Frente de Madrid

Basque Country, Spain, late nineties. A young policewoman manages to infiltrate the ruthless terrorist gang ETA.

Spain, 1973. Dictator Francisco Franco has ruled the country since 1939 with an iron fist; but he is now a very old and sick man. The future of the weakened regime is in danger. Admiral Carrero Blanco is his natural successor. The Basque terrorist gang ETA decides that he must die to prevent the dictatorship from continuing.

David Carr is a British Communist who is unemployed. In 1936, when the Spanish Civil War begins, he decides to fight for the Republican side, a coalition of liberals, communists and anarchists, so he joins the POUM militia and witnesses firsthand the betrayal of the Spanish revolution by Stalin's followers and Moscow's orders.

Four Spanish ex-intelligence officers are assassinated simultaneously worldwide. The CNI discovers all participated in the covert "Operation Ciénaga" decades ago in Colombia. Zeta, the CNI's best operative, must hunt and protect the sole survivor, facing his deadliest global mission yet. Top Colombian agent Alfa will join Zeta, seemingly knowing more about "Ciénaga"'s secrets than him.

A young agent leaves everything behind to pose as a member of ETA, risking her life to uncover the terrorists' hideouts in the south of France.

Johnny is a long-serving MI5 officer. His boss dies suddenly, leaving behind an inexplicable file which threatens the stability of the organisation.

During the harrows of WWII, Jo, a young shepherd along with the help of the widow Horcada, helps to smuggle Jewish children across the border from southern France into Spain.

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.