, upon learning that the child's mother was alive, they changed their minds and left, leaving a gold amulet around the boy's neck. That night, Munna could not sleep: pain and longing weighed heavily on his little heart. The boy ran away from the orphanage and set off for Bombay in search of his mother. He was determined to find her.

Madan comes from a poor family background. Unable to find employment, he takes to gambling in order to pay for his sister's medical expenses. Soon, he forms a bond with Leena, a dancer, and is falsely accused of her murder.

Entering an apartment block in search of a drink of water, a naive peasant finds himself mistaken for a thief and is chased by the residents. Whilst evading capture, he inadvertently exposes the venality and dishonesty of the building's middle class occupants.

Balarama promises Subhadra that he'll marry his daughter to her son. But when the Pandavas lose their kingdom to the Kauravas, Balarama breaks his promise.

A newspaper editor gets murdered when he was about to expose the underworld links of a rich man. A C.I.D inspector gets assigned to investigate the murder.

Kalu is a taxi-driver in Bombay, India. He has two women who love him and would like to marry him. Kalu first wants to establish himself, and become rich, before he can even think of marriage. One of the women who loves him, has a father who is involved in gangster-type activities, and would like Kalu also to join him so that he can get rich soon. Kalu has now to decide to become rich quick or sleep better.

A sleep suspense thriller, from Vijay Anand (his directorial debut), Nau Do Gyarah is the story of Madan (Dev Anand) on his way to Bombay to inherit his uncle's estate. On the way, he picks Raksha (Kalpana Kartik), who has run away from home, rather than be married to a man she does not like. On reaching Bombay, Madan finds his uncle dead, and the estate taken over by Kuldeep, his aunt's nephew. The new will is missing. Madan has to find out, what really happened to his uncle and the missing second will. S. D. Burman's compositions embellish this fast paced and stylish thriller.

A young boy travels to Delhi, wanting to meet Prime Minister to seek justice for his father who has been wrongly sentenced to death.

Childhood sweethearts grow up in a small village with a love-hate relationship which changes to love when they mature.

Two orphans are forced by their abusive aunt to beg in the streets of Bombay. They take up shining shoes but are separated from each other.

Two fathers, one poor and the other rich, hope that a wealthy postmaster will wed one of their daughters.

An impoverished man and his young son travel to Calcutta and look for work, in order to make money that'll save their ancestral land from being seized by a corporation.

Classic Bollywood film about a young man whose poverty leads him to commit crimes which, in turn, lead him to harsher and harsher punishments.

Mr. Bhatnagar alias Masterji comes from a poor family, and lives on a day to day basis. He has a daughter and a son, alongwith his wife, who he has fooled into believing that he has saved quite a bit of money, to retire happily, and to get his daughter married. Masterji's dreams turn into a nightmare, as he is unable to meet his debtors, loses his job, and dies tragically, leaving his daughter to the mercy of a cruel society; his son, who has taken up crime, and his wife desolate, and destitute.

A young, naive heiress is forced into a 'marriage of convenience' with an unemployed cartoonist in an attempt to save her millions - a move orchestrated by the scheming aunt.

Gauri, an orphan, is falsely accused of theft and lands up in a reformatory run by Ashok. Due to her rebelliousness, she gets into trouble. But, gradually she comes into her own with Ashok's help.

When teacher Indu (Kamini Kadam) marries engineer Ravi Shankar Chaube (Rajendra Kumar) after years of living with her unemployed, widower father, Moolchand Chabbe (Radhakrishan), it's a readjustment -- especially when Moolchand begins gambling after Indu quits working and has a child. Now Ravi puts them all on a budget, and to make ends meet, Indu goes back to work. But Ravi insists she must quit or face a divorce in this Indian drama.

After Shekhar (Raj Kapoor) falls for beautiful Sharada (Meena Kumari), he makes her promise that she'll wait for him while he goes abroad on a business trip. But when Shekhar's plane goes down in flames, Sharada finds comfort in the arms of another man, not knowing that he's Shekhar's widowed father (Raj Mehra). Trouble is, Shekhar survived the crash and soon returns home, only to discover that Sharada has become … his mother!

A poor farmer conquers the love of an Indian princess, whose brother wants to kill their father to become king.

At the behest of his father, Raj writes letters to Chandra, a prospective bride. However, unbeknownst to him, it is Neelu, Chandra's sister, who responds to his letters and falls in love with him.

A classic love story focusing on the emotional trials and obstacles faced by the two individuals in their journey toward finding true love.

Having been unjustly accused of having an affair, a dutiful and loving wife is thrown out of the house by her husband and forced to abandon her baby. When mother and child are eventually reunited, the mother faces an uphill struggle to regain the love of her daughter.

An underpaid middle-aged clerk finds a stone that changes iron to gold on touch. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2007.

Dhoon (Tune or Passion) is a 1953 Bollywood film directed by M. Kumar. The film was produced by Silver Kings, a production company formed by Kumar and his then wife, actress Pramila.[1] The film stars Raj Kapoor, Nargis, Motilal, Kumar, Pramila,[2] E. Bilmoria, Leela Mishra and Kamal Mehra. Mehra was a lesser known comedian who started his career in 1951 with Naujawan. He went on to act in several films before starting his own production company Pride Of India under which he made films like Kismat (1968), Mahal (1969) and Naami Chor (1977).[3] The music was by Madan Mohan.

Twenty years ago, Sardar Rajpal killed his brother and fled his hometown with his adopted daughter. Once settled, he asked his estranged wife to send their son on the misleading promise of employment. When two young men with the same name show up, both claiming to be there for the job, a baffled Sardar is forced to work out the imposter and his motive, while his daughter gradually develops a soft spot for one of them.

While helping her friend evade a blackmailer, a woman fears she might have committed manslaughter.

Kammo lives a very wealthy lifestyle with her widowed multi-millionaire dad, Girhdarilal, who would like her to get married to someone who is not after their wealth. To his dismay, she chooses to marry a Pilot named Sumankumar, who is known to womanize, and for his greed, so when he disapproves, she runs away. He advertises for her safe return and offers to pay Rs.1.25 Lakhs to the finder. Four days later, Kammo returns and she is not the same anymore, she is more humble, sober, and respectful. Fully appreciative of this, Girdharilal agrees to get her married to Sumankumar. Just before the marriage, a man named Sagar approaches them - and it is this visit that will change their lives forever.

Hajari Thakur, a middle-aged Bengali Brahmin cook, faces humiliation and exploitation at his job while harboring dreams of owning his hotel. After overcoming numerous challenges including wrongful imprisonment and financial hardship, he successfully establishes a thriving hotel business, eclipsing his former employer and even securing a contract to manage large railway hotels. In a surprising turn of events, Hajari offers his former tormentors, Bechu Chakraborty and Padma, positions in his growing enterprise, showcasing his resilience and magnanimity.

A fiery, forbidden romance ignites a conflict between the daughter of a powerful clan leader and a man from a poor family, escalating into a bitter feud that brings her father's wrath and merciless torture upon her beloved.

An orphaned boy from a fishing village, adopted and educated by a wealthy family, must choose between his sophisticated wife and a new love in his rural birthplace as he dedicates his life to uplifting his long-lost community.

Ajit is a poor farmer who has mortgaged his land with Zamindar Haridas. Ajit gets in the bad books of Haridas, and as a result he loses his house and property, on the very day of his sister's marriage. Ajit loses his temper and assaults Haridas, and as a result is arrested and imprisoned. His sister, Parvati, on her own now, gets molested, but is rescued in the nick of time by Haridas' son, Dr. Manohar, who eventually marries her, much to the anger of his dad. When Ajit is released from prison, he comes to Haridas' house with a sharp knife, bent on vengeance at any cost, not knowing that his sister is married in this family.

A satirical comedy that deals with the negative effects of the Indian dowry system, through the marital life of Venkata Ramana and Ammadu.The film was made simultaneously in Telugu and Tamil, the latter titled Kalyanam Panni Paar.

The story revolves around the last life crisis of Jamini Mohan and his wife. After his retirement, Jamini Mohan and his wife Santoshini continued to be despised in the family of their earning sons. At this time, Gobinda, an orphan of a distant relative, became their mental hope. After facing various humiliations from their blood relationship Jamini Mohan died and as the mother of three sons, Santoshini became a burden to this family. Eventually, Gobinda became Santoshini's absolute refuge.

A rich businessman, Dayashankar Kumar (Shivraj), who is a widow, lives with his two young sons Ashok and Raj. When he catches the younger boy Raj stealing money, he punishes him and threatens to cut off his fingers. A frightened Raj runs away from home. Years pass and the older brother Ashok (Ashok Kumar), becomes the owner of his father's business and property, running Superior Motors, which also extends to Bombay. Ashok is married to Lakshmi (Nirupa Roy) and is a caring and loving husband. They have a young son, Munna (Daisy Irani).

During the days of the Vijayanagara Empire there was a system to bring willing women to the royal palace and render them official residents. This was called 'Rani Vasam'. According to this royal tradition, they sent palanquins to their houses, after they presented the family with gifts and jewelry. These Rani Vasam women should never have any contact with any man or let any man see them without permission. If any one violated the law, they were beheaded. Malleswari (Bhanumathi) was taken to this Rani Vasam. She was forced to accept this, for lure of money and jewelry by her parents. But she was already in love with her 'Bava' Nagaraju (N.T. Rama Rao), a sculptor. He stealthily got into the garden of the palace to meet his beloved and was caught. He was to get the death penalty. Krishnadevaraya for once pardoned the hero and allowed Malleswari to go with him.

After her widower dad, Kedarnath, passes away, Shobha goes to live with his friend, Charandas, and his wife, Shanta, who had their son go missing as a child. Years later Shobha is now matured and Charandas scouts for a suitable groom. A wealthy man, Sunder, would like to marry Shobha, but the family detests him.

An impoverished advocate faces challenges after he falls in love with a wealthy woman who has a look-alike courtesan sister.

In Calcutta at the turn of the century, two families (one wealthier than the other but both belonging to the same caste) live in adjoining properties. Their respective patriarchs fall out over the repayment of a loan and the intervention of a member of a lower caste in the families' financial arrangements. The rift causes much heartache to the younger members of the families, two of whom have secretly plighted their troth to each other.

Anil, an artist, comes to stay in a village with his friend Jeevan. While there he meets Asha and asks her to model for his statue. The two fall in love. They marry secretly but Anil must leave as his father is dying. While on the way back his car crashes and he is disfigured. Anil is now reluctant to go to Asha in case she no longer loves him, while meanwhile Asha is pregnant and being shamed by the villagers.

Shankar lives in a remote village in rural India with his mother and sister, Manju, and drives a horse-carriage for a living. The main employer in the region is a kind-hearted businessman Maganlal. When Maganlal announces that he would like to undertake a religious pilgrimage, his son, Kundan, takes over and wants to cut back on labor and mechanize the business - thus leading to loss in jobs

Set in the 19th century against the backdrop of the Mutiny of 1857, the film is about the bravery of queen Lakshmibai, Rani of Jhansi, who took up arms and led her army against the British.

1956 Indian Tamil-language historical comedy film

Saamri, an evil magician, causes trouble in the lives of Prince Jalal and his princess. As the situation worsens, the prince sets out to destroy the magician.

A once loyal soldier faces many challenges after turning into a rebel.

Kamla lives a poor lifestyle in a small town in Uttar Pradesh, India, along with her widowed dad, Dinanath, who works as an Accountant with Sarpanch Journal, and two younger brothers, college-going Kumar, and school-going 12 year old brother, Kishore. Dinanath's main aim is to get Kamla married to her lover, wealthy Prem, and ensure that Kumar and Kishore get a proper college education. When Dinanath's eyesight becomes very weak, he starts making errors, and loses his job. He does manage to persuade his employer, Laxmidas, to hire Kumar once he gets his degree in Arts. On the day of the results, Kumar has an accident and passes away, a devastated Dinanath bangs his head, injures himself, is hospitalized, recovers but loses his vision completely. As a result, Kamla's wedding is canceled, Prem reluctantly gets married to Shyama; while Kamla gets a job and starts to look after her dad and Kishore.

The king of Mullai nadu appoints Veera Mohan as the General of the army. Raja guru, the head priest and Parthiban, his son are enraged by this decision. This turns Parthiban into a bandit.

Ram goes crazy after death of his mother and sister, once released from mental hospital comes across Mr Kirorimal who insures him and wants him dead for the money. However Ram ends up marrying his daughter.

A wealthy man, suspected of murder, is killed before he can be arrested. Everyone in his household is under suspicion. A private investigator looks into the case and finds himself falling in love with one of the suspects.

The story starts with the scene where Goutam Chatterjee is escaping from jail. Goutam is a freedom fighter and political leader. When Goutam is escaping, he takes shelter in Ruchira Banerjee's house. Ruchira's father Rajbahadur. R. C. Banerjea is a police officer. Goutam gets away from there. In the meantime, Ruchira leaves her house because her father forces her against her wish to get married to Subir. After that, suddenly Ruchira meets Goutam again. They become friends and they move from one place to another together. And the story continues with suspense at every turn.

A young man goes on a quest to find his mother and to restore justice in a kingdom that has fallen into the hands of traitors.