Although Marinetti wrote the Manifesto of Futurist Cinema, Velocità is seen by some as the only futuristic film in its own right. Beside a dense intertextual network and a mechanic dance of the screen titles and objects dancing to stop-motion beats, the movie features a unique showcase of air painting on film and a few swinging frames from the streets of Turin.
Although Marinetti wrote the Manifesto of Futurist Cinema, Velocità is seen by some as the only futuristic film in its own right. Beside a dense intertextual network and a mechanic dance of the screen titles and objects dancing to stop-motion beats, the movie features a unique showcase of air painting on film and a few swinging frames from the streets of Turin.
Across different eras, a poor family, an anxious developer and a fed-up landlady become tied to the same mysterious house in this animated dark comedy.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
A documentary on the making of the three Godfather films, with interviews and recollections from the film makers and cast. This feature also includes the original screen tests of some of the actors for "The Godfather" film, and some candid moments on the set of "The Godfather: Part III."
The making of Matrix Revolutions, The (2003) is briefly touched on here in this documentary. Interviews with various cast and crew members inform us how they were affected by the deaths of Gloria Foster and Aaliyah, and also delve into the making of the visual effects that takes up a lot of screen time. Written by Rhyl Donnelly
Cobb, Arthur and Nash are enlisted by Cobol Engineering.
Bruce Conner’s most celebrated film for a reason: it takes historical moments that were replayed over and over on television—chilling repetition of Kennedy assassination coverage—and repurposes them into a meditation on how the media tries to exert authority and apply a sense of order to the anarchic. And though it may sound perverse to say so, the film is also—not incidentally—a thrill to watch. -- The A.V. Club
A documentary on legendary movie-poster artist Drew Struzan.