Paper-Scissor-Rock wars draws an episode where the two generals portray the Second World War, mostly through the rock-scissors-bag, but also by some absurd torture techniques that bring to mind some sort of Japanese artificial 70s jack ass. To the sound of classical music, birds chirping and Nazi incendiary speeches travels generals, ever contestant in the seemingly meaningless game around at an abandoned industrial area.
Mitsufumi Hashimoto
Salvador Tari
Paper-Scissor-Rock wars draws an episode where the two generals portray the Second World War, mostly through the rock-scissors-bag, but also by some absurd torture techniques that bring to mind some sort of Japanese artificial 70s jack ass. To the sound of classical music, birds chirping and Nazi incendiary speeches travels generals, ever contestant in the seemingly meaningless game around at an abandoned industrial area.
During World War II, Italian villagers hide their wine from the German army.
A by-the-book Captain is ordered to capture a strategic village in Italy. The Italian soldiers are willing to surrender, if they can have a festival first. The lieutenant convinces the Captain this is the only way. Because of aerial reconnaissance, they must look like they are fighting. To sort this out an intelligence officer is sent in. Meanwhile the festival gets complicated with the Mayors daughter.
During the harrows of WWII, Jo, a young shepherd along with the help of the widow Horcada, helps to smuggle Jewish children across the border from southern France into Spain.
Inspired by events in A.D. 60, Boudica follows the eponymous Celtic warrior who rules the Iceni people alongside her husband Prasutagus. When he dies at the hands of Roman soldiers, Boudica’s kingdom is left without a male heir and the Romans seize her land and property. Driven to the edge of madness and determined to avenge her husband’s death, Boudica rallies the various tribes from the region and wages an epic war against the mighty Roman empire.
Three different men, three different worlds, three different wars – all stand at the intersection of modern warfare – a murky world of fluid morality where all is not as it seems. A unique and dramatic look at the Canadian Army in Afghanistan.
Branded a traitor by her countrymen, French national Marie DuJardin is rescued by American soldiers on one condition: to survive, she must lead them to a cache of gold - before the Nazis return to claim it for themselves.
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
In Korea, on 6 September 1950, Lieutenant Benson's platoon finds itself isolated in enemy-held territory after a retreat. Soon they are joined by Sergeant Montana, whose overriding concern is caring for his catatonic colonel. Benson and Montana can't stand each other, but together they must get the survivors to Hill 465, where they hope the division is waiting. It's a long, harrowing march, fraught with all the dangers the elusive enemy can summon.